








Persian Rug Super Nain 9 La 136 x 88 cm Wool Hand-knotted
€ 952
Hand-knotted Nain Persian Rug | Knot density: approx. 500,000 knots/m² | Material: pile 90% virgin wool, 10% silk, warp 100% cotton | Size: 136 x 88 cm | Pattern: traditional Oriental/Persian | Condition: New, very good
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Description
Nain Persian Rug
Material and Craftsmanship
The Super Nain 9 La is hand-knotted with a pile made of 90% virgin wool and 10% silk. Its warp is 100% cotton. The materials therefore have distinct roles within the construction: virgin wool forms the main body of the pile, silk is used as a secondary pile fibre, and cotton provides the warp structure into which the knots are worked. Wool is valued in oriental rugs for its soft handle and practical resilience. Silk introduces a finer surface character and can add a restrained sheen to the visible pattern.
Hand-knotting means that the knots are inserted individually rather than produced as a mechanically repeated surface. The product describes this rug as having approximately 500,000 knots per square metre, indicating a very fine construction. Such fineness supports the rendering of narrow outlines, small ornamental details and carefully controlled transitions. In this piece, the wool-and-silk pile, cotton warp and hand-knotted technique form the stated basis of its Persian craftsmanship.
Wool gives the pile a substantial textile foundation, while silk can respond differently to light and make parts of a design appear more finely articulated. The combination is therefore both tactile and visual. These are general properties of the fibres used here and do not add an unstated colour or design detail to this particular rug. The construction remains the one specified for the piece: hand-knotted, with a predominantly virgin-wool pile, a silk component and a cotton warp.
Origin and Tradition
This rug comes from Persia, or Iran, and is associated with the Nain region. Nain is recognised for finely made Persian rugs and for a disciplined approach to drawing and knotting. Nain rugs became especially prominent during the twentieth century, when the region’s weaving tradition gained a strong reputation for refined workmanship. Their appearance often combines a precise layout with delicate ornament, creating a design that is detailed without losing overall order.
The name Nain identifies a weaving region in Iran rather than merely a decorative theme. Regional rug traditions are shaped by local workshop practice, the transmission of weaving knowledge and established preferences in structure and ornament. In Nain, fine knotting is closely linked with the careful execution of the design. The maker must maintain the relationship between the drawn pattern, the rows of knots and the changing outlines of the motifs. This makes technical consistency important at every stage of production.
Persian rug making encompasses many regional languages of pattern and construction. Nain occupies its own place within that wider Iranian tradition. Floral elements, ordered central arrangements and geometric framing are frequently brought together in Nain designs. The result is a style in which symmetry and measured repetition provide a clear framework, while smaller details give the surface its character. The designation Super Nain 9 La describes the offered execution; it does not alter the stated origin of Nain in Iran.
The craft is also connected with the passing on of skills from one generation to the next. A hand-knotted rug records that knowledge in its structure: the pattern is translated into a sequence of individual knots, and the pile is built gradually across the warp. This process explains why a finely knotted Persian rug can carry a detailed image while remaining a usable textile. Nain tradition brings together this practical function and a formal interest in clarity, balance and fine ornament.
Nain rugs can work in settings that range from traditionally furnished rooms to more contemporary interiors. Their ordered compositions can sit alongside classic furniture, while their refined pattern can also introduce a patterned counterpoint to modern, restrained surroundings. This adaptability belongs to the broader design tradition of Nain. It does not change the provenance of this rug, which is given as Nain, Persia/Iran.
Design and Pattern
The pattern of this rug is described as traditional Oriental and Persian. Nain rugs are often associated with floral and geometric motifs used in combination. This does not refer to one single fixed arrangement; rather, it describes a design vocabulary in which organic forms and structured lines support one another. Floral details may bring movement to the field, while geometry helps organise borders, axes and repeated elements. The result is commonly balanced and legible across the surface.
The Super Nain 9 La is described as having a brilliant colour harmony, although the individual colours are not specified in the product information. Its visual character is therefore defined by the stated traditional Persian language rather than by an invented colour list. Wool and silk can reflect light in different ways, allowing the surface to change subtly as the viewing angle changes. This interaction may make the pattern appear more layered without requiring any additional claim about the rug’s exact palette.
Fine knotting is particularly suited to intricate pattern work. Narrow lines, small floral components and close transitions can be separated with greater precision when the construction is finely executed. In the Nain tradition, this precision supports designs that appear composed and carefully proportioned. Organic ornament is not set apart from geometry; instead, curving leaves, flowers or tendrils can be contained within a structured arrangement of borders and axes. The craft lies in keeping those relationships clear throughout the entire design.
An Oriental rug pattern can provide a visual framework for a room. Repetition creates continuity, symmetry gives the composition stability, and smaller details reward closer viewing. The pattern classification for this piece is traditional Oriental/Persian, placing it within that established visual tradition. It is therefore both a floor textile and a decorative textile work whose design carries the formal language of Iranian rug making.
Nain rugs are often used with classic interiors because their floral and geometric vocabulary relates naturally to wood, traditional furniture and other established materials. They can also be placed in a modern room, where the detailed pattern creates contrast against plain surfaces and simple forms. Some finely patterned Oriental rugs are also displayed as wall hangings. The possible setting may change, but the stated design of this individual rug remains its traditional Persian and Oriental pattern with brilliant colour harmony.
Special Features
The rug is listed as new and in very good condition. It is also described as suitable for underfloor heating and as pet-friendly. These details are relevant when considering it for everyday residential use. Its other stated features are the hand-knotted construction, the fine knot density, and the pile composed of virgin wool with a silk component. The material combination should still be treated with appropriate care, particularly because silk and wool require gentler handling than many synthetic floor coverings.
Regular vacuuming is a sensible part of routine care. Spills should be addressed promptly rather than worked deeper into the pile. Mild cleaning products are preferable to harsh chemicals, which can affect natural fibres and the surface appearance. For a deeper clean, a professional rug cleaner can select a method appropriate to a hand-knotted wool-and-silk rug. The pet-friendly description indicates suitability for a home with pets, not freedom from the need for careful maintenance.
FAQ
How should I care for a Nain rug?
Vacuum the rug regularly and use a gentle approach so that the pile is not subjected to unnecessary abrasion. If something is spilled, absorb it promptly and avoid rubbing the affected area further into the fibres. Mild cleaning products are more appropriate than strong chemicals for a pile made from virgin wool and silk. When a more extensive cleaning is needed, professional treatment is advisable because a hand-knotted rug with natural fibres benefits from a method suited to its construction. Periodic professional cleaning can supplement normal household care.
How can I identify an authentic Nain rug?
A Nain rug is identified through its association with the Nain region of Iran, its hand-knotted construction and the refined floral and geometric vocabulary commonly linked with the region. Knot density can provide an indication of the fineness of the work, while the materials offer another useful point of comparison. This rug is specified as having a pile of 90% virgin wool and 10% silk with a 100% cotton warp. Labels or certificates may provide additional provenance information, but construction, materials and pattern should be considered together.
What interior styles work well with a Nain rug?
A traditional Oriental and Persian pattern can be paired with classic furniture, wood and a more timeless interior scheme. It can also be used in a contemporary room, where the ordered drawing and detailed ornament create a considered contrast with plain surfaces. Floral and geometric elements can relate to traditional surroundings without preventing use alongside modern forms. The most useful approach is to coordinate the rug’s colour harmony with existing furniture, textiles and wall tones, while allowing the fine pattern to remain a distinct part of the room.
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