Persian Rug Nain 9 la 140 x 89 cm Hand-knotted (Sold)

 680

Hand-knotted Nain Persian Rug | Knot density: approx. 500,000 knots/m² | Material: pile 90% virgin wool and 10% silk, warp cotton | Size: 140×89 cm | Pattern: traditional Oriental/Persian | Condition: New, perfect

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Inventory number: BB3C0FC9

Description

Nain Persian Rug

Material and Craftsmanship

This Super Nain 9 la is a hand-knotted Persian rug from Persia. Its construction combines a pile of virgin wool and silk with a cotton warp. Wool makes up the principal part of the pile and gives the surface the resilient, tactile character associated with wool fibres. Silk adds a smoother handle and a subtle sheen. Together, these materials form a combination used in Nain weaving to support precise drawing and a clearly defined surface.

Hand knotting turns every knot into an individual stage of the making process. The design is built knot by knot and is then revealed through trimming and finishing the pile. The pile height is given as approximately six millimetres. This keeps the surface relatively low and allows the pattern to remain clearly legible. A density of approximately 500,000 knots per square metre is stated for this rug, indicating a finely worked Nain 9 la construction.

The cotton warp provides the internal framework of the rug. It holds the knots in position and helps the woven structure retain its form. In a hand-knotted rug, warp, weft and pile work together: the pile forms the visible face, while the warp remains inside the construction and provides support. The combination of cotton warp with a wool and silk pile describes the material make-up of this particular piece.

Origin and Tradition

The rug comes from Persia and belongs to the Nain tradition. Nain is recognised as an Iranian weaving centre associated with finely knotted rugs and carefully ordered compositions. Its weaving language often brings together a calm overall arrangement, delicate lines and a balanced distribution of ornament. Nain rugs are frequently associated with a light, clearly structured appearance, although the exact colours and layout vary from one individual rug to another.

The term 9 la is used in the trade to classify particularly fine Nain rugs. It indicates a fine quality and knot category within Nain terminology. Such a designation does not replace an examination of the individual piece, but it does place the rug within a recognised technical tradition. Here, the classification is accompanied by the stated high knot density and by a pile combining wool and silk.

Persian rug making is based on a long craft tradition in which knowledge of materials, pattern and technique is passed from one generation to the next. A design is not printed onto a finished surface. Instead, it is formed from individual knots during the weaving process. The weaver follows a prepared design or an established model, placing each knot so that lines, branches and small ornaments gradually take shape. A dense knot structure makes it possible to separate fine contours and compact motifs with precision.

Different Persian weaving centres developed their own emphases. Nain is especially connected with fine execution, controlled drawing and carefully selected materials. Tabriz and Kashan are also well-known Persian traditions, but their pattern structures, colour systems and regional interpretations can differ. Sarouk represents another distinct direction within Persian rug production. These names identify separate traditions for comparison; this rug is described as a Nain from Persia.

Handwork gives each rug an individual history of production. Small variations in tension, colour handling or execution are part of the process and distinguish hand-knotted work from industrial manufacture. This piece is described as a unique one-off and is new and in perfect condition. An authenticity certificate is supplied with it.

Design and Pattern

The style of this rug is identified as traditional Oriental and Persian. Nain designs are generally organised around a clear visual order. A central medallion may form the focus, accompanied by floral vines, blossoms or finely divided secondary motifs. Other compositions use a continuous field of floral ornament, allowing the design to spread across the whole surface. The style description alone does not prescribe one exact arrangement, so the individual composition remains the defining visual detail of this one-off rug.

In finely knotted Nain designs, line work plays an important role. Narrow vines can connect leaves, flowers and small arabesques. A border system frames the field and creates a transition between the main design and the outer edge. Repeated forms establish rhythm, while changes in scale create a visual hierarchy within the composition. The fine knotting supports the careful rendering of such contours and helps keep separate ornaments distinct.

The name Super Nain 9 la identifies the Nain association and the fine execution; it is not a claim that the rug belongs to another province named by a motif. Pattern terms and origin terms must be kept separate when describing Oriental rugs. A motif can appear in more than one weaving area, while Nain here identifies the named Persian tradition of the rug itself. This piece is listed as a Persian rug from Persia, with a traditional Oriental/Persian style.

Wool and silk also influence how a pattern is seen. Wool fibres give the surface textile depth and tend to receive colour with a softer visual effect. Silk can make selected areas appear smoother and more luminous, while supporting a finer-looking contour. In a Nain rug using this material combination, the viewer may perceive a contrast between the quieter wool surface and the sheen of silk. This explains the role of the materials without assigning an unstated colour or a specific unrecorded motif to the rug.

Persian rug patterns are not understood only as surface decoration. Vines, flowers and geometrically arranged borders belong to a repertory that has been interpreted differently across many weaving regions. Repeated elements create structure, while carefully graded lines reveal the work invested in the drawing. A traditional design can sit within a range of interiors, from more classical rooms to restrained settings, without implying a particular use or room for this individual rug.

Special Features

The rug is new and described as being in perfect condition. It is a unique one-off and is supplied with an authenticity certificate. It is also suitable for use over underfloor heating. These details concern the specific rug offered here. Its hand-knotted construction, virgin wool and silk pile, fine knot density and low pile height together summarise the characteristics recorded for this piece.

The cotton warp, wool and silk pile, and fine Nain 9 la classification form its technical basis. The stated Persian origin places it within the Persian carpet tradition. References to related traditions such as Tabriz, Kashan or Sarouk are included only as comparisons within Persian weaving and do not alter this rug’s origin or designation.

FAQ

How should I care for this Persian rug?

For routine care, use a vacuum cleaner without a rotating brush attachment. This removes loose dust while avoiding unnecessary mechanical stress on the pile. Blot spills immediately with a damp cloth rather than rubbing them into the fibres. Professional cleaning at suitable intervals is also recommended. Because the pile contains virgin wool and silk, cleaning should be carried out with methods appropriate to both materials. The rug’s suitability for underfloor heating does not change the need for gentle, dry and regular care.

Where does the Super Nain 9 la come from?

The Super Nain 9 la comes from Persia and is identified as a Nain Persian rug. Nain is one of the recognised Persian weaving traditions and is known for finely executed hand-knotted designs. In this method, the surface is built from individual knots placed according to an ordered design. The process requires control of the warp, pile and pattern throughout the work. The specific origin given for this rug is Persia; names such as Tabriz, Kashan and Sarouk refer only to other Persian traditions and are not alternative origins for this piece.

What distinguishes the Super Nain 9 la?

Its distinguishing features are the fine knot density, hand-knotted construction and pile made from virgin wool and silk. The cotton warp, low pile height and traditional Oriental/Persian style are further stated characteristics. The rug is new and in perfect condition, is offered as a unique one-off, and comes with an authenticity certificate. The 9 la designation places it in a fine Nain category. Taken together, these details describe a clearly identified individual piece of Persian rug craftsmanship.

Additional information
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