



Persian Rug Turkmen 83 x 65 cm Wool Hand-knotted
€ 144
Hand-knotted Turkman Persian Rug | Knot density: 200,000 knots/m² | Material: high-quality wool pile | Size: 83 x 65 cm | Pattern and colours: varied Göl designs in red, violet and brown | Origin: northern Persia near Turkmenistan
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Description
Turkman Persian Rug
Material and Craftsmanship
This Turkman Persian rug is hand-knotted with a pile made from high-quality wool. The wool is described as soft, hard-wearing and durable. It therefore combines a pleasant surface with the resilience associated with a material suited to regular use. Because the rug is made by hand, its design is built knot by knot rather than applied to a finished surface, making the material and the pattern part of the same working process.
The listed knot density is 200,000 knots per square metre. This density supports a fine and detailed rendering of the varied Göl designs. In a hand-knotted rug, the pattern develops as the knots are placed, so the clarity of the motifs depends on both the craft and the material. The high-quality wool further supports a durable, legible surface in which the stated design can be seen clearly.
The production of Turkman rugs belongs to the traditional carpet-knotting culture of northern Persia. For this particular piece, the relevant details are its hand-knotted construction, high-quality wool and fine knot density. The source does not provide information about the warp, age, signature or condition, so those characteristics are not added here.
Origin and Tradition
The Turkman is described as a Persian rug from northern Persia. Its origin is placed near Turkmenistan. This geographical setting is also reflected in the alternative names Torkman and Torkaman, by which the rug type is known. The regional reference helps explain the relationship between its handcraft, its choice of colours and the forms used in its designs.
Northern Persia is presented as an area with an established tradition of carpet making. The proximity to Turkmenistan influences both the designs and the materials and colours associated with Turkman rugs. Within this tradition, the relationship between regional workmanship, geometric order and the characteristic Göl motifs is central. Turkman is therefore used here as the name of a rug type connected with northern Persia near Turkmenistan, rather than as a name for a single isolated pattern.
Torkman and Torkaman are alternative spellings of the same designation in the supplied description. Different spellings may appear in the trade without indicating a different rug type. The defining regional reference remains northern Persia near Turkmenistan. This rug is identified as a northern Persian piece; no more specific city or individual workshop attribution is made.
The wider regional context also includes Gabbeh and Bakhtiari rugs. Gabbeh rugs are described as having a coarser construction, simple designs and earthy colours. Bakhtiari rugs are presented as richly patterned and vivid, often combining floral and geometric elements. These examples illustrate the range of carpet traditions mentioned for the broader region, but neither name is used as the designation of this Turkman rug.
The source also names the famous carpet workshops of Isfahan as producers from this region, known for high-quality hand-knotted rugs and a broad selection of designs and colours. That reference provides context about other manufacturing traditions and does not change the origin of this particular piece. Its stated identity remains a Turkman Persian rug from northern Persia near Turkmenistan.
Design and Pattern
The defining visual feature is the variety of Göl designs. In this context, Göl refers to the characteristic pattern forms associated with Turkman rugs. The supplied description calls these motifs geometric and floral. The result is a composition in which clearly structured shapes can appear alongside elements with a botanical character.
Geometric forms bring order to a rug field. Repeated shapes can guide the eye across the surface and create a sense of regular arrangement. Floral elements provide a softer counterpoint. The Göl designs bring these two modes together. They are not presented as incidental decoration, but as part of a traditional visual language connected with the culture and traditions of northern Persia.
The patterns are also described as telling stories about the culture and traditions of the region. This indicates a cultural role for the motifs without assigning a particular narrative to any individual Göl. For this rug, the important point is the presence of varied Göl designs and the way their forms work together. Their effect comes from the relationship between shape, repetition and colour rather than from a single isolated emblem.
The colour scheme consists of red, violet and brown. Red gives the palette a warm and distinct foundation. Violet introduces a separate tonal accent, while brown adds an earthy quality. Together, these colours create the warm visual character described in the source. The rug can be used in a living room or bedroom, where this palette can contribute to an inviting atmosphere.
The combination of Göl motifs and the stated colours makes the design both ordered and varied. Geometric lines and floral references can be distinguished through the arrangement of the colour fields or brought together within the same composition. Its appearance comes from a traditional northern Persian design context rather than from a single contemporary decorative idea.
The description of this one-off piece is deliberately limited to the supplied details: varied Göl patterns in red, violet and brown. No information is given about a particular border, central field, medallion structure or additional colours. Those features are therefore not assigned to the rug. The design is accurately represented through its named motifs and colour palette.
Special Features
This rug combines hand-knotted workmanship, high-quality wool and varied Göl designs. Its fine execution is supported by the listed density of 200,000 knots per square metre. Another defining feature is its stated origin in northern Persia near Turkmenistan. Together, these details connect the piece’s material, technique and regional design tradition without requiring any unlisted attribution.
The red, violet and brown palette gives the rug a warm character. It can be placed in a living room or bedroom, although the supplied information does not prescribe a particular interior. No age, signature, warp specification or condition is provided. Those details are consequently left open rather than being inferred.
FAQ
What makes a Turkman Persian rug distinctive?
The defining combination is its connection with northern Persia near Turkmenistan, hand-knotted construction, high-quality wool and varied Göl designs. These motifs are described as geometric and floral and are linked with the culture and traditions of the region. This piece also has the listed red, violet and brown palette and the stated fine knot density.
How should I care for a Turkman rug?
Regular vacuuming without a brush is recommended so that the fibres are not damaged. If a spill occurs, treat it promptly with a damp cloth and a mild cleaning product. Professional cleaning every few years is also advised. These measures provide a gentle routine for caring for the wool surface and preserving the appearance of the hand-knotted rug.
Where can I buy an authentic Turkman Persian rug?
Authentic Turkman Persian rugs can be found at specialist carpet dealers or on online marketplaces focused on hand-knotted rugs from Persia. When buying, ask for certificates or other documentation showing the rug’s origin. Such records help assess its regional classification and authenticity. For this piece, the stated origin is northern Persia near Turkmenistan.
Additional information
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