Persian Rug Persia 247 x 200 cm Wool Hand-knotted

Persia Persian Rug

Material and Craftsmanship

The pile of this Persian rug is made from 80% kork wool and 20% natural silk. Kork wool is a particularly fine wool quality used in carpet making for an even, soft pile. Natural silk adds a finer handle and a restrained variation in the way the surface reflects light. The warp is made from 100% cotton. The material information therefore distinguishes clearly between the pile fibres and the structural warp: kork wool and natural silk form the pile, while cotton forms the foundation on which the rug is knotted.

This rug is hand-knotted. In that process, the pile is built knot by knot onto an arranged warp rather than being printed or mechanically applied after production. Every section of the design has to be developed as the work progresses. This makes it possible to execute narrow lines, small ornaments and carefully graded fields. The product gives an approximate density of 1,000,000 knots per square metre, identifying the work as very finely knotted. Super Nain 6 La is the designation used for the rug in the listing.

Wool and silk contribute different qualities to a hand-knotted surface. Wool gives the pile body and a tactile, resilient character, while silk can be used for finer accents and subtle changes in surface appearance. Cotton in the warp provides the organised base that holds the rows of knots. The result is a textile whose workmanship can be read through its knotting, its surface and the precision with which the pattern has been constructed.

The rug carries a Habiban signature. Habiban is described in the product information as a renowned manufacturer or workshop associated with high quality standards. The signature is therefore a stated feature of this particular piece. Its condition is described as new and very good. The listing also identifies it as a one-off, with only one piece in stock.

Origin and Tradition

The rug comes from Persia, also identified as Iran in the description. Persian carpet making developed within a culture where weaving and knotting knowledge was passed from one generation to the next. Different Iranian regions and workshops developed their own approaches to colour, drawing, construction and finishing. A Persian rug is therefore not defined by one single visual formula. The wider tradition is held together by the relationship between carefully organised handwork and an ornamental surface.

The description places the beginnings of the Iranian carpet tradition in the sixteenth century. Over the centuries, courtly and regional forms were refined alongside one another. Carpets served practical purposes, decorated interiors and could also carry social or ceremonial significance. The craft combined material knowledge with a visual language in which flowers, repeated forms and geometric structures could reflect aspects of nature, religion, history and local culture.

Tabriz and Isfahan are named as especially well-known centres of Persian carpet art. In the broader history of Iranian weaving, both places are associated with distinct workshop cultures and design solutions. Tabriz is often linked with versatile drawing and finely differentiated compositions, while Isfahan is commonly associated with balanced layouts, detailed ornament and disciplined colour organisation. These examples illustrate the range of Persian carpet production. They do not add a separate place of origin to this rug, however; the origin stated for this piece is Persia.

The word Nain appears in the product designation Super Nain 6 La. Here it is retained as part of the commercial and stylistic name supplied for the rug. It is not used to add an unlisted origin beyond the stated origin of Persia. This distinction matters in carpet descriptions because a workshop name, a design classification and a place of manufacture can convey different kinds of information.

Hand-knotting requires the warp, pile, knot sequence and drawing to be coordinated throughout the work. The warp first provides an ordered framework. Knots are then placed in rows, with the colours and positions following the intended design. Each section has to be checked for tension and continuity so that the composition remains coherent. As the work advances, the surface becomes denser and the design more defined. Fine knotting can support small details, but the completed rug remains a handmade textile rather than an identical factory product.

Persian rugs are often studied as cultural documents because their materials, techniques and decorative language preserve several kinds of knowledge at once. The history of Iranian carpet making is consequently not only a history of colour and ornament, but also of workshops, families, regional practice and trade. The Habiban signature adds a specific manufacturer or workshop reference to the general history of the craft represented by this rug.

Design and Pattern

The listed pattern and style designation is Super Nain 6 La. The rug is additionally described as traditional Oriental and Persian in style. These are the concrete design classifications supplied for this piece. Its fine knotting allows a design to be drawn with narrow contours and small, carefully placed elements. The combination of wool and natural silk can also create different tactile and visual effects within an ornamental composition.

