Persian Rug Mashhad 293 x 246 cm Hand-knotted

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Hand-knotted Mashhad Persian Rug | Knot density: 180,000 – 250,000 knots/m² | Size: 293 x 246 cm | Pattern: Floral design with classic medallion | Condition: Very good

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Description

Mashhad Persian Rug

Material and Craftsmanship

This Mashhad Persian rug is hand-knotted. The construction is built knot by knot, a method that is central to the Persian rug-making tradition. Its stated knot density is between 180,000 and 250,000 knots per square metre. In a hand-knotted rug, this level of density supports the controlled rendering of lines, floral details and transitions between ornamental areas.

Mashhad rugs are traditionally associated with high-quality materials. Wool is the material most commonly described for this type of rug and is valued for its durability and natural sheen. Some Mashhad rugs may also contain silk. The specific pile material of this individual rug is not identified, however. Its hand-knotted construction and the stated knot density are established features.

In the knotting process, the design is built gradually across the surface. Each row contributes to the relationship between the coloured fields before the pile is trimmed and finished. Density affects the degree of detail that can be expressed. Floral elements, curved vines and a medallion can therefore be set apart with definition while remaining part of a unified composition.

Origin and Tradition

Mashhad is located in eastern Iran and is one of the country’s major and historically significant cities. It has a strong connection with Iranian rug culture. Rugs from Mashhad belong to a regional tradition in which practical skill, carefully organised designs and balanced colour arrangements work together. The origin of this rug is given as Mashhad, Iran.

Rug production in Mashhad developed in the setting of a city that has long been an important cultural and commercial centre of the region. The rugs associated with the city consequently reflect the breadth of Persian ornament. Plant forms, medallions and repeated vines are arranged into clearly structured fields. The craft remains grounded in the principles of hand-knotting, where the design is created directly through the placement of individual knots.

Persian rugs are distinguished not only by appearance but also by place of origin and regional weaving practice. Mashhad is one distinct designation within this broader tradition. Here, the name identifies the rug’s origin in Mashhad rather than merely referring to a general Oriental pattern. The rug is therefore classified as an Iranian, or Persian, rug.

Regional craftsmanship is visible in the way technical construction and ornamental order are combined. A design is not distributed randomly across the surface; it is organised through a field, borders and central or repeating motifs. This structure allows floral drawing to remain decorative without losing visual clarity. Careful execution is an important part of the Mashhad tradition.

Other Iranian weaving centres represent their own branches of Persian rug history. Tabriz is known for detailed designs and lively colours, Kashan for classical compositions, and Nain often for the use of silk. Each name refers to a separate regional tradition. This rug, however, is a Mashhad Persian rug and is classified according to its stated origin.

Design and Pattern

The pattern of this rug is described as a floral design with a classic medallion. It brings together two established elements of Persian ornament. The medallion provides the central point of reference, while floral forms enliven the surrounding field and lead the eye from the centre toward the outer areas.

Floral designs in Persian rugs draw on the visual language of blossoms, leaves and vines. They are generally used as organised ornament rather than as literal botanical depictions. Curving lines can connect separate parts of the composition, while blossoms create accents within the field. Repetition and variation allow the pattern to appear both ordered and continuous.

A classic medallion gives the rug a central structure. It serves as the visual anchor of the composition and establishes an immediate sense of orientation. The floral ornament extends this centre through the surrounding areas, creating a relationship between the central form and the rest of the field. The result is a dialogue between formal order and decorative movement.

The colours listed for this rug are red, blue and purple. Red often contributes a warm, substantial presence in Persian colour arrangements. Blue introduces a cooler counterpoint and can define individual ornaments or framing elements. Purple adds another tonal direction between warm and cool areas. Together, these colours form a clearly identifiable and richly varied palette.

In a floral medallion design, the effect depends on more than the individual motifs. The relationship between the centre, secondary ornaments and repeated forms across the field is equally important. Knot density supports the definition of fine transitions and contours. The pattern can consequently be read in detail at close range while retaining the coherence of a single composition from farther away.

This approach belongs to the Persian rug tradition, in which symmetry, repetition and controlled colour distribution are important organising principles. That does not mean every detail must appear mechanically identical. Small variations are part of hand-knotted work and connect the technical structure with the individual process of making the rug.

Special Features

This rug is distinguished by its Mashhad origin, hand-knotted construction and floral medallion design. The stated density of 180,000 to 250,000 knots per square metre indicates a finely organised knot structure. Its design uses the established combination of a central medallion and floral ornament.

The colour description includes red, blue and purple. The condition is stated as very good. These are the defining features recorded for this individual rug, without adding properties that are not identified. Its classification as a Persian rug follows from the stated origin of Mashhad in Iran.

FAQ

What makes a Mashhad Persian rug distinctive?

Mashhad Persian rugs combine an Iranian origin with the tradition of hand-knotting. The rug type is associated with careful workmanship, floral designs and, frequently, a classic medallion serving as the centre of the composition. For this individual rug, the stated knot density is between 180,000 and 250,000 knots per square metre. Its listed colours are red, blue and purple, and its condition is very good. High-quality wool is commonly described for Mashhad rugs, while some examples may include silk. The specific pile material of this rug is not identified.

What care does a Mashhad Persian rug require?

Regular care can begin with gentle vacuuming without a beater or brush attachment. This removes loose dust while avoiding unnecessary stress on the pile. Stains should not be treated with strong products without professional advice. Specialist rug cleaning is the safer option because cleaning agents, moisture and friction can affect fibres and colours in different ways. Care should also take the actual material into account, and the pile material of this particular rug has not been specified. A consistent and careful routine helps preserve the appearance and hand-knotted structure.

How do I choose the right size for a Mashhad Persian rug?

The correct size depends on the available floor area and on how the rug will be used. Measure the intended space first, then consider the position of the furniture in relation to the rug. A rug may bring a seating arrangement together, define a dining area or organise an open section of a room. This rug has the stated size of 293 x 246 cm. Before placing it, check that doors, drawers and walking routes remain unobstructed and that the rug’s proportions suit the surrounding furnishings.

Additional information
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