





Persian Rug Kashan 297 x 210 cm Wool Hand-knotted
€ 1533
Hand-knotted Keshan Persian Rug | Knot density: 150.000-300.000 knots per square metre | Material: pile sheep wool, warp cotton | Size: 297 x 210 cm | Pattern: floral and geometric
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Description
Keshan Persian Rug
Material and Craftsmanship
This Keshan Persian rug is hand-knotted and made with a pile of sheep wool. The wool is described as soft to the touch while also being highly durable, qualities that have long made it a practical material for Persian floor coverings. Its pile gives the rug a tactile surface and allows the pattern to be built knot by knot rather than printed or mechanically reproduced.
The rug has a knot density of 150.000-300.000 knots per square metre. In Persian rug making, a denser structure allows weavers to place smaller elements close together and to render outlines, foliage and geometric details with greater precision. Knotting by hand requires the design to be interpreted and repeated across the foundation, so the finished surface reflects a craft process based on patience, coordination and consistent workmanship.
The warp and weft are generally made from high-quality cotton in Keshan rugs, and cotton gives the foundation stability. The warp forms the lengthwise structure, while the weft passes across it and secures successive rows of knots. Together, these foundation threads support the wool pile and help the carpet retain its structure in regular use. This combination of wool in the pile and cotton in the foundation is characteristic of the construction described for Keshan carpets.
Hand-knotting also means that the visible pattern is integrated into the structure of the carpet. Each area of colour is formed through the placement of coloured wool, and the density contributes to the clarity of the overall design. The stated materials and construction therefore combine a resilient pile with a firm textile foundation, while preserving the individual character associated with a handmade Persian carpet.
Origin and Tradition
Keshan, also written Kashan in some English contexts, is a historic carpet centre in Iran. Keshan Persian rugs are associated with the city and its surrounding weaving tradition. The source describes this rug as a Persian carpet from Keshan, placing it within the long history of Iranian carpet production rather than within an Indian or other non-Persian manufacturing tradition.
Carpet weaving in the Persian world developed as both a household craft and a specialised urban industry. Regional workshops refined particular approaches to drawing, colour arrangement, knotting and finishing. Keshan became known for carpets that combine a carefully organised field with detailed ornament. The city’s position between central Iranian cultural centres also supported the exchange of artistic ideas, materials and design vocabulary.
Persian carpets were already valued as trade goods during the ancient Persian Empire. Later, commercial routes connected Iranian production with markets far beyond the region. The Silk Road played an important role in spreading Persian textiles and the reputation of their makers. This trade brought prosperity to Keshan and helped its carpet traditions become recognised internationally. The historical importance of Keshan therefore rests not only on local weaving, but also on its participation in a wider network of commerce and cultural exchange.
The Keshan tradition is part of a diverse Persian carpet culture in which each centre developed its own balance of drawing, colour and technique. Urban carpets were commonly planned with a strong sense of proportion and repeated ornament, while workshop knowledge passed between generations. Such continuity does not make every Keshan carpet identical. It establishes a regional language within which individual carpets can differ in their colour combinations, floral arrangements and degree of detail.
Keshan is also discussed alongside other well-known Iranian carpet centres. Tabriz carpets are associated with complex compositions and rich colours, while Isfahan carpets are known for fine detail and the use of high-quality materials. Gabbeh carpets from the Fars region follow a different direction, with simpler drawing and vivid colour. These comparisons show the variety within Persian carpet making: Keshan belongs to the urban, detailed tradition, but it remains distinct from the design systems of Tabriz, Isfahan or Fars.
The historical tradition continues to give Keshan carpets a recognisable place in the study and use of Persian rugs. Their connection with an established Iranian weaving centre, the use of hand knotting and the combination of structured ornament with floral detail all reflect a craft culture formed over centuries. The rug presented here belongs to that Keshan tradition and carries its regional name as an indication of its Persian carpet identity.