Persian carpet design commonly moves between floral and geometric vocabulary. Floral work may include blossoms, leaves, vines or plants arranged in balanced repetition. Geometric work uses lines, angles, compartments and measured rhythms. The two approaches can be combined, allowing a field to feel orderly while still containing many details. This rug is placed in the traditional Oriental and Persian style in the source information, but no additional individual ornament is specified and none is added here.

Within the general symbolism of Persian carpets, flowers are often associated with nature and spring. Geometric shapes may suggest stability and structure. Such interpretations belong to the cultural background of Persian design rather than serving as a description of a particular unlisted emblem on this rug. The meaning of an ornament depends on its exact form, position and regional tradition. A responsible description therefore keeps general design history separate from the documented features of a single piece.

A knotted pattern is not printed onto a finished surface. It is constructed from the sequence of coloured knots and shaped as the pile is worked. The weaver must therefore keep the design in mind while progressing through small sections. Repetition, symmetry, spacing and transitions all help create a unified field. A high knot density can make fine details possible, but density alone does not identify a particular motif or prove that an unspecified symbol is present.

In the carpet trade, Super Nain 6 La indicates a finely executed Nain-related class or designation. Nain designs are often associated with clear organisation, restrained balance and delicate floral detailing, although individual workshops may vary in their use of medallions, borders, vines and colour. For this one-off, the documented facts are the Super Nain 6 La designation and the traditional Oriental and Persian style. The description does not define a more specific field arrangement, so no particular medallion or border is assigned to it.

The appearance of a Persian rug is created by the relationship between its field, surrounding borders and smaller repeated forms. A border can frame the centre, while vines or geometric units can guide the eye across the surface. Silk may provide finer accents, whereas wool gives the pile a different physical presence. These general principles explain why materials and pattern are considered together when studying a hand-knotted carpet, without turning them into unsupported claims about details not recorded for this rug.

Special Features

The Habiban signature is a distinctive stated feature of this rug. Habiban is presented as a renowned manufacturer or workshop known for high quality standards. The signature makes that reference visible on the piece and sets it apart from an unsigned carpet in the product description.

The rug is also described as very finely made, with an approximate density of 1,000,000 knots per square metre. It is hand-knotted, new and in very good condition. Its thickness is given as approximately 5 mm. The item is listed as a one-off with only one piece in stock. The estimated specialist retail value is €6,500.00. These are product-specific details and are kept separate from the general history of Persian carpet making.

The care advice reflects the materials and the hand-knotted construction. Mild cleaning products are recommended, while harsh chemicals should be avoided. Regular vacuuming and occasional airing can help reduce accumulated dust and unwanted odours. For heavier soiling, professional carpet cleaning is recommended. A careful approach is appropriate for a pile combining kork wool and natural silk and for a textile whose structure has been built by hand.

FAQ

How should I clean my Persian rug?

Use mild cleaning products and avoid harsh chemicals. Regular vacuuming is part of routine care, and airing the rug from time to time can help reduce dust accumulation and odours. For heavier or more difficult soiling, professional carpet cleaning is recommended. A hand-knotted pile made from kork wool and natural silk should be treated with care so that the fibres and the textile structure are not unnecessarily stressed. Gentle maintenance is preferable to aggressive agents or a treatment that could affect the pile.

Where does the rug come from?

The rug comes from Persia, or Iran. Iranian carpet making has a long tradition, described here as reaching back to the sixteenth century and continuing to influence carpet art. Different parts of Iran are associated with their own patterns, colours and knotting practices. Tabriz and Isfahan are named as important centres in the general tradition. For this particular listing, the stated origin is Persia. Super Nain 6 La is the supplied class or style designation and should not be used to add a separate origin that is not stated.

What makes a Persian rug special?

Persian rugs bring together hand craftsmanship, varied patterns and carefully coordinated colour combinations. Because each knot is placed by hand, the weaver can develop fine floral, geometric and symbolic forms across the surface. This rug’s very high knot density is one of its documented features. Its pile of kork wool and natural silk, cotton warp and Habiban signature provide further specific characteristics. A hand-knotted rug therefore conveys more than a decorative image: its materials, construction and design make visible a long Iranian tradition of textile craftsmanship.