Persian Rug Persia 90 x 60 cm Wool Hand-knotted

Persia Persian Rug

Material and Craftsmanship

This Oriental rug is hand-knotted and made from 90% virgin wool and 10% silk. The two fibres combine the tactile qualities of wool with the distinctive surface character of silk. Virgin wool is traditionally used in Oriental rugs for its warmth, resilient handle and practical strength. It has a naturally substantial textile feel that suits a rug intended for living spaces. Silk contributes a smoother touch and a fine sheen that can make selected areas of a design catch the light.

Hand-knotting is a manual construction method rather than an industrial production process. Individual knots are placed into the foundation and secured through successive rows until a continuous pile surface is formed. This work requires control, concentration and considerable time. The rug is described with a knot density of approximately 300,000 knots per square metre. A dense knot structure allows lines, small shapes and transitions between colour fields to be worked with greater definition.

Wool and silk respond differently to light and use, giving the finished surface a varied texture. Wool generally creates a softer and more muted visual field, while silk reflects light more directly. The contrast can make parts of a pattern appear to change as the viewing angle or illumination changes. The defining production characteristic remains the hand-knotted construction, with the material blend adding a second layer of tactile and visual distinction.

The rug is described as new and in very good condition. Its thickness is given as approximately 8 mm. The product description also states that it is suitable for underfloor heating and is pet- and child-friendly. These are stated characteristics of this piece and sit alongside the information about its fibres and handmade construction.

Origin and Tradition

This rug comes from Persia and belongs to the tradition of Persian rugs. Persia has historically been one of the major centres of rug weaving. Different areas developed their own approaches to drawing, colour, composition and knotting. Origin therefore refers not only to a geographical setting, but also to a long-established culture of design and skilled textile work.

The history of Oriental rugs reaches back many centuries. Rugs served practical purposes as floor coverings and sources of warmth, but they also shaped the appearance of homes, ceremonial rooms and places of worship. Over time, weaving traditions became vehicles for visual language. Designs, colour practices and workshop methods were passed from one generation to the next, while individual makers adapted inherited forms to changing tastes and local circumstances.

Persian rug weaving is not a single uniform style. Some traditions favour central medallions, while others use continuous vines, repeated compartments or geometric fields. The arrangement of a design can be organised around a strong centre or distributed more evenly across the entire surface. Borders often frame the main field and establish a visual transition between the centre and the outer edge. These structural choices help a rug remain balanced when viewed as a whole.

Hand-knotting translates a drawn design into thousands of separate decisions about placement and colour. A weaver works row by row, following a cartoon, a pattern guide or an established workshop vocabulary. Because each knot is inserted by hand, small variations can occur in the execution. Such variation is part of the character of handmade production and distinguishes it from a mechanically printed or machine-made floor covering.

Persian rugs are widely associated with carefully organised drawings, layered ornament and controlled colour relationships. A flower, vine, rosette or geometric sign does not necessarily carry one fixed meaning in every rug. Motifs may have decorative, symbolic or regional roles, and their effect depends on repetition, scale and placement. The visual language of Persian weaving can therefore remain recognisable while still allowing substantial variety between designs.

The use of virgin wool together with silk also has a place within the wider history of Persian textile work. Wool can provide a durable, warm and substantial pile, while silk may be used for fine outlines, highlights or passages that benefit from greater reflectivity. The two materials can be distinguished by both colour and surface response. Their combination gives a hand-knotted rug another way to create hierarchy within a pattern without relying only on changes in hue.

Design and Pattern

The pattern of this rug is described as Oriental. Its colour is blue, and the design is characterised by several shades and geometric figures. Geometric design organises a surface through lines, angles, diamonds, repeated compartments or symmetrical arrangements. Forms may be sharply defined or combined with small floral details. Their visual effect depends on the relationship between the shapes, the ground and the surrounding borders or intervals.

