Persian Rug Nain 310 x 200 cm Cork wool Hand-knotted

 7735

Hand-knotted Nain Persian rug | Knot density: approx. 1,000,000 knots/m² | Material: pile 80% cork wool, 20% natural silk | Size: 310 x 200 cm | Condition: New, very good

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Inventory number: FCE9F222

Description

Nain Persian Rug

Material and Craftsmanship

The Super Nain 6 La is a hand-knotted Persian rug made with cork wool and natural silk. Its pile combines the soft, warm character of wool with the distinctive sheen of silk. Cork wool is used in Persian rugs for its comfortable handle and resilient textile structure. Natural silk contributes a smooth surface and subtle reflections that change with the light. This combination gives the rug a textile appearance in which the pale and dark areas can show different nuances as the room lighting shifts.

Hand knotting builds the rug one knot at a time. Rather than reproducing a design mechanically, the weaver creates the pile by joining individual knots with the warp and weft. The pattern is followed section by section, with the colours and outlines placed according to the design. This process calls for controlled tension, a steady hand and close attention to the relationship between adjoining motifs.

The combination of cork wool and natural silk influences both the surface and the visual character of the rug. Wool gives the pile substance and natural warmth, while silk adds finer reflections and a smoother impression. The rug is described as new and in very good condition. Its hand-knotted construction belongs to the traditional method of making Persian rugs and makes the woven structure the result of a manual process rather than a machine-made surface.

Origin and Tradition

This rug comes from Persia and is assigned to the Nain region. Nain is located in Isfahan Province and is one of the recognised centres of Persian rug weaving. The town developed a distinctive tradition in which light grounds, precise drawing and carefully controlled workmanship play an important part. Nain rugs are associated with the artistic culture of central Persia and with compositions that bring ornament and balanced spacing together.

Weaving in Nain forms part of the wider cultural development of the Isfahan area. Architecture, manuscript decoration, textiles and ornamental arts were cultivated in the region over many generations. These fields helped shape the visual language used in rugs. Motifs are not merely scattered decoration; they are arranged as a system of central elements, borders, secondary forms and recurring lines.

Persian rugs from Nain are known for a disciplined treatment of ornament. Their designs may include floral shapes, curving vines, blossoms and symmetrical arrangements. These elements are generally related to one another so that the composition remains ordered. The weaver’s task is to translate that order into many individual knots, colour changes and carefully aligned contours. The result is a design language that can be delicate without losing its overall structure.

The name Super Nain 6 La identifies this rug within the Nain tradition. Nain rugs are often distinguished by the fineness and manner of their construction. The underlying principle remains a hand-knotted surface with a clear drawing and a carefully developed pile. Regional design, inherited technique and a material combination of wool and silk work together to define this type of Persian rug.

Persian knotting traditions rely on knowledge gained through practice and passed between generations. A rug is not completed in one operation. Knots are placed continuously, weft is inserted and the pile is arranged as the work progresses. Individual actions gradually become a coherent textile field. In Nain weaving, this method supports the precise rendering of delicate motifs and the balanced repetition of the pattern.

Design and Pattern

The rug is coloured white and dark blue. The pairing gives the design a light, open ground together with a deep accent colour that can define outlines and ornamental contrasts. White keeps the overall appearance bright, while dark blue gives the drawing clarity. The source places the rug within a traditional Oriental and Persian style. Its colour scheme and classical character therefore form part of the visual description of this particular piece.

Nain designs often use finely drawn floral motifs and symmetrical organisation. Vines may connect blossoms, while smaller leaves and secondary forms structure the spaces between larger elements. Many Nain compositions can be built around a central medallion, while others use a continuous all-over arrangement. The exact layout depends on the individual design. For this rug, the description identifies a classical, elegant design with fine patterns and detailed workmanship.

A border traditionally separates the inner field from the outer edge. It may contain repeated flowers, scrolling vines or orderly geometric forms. The border gives the composition a visual frame and provides a transition between the central design and the surrounding space. Together with a pale ground and darker drawing, it can create the restrained yet detailed effect associated with many Nain patterns.

Pattern is shaped not only by individual motifs but also by rhythm, spacing and repetition. Smaller ornaments can accompany larger forms, while open areas help organise the field. A fine knotting structure allows contours to be differentiated with precision. The source highlights this rug’s knot density, fine motifs and attention to detail. The explanation of floral and symmetrical design language provides the general background of the Nain tradition, while the specific colour and classical style belong to this rug.

Its traditional Oriental and Persian styling allows the rug to relate to a range of interiors. The light colour creates an ordered foundation and the dark blue provides a distinct visual line. It can therefore work with a classical interior as well as with more restrained furnishings. This describes the effect of the stated colour palette and style; it does not assign the rug to any additional origin or pattern category.

Special Features

A defining feature of this rug is the stated knot density of approximately 1,000,000 knots per square metre. This density supports the rendering of fine drawings and is part of the description of the Super Nain 6 La. The material combination of cork wool and natural silk brings together a wool pile and silk reflections. The traditional hand-knotted construction is another central characteristic.

The rug is described as new and in very good condition. Its origin is given as Persia, with the regional attribution Nain in Isfahan Province. White and dark blue determine its visible colour scheme, while the traditional Oriental and Persian style describes its design character. Taken together, these details identify a clearly described rug from the Nain tradition.

FAQ

How should I care for the Persian rug?

Regular, gentle vacuuming removes dust and loose particles from the pile. A careful setting should be used so that the surface is not placed under unnecessary stress. Spills and marks should be treated as soon as possible with a damp cloth. A mild cleaning product may be used sparingly when appropriate. Vigorous rubbing, harsh chemicals and soaking are unsuitable for a material combination that includes wool and natural silk. For a deeper treatment, professional rug cleaning is advisable. Occasional professional cleaning can remove embedded soil while allowing the more delicate silk component to be handled appropriately.

Can the rug be used over underfloor heating?

Yes, the Super Nain 6 La can be used in a room with underfloor heating. The cork wool allows heat to pass through effectively, while the silk contributes to a soft and pleasant surface. The heating should distribute warmth evenly and the rug should be kept dry. Careful attention to the room climate and normal maintenance is generally useful for natural fibres. If the heating system has particular technical requirements, the instructions of the heating manufacturer should also be followed.

How can I recognise a high-quality Persian rug?

Important indicators include a high knot density, even execution of the pattern and colours, and suitable materials such as wool and silk. The precision of the outlines, the cleanliness of the finishing and the balance of the overall composition are also relevant. With a hand-knotted rug, the construction can be examined on the reverse, although an experienced specialist provides the most reliable assessment. Origin information and a certificate of origin may offer additional guidance. For this rug, the stated details include Nain, Persia, hand knotting, cork wool, natural silk and a high knot density.

Additional information
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