Persian Rug Nain 261 x 181 cm Cork Wool Hand-knotted

 7178

Hand-knotted Nain Persian Rug | Knot density: approx. 1,000,000 knots/m² | Material: pile 80% cork wool, 20% natural silk, warp 100% cotton | Size: 261 x 181 cm | Pattern: floral and geometric designs | Condition: New, perfect

1 available

  • Free Shipping in EU
  • 2-5 Business Days Delivery
  • 14-Day Return Policy
  • Worldwide Shipping on request
Secure Payment SECURE PAYMENT
Shipping Partners SHIPPING PARTNERS

Inventory number: 1CDC2DC1

Description

Nain Persian Rug

Material and Craftsmanship

This Nain Persian rug is hand-knotted with a pile made of 80% cork wool and 20% natural silk. Cork wool forms the larger share of the pile and provides the wool-based foundation stated for this rug. The natural silk content adds a fine natural fibre to the pile. Together, the two fibres make up the material composition specified for the piece.

The warp is made of 100% cotton. The construction therefore distinguishes clearly between the visible pile and the foundation: cork wool and natural silk form the pile, while cotton forms the warp. Hand-knotting is a central part of traditional Persian rug making. Individual knots are inserted into the foundation and the pile is then brought into an even, finished surface.

The rug has a knot density of approximately 1,000,000 knots per square metre, making the construction very fine. A dense knotting structure generally allows floral lines, small ornaments and geometric details to be rendered with precision. For a Nain 6 La, this fine and dense technique is part of the quality designation. The rug is described as new and in perfect condition. Its stated thickness is approximately 6 mm.

Wool and silk have different roles in a pile. Wool is traditionally valued for its resilient, stable character, while silk can support finer contours and a more differentiated surface. These are general properties of the fibres and explain their use in Persian rug construction; they do not add any unlisted treatment or feature to this individual rug. The cotton warp forms the structural base into which the pile is knotted.

Origin and Tradition

Nain is a Persian weaving region known for finely made rugs. Its tradition developed through the continuation of hand skills, established designs and close attention to detailed drawing. Nain rugs are associated with a restrained, carefully organised visual language in which the relationship between the field, border and ornament is deliberately controlled. This rug is identified as a Nain 6 La from Persia and belongs to that Persian rug tradition.

The name Nain indicates the regional tradition, while 6 La is a quality designation used in the rug trade within the Nain category. Nain 6 La is regarded as one of the higher quality levels among Persian rugs. Fine, dense knotting is an important part of this classification because it permits a detailed interpretation of small motifs and precise transitions. The designation therefore connects the rug with both its place of origin and its technical standard.

Traditional rug making involves more than tying isolated knots. A foundation is prepared from warp and weft, and the pile is inserted into that structure row by row. The woven foundation is compacted as the work progresses, and the pile is subsequently levelled and finished. In a finely knotted rug, the weaver must coordinate the proportions of the drawing, the sequence of ornaments and the distribution of colour throughout the work.

Nain weaving forms part of the wider Persian tradition, in which regional identities are expressed through construction and design. The work of the weaver translates a drawn plan into a repeated system of knots and rows. Fine contours require consistent tension and careful placement. The result is not produced by a single mechanical surface, but by the accumulation of numerous manual operations. This is why hand-knotted rugs can carry a distinct relationship between technical structure and ornament.

Nain designs are generally recognised for the interaction of floral motifs and geometric order. Plant forms may be stylised into blossoms, leaves and scrolling vines, while geometric organisation establishes symmetry, rhythm or clear boundaries. The motifs are ornamental rather than naturalistic: forms from nature are arranged according to the requirements of the composition. This approach is characteristic of Persian decorative art and gives the regional style its controlled appearance.

Other Persian weaving centres are often discussed alongside Nain. Tabriz and Isfahan are also known for artistic designs and high-quality workmanship. Kashan and Heriz have their own established rug traditions and distinctive approaches to composition. They are not the origin of this rug. Their mention only places Nain within the broader variety of Persian weaving regions, each of which has developed its own relationship between materials, technique, colour and pattern.

