Persian Rug Moud 145 x 100 cm Wool Hand-knotted

Moud Persian Rug

Material and Craftsmanship

This Moud Persian Rug is hand-knotted from 100% pure virgin wool. The wool forms the pile and gives the surface its distinct textile character. Virgin wool is widely used in hand-knotted rugs because it combines a soft handle with a resilient fibre. It is therefore suitable for a rug intended for regular use in a living space. Its natural texture also provides a comfortable feel underfoot.

Hand-knotting builds the rug one knot at a time. Each knot is inserted by hand into the foundation, after which the pile is trimmed and aligned to create an even surface. This process distinguishes a hand-knotted rug from a machine-made product. The source describes this rug as having a high knot density. A compact knot structure helps the drawn lines remain legible and gives the pile a defined, stable texture.

The pile height is 6 mm. A relatively low pile allows the pattern to remain clearly visible rather than being concealed by a deeper surface. At the same time, the wool retains its characteristic touch and appearance. The pure virgin wool, hand-knotted construction and low pile together define the physical make-up of this one-off rug.

Origin and Tradition

The rug is identified as a Moud Persian Rug and belongs to the historic Persian rug tradition. Moud is a recognised designation within the Iranian rug world. Iranian weaving areas developed their own approaches to colour, ornament and structure, while remaining part of a broader Persian craft culture. Here, the Moud designation identifies the Persian rug type, while the regional design is specified as Bakhtiari.

The Bakhtiari region has a long-established tradition of rug making. Its designs reflect practical weaving knowledge, local visual language and patterns passed down through generations. Bakhtiari rugs are often recognised for compositions that are easy to read and strongly organised. Floral shapes may be placed alongside geometric elements, and natural forms are frequently simplified into abstract motifs influenced by the landscape and daily life of the region.

In many Persian weaving communities, work at the loom or knotting frame was more than a technical process. Knowledge of preparing the foundation, placing the knots, shearing the pile and arranging the colours was taught within families and workshops. A hand-knotted rug preserves this sequence in its construction. Every area is made progressively, so the final surface records the work carried out by hand from the initial foundation through to the finishing of the pile.

The origin information places this rug in the 21st century. It is therefore a contemporary expression of Persian and Bakhtiari tradition. Tradition does not require a rug to come from an earlier historical period. It can also mean that familiar regional principles of composition and established knotting methods continue in a newer production. The Moud type and Bakhtiari design consequently connect two levels of identity: the wider Persian rug culture and the regional vocabulary that shapes the pattern.

Persian rug making has always included both continuity and variation. A pattern may preserve an established arrangement while the individual workshop, weaver or contemporary production gives it a particular execution. Hand-knotting allows this variation to remain visible in the density of the pile, the definition of the outlines and the way the ornaments occupy the field. The rug thus belongs to a living craft tradition rather than to a purely printed or mechanically repeated pattern system.

Design and Pattern

The pattern is described as Oriental and specifically carries a Bakhtiari design. Bakhtiari pattern traditions often combine geometric order with floral abstraction. The motifs do not have to imitate plants or objects naturalistically. Leaves, flowers, stems and other references to nature may be reduced, repeated and arranged within a balanced structure.

Such compositions depend on the interaction of repetition and organisation. Recurring forms establish a visual rhythm, while the placement of individual elements divides and structures the field. Symmetrical solutions are common in Bakhtiari design, as are orderly geometric layouts. The precise effect comes from the relationship between the ornaments and from the accuracy with which the knots reproduce the drawing in the pile.

Oriental is the broader classification of the rug’s decorative language. It describes a pattern world in which ornaments, lines and areas are brought together into a coherent composition. The Bakhtiari regional design makes this general category more specific. It introduces the regional combination of strong ornament, geometric structure and floral abstraction, without reducing the rug to a single isolated motif.

The style is identified as traditionally Oriental and Persian. This places the rug within a visual tradition based on established Persian designs. Such patterns can function in both classic and more contemporary interiors because their character comes from balanced organisation and recognisable ornament. In this rug, the pattern is inseparable from the craft process: it is not printed onto a finished surface but formed through the placement of knots in the wool pile.

The design therefore connects the Moud designation with Bakhtiari pattern tradition. The regional character appears in the way floral and geometric elements are brought together. At the same time, the overall language belongs to the larger Persian rug culture. The pattern is decorative, but it also represents a transmitted system of visual order that has been adapted and continued in knotting workshops over time.

Special Features

The rug is described as used and in good condition. This means that it has been previously used while being classified as well preserved. Its surface is made from a hand-knotted virgin-wool pile. It is rectangular, the classic format used for many interior settings.

Another stated feature is its suitability for underfloor heating. Virgin wool has thermal properties that are compatible with use above this type of heating. Heat can pass through the rug into the room, while the wool surface contributes to a warm sensation underfoot. Care should be gentle and regular. Loose dust can be removed by vacuuming, while stains should be treated with a damp cloth and mild cleaning solution. Strong chemicals should be avoided.

FAQ

How should I care for the Moud Persian Rug?

Regular vacuuming helps remove dust and loose dirt from the virgin-wool pile. If a stain occurs, treat it promptly with a damp cloth and a mild cleaning product. Avoid vigorous rubbing and harsh chemicals, as they can affect the wool fibres and the appearance of the colours. A careful cleaning routine is appropriate for the hand-knotted construction and helps maintain the rug’s good used condition.

Is the rug suitable for underfloor heating?

Yes. The Moud Persian Rug is suitable for use over underfloor heating. Its virgin-wool material has thermal properties that work with this heating method. The rug does not prevent warmth from reaching the room, while the wool surface provides a comfortable feel underfoot.

How can I tell whether the rug is authentic?

When examining a hand-knotted Persian rug, knot density, material and workmanship are useful points of reference. The back of the rug can also provide indications of its hand-knotted structure and the quality of its construction. Any available certificates or purchase documents may support the assessment. No single feature should be considered in isolation; the combination of knotting, virgin wool, pattern and hand craftsmanship gives a more reliable overall picture.