Persian Rug Sarouk 117 x 67 cm Wool Hand-knotted

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Hand-knotted Sarough Persian Rug | Knot density: 200.000 – 400.000 knots/m² | Material: pile high-quality wool | Size: 117 x 67 cm | Pattern: Floral design on red and brown ground tones | Condition: Very well preserved

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Inventory number: 192D2049

Description

Sarough Persian Rug

Material and Craftsmanship

This Sarough Persian rug is hand-knotted, with a pile made from high-quality wool. Hand knotting is one of the defining methods of Persian rug production: individual knots are worked into the foundation so that the design develops gradually, row by row. Unlike a machine-made floor covering, the pattern of a hand-knotted rug is created through a traditional manual process.

The stated knot density ranges from 200.000 to 400.000 knots per square metre. A density in this range allows finer lines and a considerable number of details to be represented within a design. In a floral Sarough composition, this can help separate flowers, leaves and scrolling forms with clarity. Knot density therefore relates both to the textile construction and to the level of detail visible in the pattern.

Wool has a long-standing place in Persian rug making and is traditionally used for pile. It can be worked into a substantial textile surface and takes colour in a characteristic way. High-quality wool is specified as the pile material of this rug. The combination of wool pile, hand knotting and the stated knot density defines the principal material and technical features of this individual piece.

Hand-knotted rugs are not produced in one single operation. A design is transferred to the loom in successive sections while knots are tied and rows are secured. The surface image therefore grows gradually from the foundation. This method explains why hand-knotted rugs are made as individual pieces rather than as identical industrial products from a uniform production line.

Origin and Tradition

Sarough is a village in northern Persia and gives its name to an established rug-making tradition. In this case, the name identifies the origin in the village of Sarough rather than merely describing a floral decoration. Persian rugs are often classified by their place of origin, region or workshop. Such names help distinguish different weaving traditions, local approaches to drawing and characteristic forms of decoration.

Persian rug making has developed over a long period in many different centres. Each area formed its own ways of arranging a field, constructing a rug and combining colours and ornaments. Sarough is associated with carefully drawn floral compositions, although the name does not describe one rigid pattern used for every rug. Individual pieces can interpret the regional tradition in different ways while remaining part of the Sarough group.

Sarough lies in a region where weaving knowledge has been preserved and passed on through generations. Traditional production depends on familiarity with the loom, the knotting method, the preparation of wool and the reading of a design. As the work progresses, individual knots become part of a continuous pattern. The process requires sustained attention because the overall image depends on the relationship between many small handmade elements.

Many Sarough rugs were originally produced for the American market. After returning, a large number became sought after again and gained popularity among collectors. This history led to the expression “American Sarough” for that group of rugs. It is part of the broader commercial history of the Sarough type and does not replace the geographical origin: Sarough remains associated with the village in northern Persia.

Persian rugs from different centres are distinguished by origin, drawing and workmanship. Isfahan is known for elaborate designs and the use of materials such as silk and wool. Tabriz is often associated with fine knotting, medallions and detailed traditional compositions. Nain and Kashan also represent important Persian rug traditions. These examples show the range of Persian weaving culture, but they are separate origins and should not be confused with the Sarough origin of this rug.

The name Sarough therefore carries several meanings at once. It identifies a place, connects the rug with a regional craft tradition and is used for a group of rugs recognised for floral compositions. This piece belongs to that context as a Persian, hand-knotted wool rug from Sarough. Its origin is considered alongside its material, technique, knot density and pattern when the rug is described.

Design and Pattern

The pattern of this rug is described as a floral design on red and brown ground tones. Floral rug designs draw on forms from the plant world, including flowers, leaves, vines and other stylised elements. These motifs are not necessarily literal images of one particular garden. Instead, they are arranged as ornaments across the field, with repeated shapes and flowing connections creating a coherent textile composition.

Red and brown provide the named colour basis of the design. In Persian rugs, red can range from lighter warm shades to deeper, more subdued tones, while brown introduces an earthy colour direction. The information for this rug identifies both as ground tones but does not specify individual shades, borders or a central medallion. Those details are therefore not assigned to this particular piece.