The origin of a Nain rug consequently describes more than a visual resemblance. It refers to a regional history of weaving, a body of transmitted knowledge and a recognised approach to fine hand-knotting. Master weavers have passed techniques from one generation to the next and refined them over time. In this piece, the designation Nain 6 La, the Persian origin and the hand-knotted construction are combined with a cork-wool and natural-silk pile.

Design and Pattern

Nain rugs are generally defined by floral and geometric designs. Floral elements can include stylised blossoms, leaves, vines and arabesques. Geometric forms may frame these elements, establish axes or provide repeated structures across the field. The combination creates a visual language rooted in Persian art, where natural forms are refined into ornamental patterns rather than reproduced as literal images.

Fine knotting is particularly suited to a design with detailed lines. Small motifs can be placed close together, and changes between floral curves and geometric borders can be rendered with greater control. A dense knot structure generally supports this level of definition because the drawing can be distributed across many individual knots. The technique helps a complex composition remain ordered instead of losing its overall structure.

Persian rug design often uses a deliberate relationship between the central field and the surrounding border. The field carries the main ornamental statement, while the border contains the composition and defines its edge. Vines may connect the two areas, and repeated geometric elements can guide the eye along the length of the rug. These are established principles of Persian pattern design; they are not a claim that an unmentioned medallion or border arrangement appears in this specific piece.

The colour given for this rug is green. In Persian decorative traditions, green may serve as a ground colour or as an accent within floral ornament. Its visual effect depends on the amount of surface it occupies and on the surrounding colours. For this rug, green is the documented colour. No additional individual colour names are supplied, so the description does not assign further shades to the piece.

Balance and repetition are important in Nain compositions. Repeated forms create rhythm, while variations in scale can establish a visual hierarchy between larger structures and smaller details. A design may be organised around a central ornament, a continuous vine or a symmetrical arrangement, but the product information does not identify a precise layout for this rug. It is therefore more accurate to describe its documented floral and geometric design language than to attribute a specific motif that has not been named.

The Nain 6 La designation brings this regional pattern tradition together with a construction intended for fine detail. Floral and geometric designs reflect the artistic vocabulary of Persian rugs, while the dense hand-knotting supports careful rendering. The natural silk in the pile can generally contribute to delicate lines, and the green colour determines the stated overall colour character. These elements place the rug within the Nain tradition without adding an unverified individual pattern description.

Special Features

The rug is described as new and in perfect condition. It is hand-knotted and identified as a Nain 6 La. The pile contains 80% cork wool and 20% natural silk, while the warp is stated to be 100% cotton. Green is given as the colour. The rug is suitable for underfloor heating and is described as suitable for use in a living room, bedroom or hallway.

The offer includes free shipping within Germany and a four-year product warranty. The rug is presented as a hand-knotted one-off piece. These details add practical information about use and service to the material, origin and workmanship stated for the rug.

FAQ

What makes the Nain 6 La rug distinctive?

Its distinctive features are the Nain 6 La designation, the fine knotting and the combination of cork wool with natural silk. The pile consists of 80% cork wool and 20% natural silk, and the warp is cotton. Together with the hand-knotted construction, green colour and floral and geometric design tradition, these features connect the rug with established Persian and Nain craftsmanship.

How should I care for my Persian rug?

Regular vacuuming is recommended for routine care. If deeper cleaning is required, the Persian rug should be professionally cleaned. Avoid direct sunlight to help prevent colour changes, and protect the rug from moisture. These measures are suitable for careful handling of a hand-knotted rug made with wool and natural silk.

Where can I buy Nain rugs?

Nain rugs can be found at specialist rug dealers and through online retailers. When buying, it is advisable to choose sellers who provide a warranty and certificates for their products. This makes it easier to assess the information supplied with the rug and the service attached to the purchase. This offer includes a four-year warranty and free shipping within Germany.

Additional information
Design Style

Color

Size

Shape

Origin

Knot Density

Material

}) }) }) }) } }) } })