Design and Pattern
Keshan carpets are commonly recognised for floral and geometric patterns. These two elements can work together: flowers, leaves and scrolling forms create organic movement, while medallions, borders or repeated frameworks provide order. The result is a design vocabulary that can appear richly detailed without losing the underlying structure of the composition.
The pattern described for Keshan rugs often uses red, blue and gold as dominant colours. Red can establish a warm field or accentuate selected ornaments; blue may provide contrast in borders, foliage or central forms; and gold can lighten the arrangement and emphasise details. Colour in a Persian carpet is not merely decorative. It separates layers of ornament, establishes visual rhythm and helps the eye distinguish the principal field from its surrounding borders.
Floral drawing is a central part of many Keshan compositions. Stylised flowers are arranged so that they can repeat across a field or develop around a central organising shape. Leaves, stems and tendrils connect individual motifs and prevent the design from appearing fragmented. The motifs are interpreted rather than copied as botanical illustrations, allowing the weaver to fit them into the geometry of the carpet and maintain a balanced distribution of colour.
Geometric structure gives the floral vocabulary a clear framework. Repetition, symmetry and border sequences help define the movement of the design from the centre towards the edges. In a densely knotted carpet, small changes in line and spacing can be rendered with considerable clarity. This is why knot density is relevant to the visual character of a Keshan rug: it supports the precise handling of compact motifs and detailed outlines.
Keshan patterns belong to a broader Persian design tradition, but they should not be confused with the names of other origins. A reference to Tabriz or Isfahan describes a different regional tradition, while Gabbeh refers to a simpler style associated with Fars. The Keshan identity comes from the carpet’s named origin and its characteristic combination of floral and geometric ornament, not from every motif that may appear in Persian weaving.
The design language also explains why Keshan carpets can function in different interiors. A floral field can provide continuity across a room, while geometric borders give the composition a defined edge. Rich colours create a traditional appearance, yet the organised layout allows the pattern to be read clearly in a contemporary setting. These are general features of the Keshan design tradition; the individual rug remains a one-off handmade piece within that tradition.
Special Features
The special features of this rug are its Keshan Persian origin, hand-knotted construction, sheep-wool pile and high stated knot density. Its cotton warp and weft provide the foundation described for Keshan carpets, while the floral and geometric design language connects it with the regional tradition.
Persian carpets from Keshan are also associated with long-term use. Many carpets from the region have survived for more than a century, which reflects the durability of their materials and construction as well as the care given to them. This historical background does not assign a particular age to the present rug; it explains why Keshan carpets are valued for their lasting place in Persian textile culture.
Care should be practical and regular. Vacuuming without a brush attachment helps remove everyday dust while treating the pile gently. Direct sunlight should be avoided because prolonged exposure can alter colours. Occasional professional cleaning supports the preservation of the wool surface and the carpet’s overall structure.
FAQ
How should a Keshan Persian rug be cared for?
Regular vacuuming without a brush attachment is recommended for removing dust while treating the wool pile carefully. The rug should not be exposed to direct sunlight for extended periods, since sunlight can cause changes in colour. Occasional professional cleaning helps preserve the appearance and durability of the carpet. Care should be carried out in a measured way, avoiding harsh treatment that could affect the pile or the cotton foundation.
What makes a Keshan Persian rug distinctive?
Its identity comes from the combination of Keshan origin, traditional hand knotting, high-quality materials and a recognisable design vocabulary. Keshan carpets are associated with floral and geometric patterns, often using red, blue and gold. The sheep-wool pile offers a soft yet durable surface, while the high knot density supports detailed drawing. The cotton warp and weft provide a stable foundation for the hand-knotted structure.
How does a Keshan rug differ from other Persian rugs?
Keshan rugs are distinguished by their regional pattern language, colour arrangements and relatively high knot density. They often feature a characteristic floral design combined with geometric organisation. Tabriz rugs are known for complex patterns and rich colours, while Isfahan rugs are associated with fine details and high-quality materials. Keshan therefore has its own position within Persian weaving: it shares the broader Iranian tradition but is recognised through its particular regional combination of ornament, colour and construction.
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