In Oriental rug design, a pattern is usually more than one isolated emblem. Repetition creates rhythm, while secondary motifs and borders give the composition a clear structure. A shape can be enlarged, reduced, mirrored or placed in a sequence. This allows the weaver to fill a surface with order without making it appear visually disconnected. Geometric schemes can communicate precision through the regular relationship of lines, corners and repeated units.

Blue has been used in rug design in a wide range of tones, from pale and quiet shades to deep and saturated ones. Differences in value can separate ground, outline and ornament. The description of this rug identifies a blue colour scheme and various shades, but does not specify particular dyes or pigments. The relevant feature is therefore the stated visual palette rather than an assumption about the dyeing process.

The wool-and-silk composition affects the way the design is seen. Wool tends to diffuse light and can make a field look calmer, while silk can return more light and give details a brighter appearance. The same colour may therefore appear different according to the fibre in which it is worked. Changing daylight or the direction from which the rug is viewed can shift the emphasis between matte and lustrous areas, even though the pattern itself remains unchanged.

The stated high knot density supports the execution of close lines and compact forms. On a densely knotted rug, transitions between colours and ornaments can be placed with greater differentiation. This does not mean that every geometric figure has one definite symbolic interpretation. The design is read through the combined effect of line, field, colour, repetition and texture. In this piece, the Oriental character, geometric figures and blue palette form the central description of the pattern.

Traditional Oriental design can contain both decorative and cultural references. Floral shapes may recall plants, gardens or scrolling vines, whereas geometric structures often depend on balance, repetition and proportion. These are broad features of the weaving tradition and do not establish a single meaning for every individual motif. The specific description here remains deliberately clear: the rug has an Oriental pattern, geometric figures, several shades and a blue colour scheme.

Special Features

The principal features of this rug are its hand-knotted construction, its blend of 90% virgin wool and 10% silk, and the stated knot density of approximately 300,000 knots per square metre. It is listed as new and in very good condition. The thickness is given as approximately 8 mm. These details describe the rug’s construction, materials and present condition without adding an unrecorded age or provenance.

The description states that the rug is suitable for underfloor heating and is pet- and child-friendly. Appropriate care remains important in everyday use. Regular vacuuming removes loose dust and particles while avoiding unnecessary moisture. Wool and silk should not be exposed casually to harsh products or vigorous rubbing. For difficult stains, a professional cleaner familiar with mixed-fibre Oriental rugs is the safer choice, because treatment can be adapted to the pile and colour surface.

The blue colour, Oriental pattern and geometric figures give the rug a distinct design direction. The combination of wool and silk adds different degrees of light reflection to that pattern. In this way, a traditional handmade technique is combined with a compact decorative composition and a surface that can look subtly different under changing light.

FAQ

What is the best way to clean this Oriental rug?

For routine care, vacuum the rug carefully to remove dust and loose soil. Wool and silk should not be saturated unnecessarily or treated with aggressive household cleaners. Persistent marks are best handled by a professional rug cleaner who can take the mixed fibres and the coloured surface into account. Early, gentle treatment is preferable to forceful rubbing. Regular maintenance helps keep the pile clean while limiting avoidable stress on the handmade surface.

What materials are Oriental rugs commonly made from?

Oriental rugs are commonly made from wool, silk or a combination of the two. Wool is valued for warmth, resilience and a naturally substantial handle. Silk has a smoother texture and reflects light, which can emphasise fine areas of a design. The pile of this rug consists of 90% virgin wool and 10% silk. Its stated material composition therefore combines the practical character of wool with the sheen associated with silk.

How long can a hand-knotted Oriental rug last?

With suitable care, a hand-knotted Oriental rug can last for several decades and may be passed on to another generation. Longevity depends on factors such as fibre quality, construction, frequency of use and response to spills or dirt. Regular removal of dust, sensible protection from continuous abrasion and appropriate professional cleaning all support durability. For this rug, the hand-knotted construction, the virgin-wool-and-silk blend and the stated knot density are part of its described make-up.