Floral Sarough designs are often organised so that plant forms spread across the surface and connect into a continuous decorative image. Vines can create movement, flowers can act as recurring points of emphasis, and leaves can occupy spaces between the larger motifs. The precise drawing differs from rug to rug because each composition is shaped by its own design and by the hands that execute it on the loom.

A high knot density supports the rendering of fine areas within a pattern. When many knots are placed within a limited space, outlines and small transitions between ornaments can be differentiated more precisely. This does not mean that every Sarough rug has an identical construction. Rather, it explains why knot density and design are considered together: the textile structure provides the basis for the visible detail of a hand-knotted composition.

The warm red and brown ground tones give the floral subject a unified appearance. This colour direction belongs to the established possibilities of Persian rug design and can work with both traditional and more contemporary interiors. The adaptable character comes from the relationship between the botanical ornament and the warm colour group; it does not alter the rug’s origin or its method of manufacture.

Other Persian centres demonstrate the wider variety of regional pattern traditions. Isfahan rugs may combine intricate floral work with geometric organisation. Tabriz rugs are frequently recognised for medallions and detailed drawing. Nain and Kashan also offer established floral and ornamental approaches. These comparisons place Sarough within the broader Persian tradition without assigning the Sarough rug to another place of origin.

The design of this individual piece is defined by its essential characteristics: a floral pattern presented on red and brown ground tones. Its hand-knotted execution makes the visible design the result of a specific manual process. The rug is therefore not only described by a general decorative category, but also identified as an individual piece within the Sarough tradition.

Special Features

The notable features of this rug include its origin in the village of Sarough in northern Persia, its hand-knotted construction, its high-quality wool pile and its knot density of 200.000 to 400.000 knots per square metre. The floral design on red and brown ground tones is another defining feature. The rug is very well preserved.

Sarough rugs are appreciated for their workmanship and for the variety of their floral compositions. Their design language can be used in both classic and modern interiors. As an Oriental rug, a Sarough can generally be placed in living rooms, bedrooms, hallways or offices. The most suitable setting depends on the room arrangement and the intended use.

Care begins with regular, gentle vacuuming to remove loose dust from the pile. Spills and marks should be wiped promptly with a damp cloth. Professional rug cleaning is recommended to help preserve the colours and structure. These care instructions describe the usual approach for Sarough rugs and are not a substitute for specialist assessment when a stain is persistent or the cleaning requirement is unusual.

Every hand-knotted rug is made as an individual piece. Minor differences in execution are part of the handmade process and make its separate production visible. In this rug, the specified knot density, wool pile, floral design and Sarough origin come together to provide a clear classification within the Persian rug tradition.

FAQ

How should I care for my Sarough Persian rug?

Regular vacuuming helps remove loose dirt from the pile. If a stain occurs, the affected area should be wiped promptly with a damp cloth. Professional rug cleaning is recommended to help retain the colours and structure of the rug. Strong cleaning agents and intensive home washing are not part of this care recommendation. Persistent marks should be handled by a specialist. Care should take the hand-knotted construction and wool pile into account rather than treating the rug like a washable machine-made floor covering.

What sizes are available for Sarough rugs?

Sarough rugs are made in a range of sizes. The selection includes small runners as well as larger room rugs, making it possible to choose a piece for different room situations such as an entrance, hallway, living room or bedroom. Available dimensions vary from one individual rug to another because hand-knotted rugs are produced separately. The dimensions of this particular rug are given in the product information; general statements about Sarough refer to the wider selection of this rug type.

What gives a Sarough Persian rug its value?

The value of a Sarough rug comes from several connected elements. These include skilled handmade work, high-quality wool, a high knot density and the cultural significance of its origin in Sarough in northern Persia. The individual floral design also contributes to its classification. Since every rug is hand-knotted and made as a separate piece, each has its own execution. The combination of material, technique, pattern and regional tradition makes Sarough rugs of interest to collectors and to people who value Persian rugs.

Additional information
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