Persian Rug Kashmir 150 x 90 cm Silk Hand-knotted

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Hand-knotted Kashmir Persian Rug | Material: pile 100% pure silk | Pile height: 7 mm | Size: 150 x 90 cm | Pattern: rare and especially beautiful | Condition: brand new with label

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Inventory number: 658CABEA

Description

Kashmir Persian Rug

Material and Craftsmanship

This Persian rug is hand-knotted and has a pile made from 100% pure silk. Silk gives the surface a distinctive touch and a clear, luminous appearance. In a hand-knotted rug, each knot is inserted individually into the textile foundation. The piece is therefore not made as one continuous industrial product, but through a traditional craft process carried out by hand. The workmanship combines the fine character of the fibre with the established methods of Persian rug making.

Pure silk is valued in rug weaving for its smooth fibre and its ability to reflect light. Depending on the viewing angle, the surface can therefore appear subtly different. The fine fibre also allows small lines and detailed forms to be rendered precisely. Hand-knotting gives each individual rug its own textile character. The material and construction of this rug are clearly stated: the pile is pure silk, and the rug was made by hand using the knotting technique.

The silk is also described as particularly resistant to wear. In a hand-knotted rug, durability comes not only from the material but from the relationship between knots, pile and foundation. This rug has been checked and professionally washed. Its preparation is therefore part of the product description rather than merely a future care recommendation.

Origin and Tradition

The rug is described as a Persian rug from the traditional region of Persia. Persia, present-day Iran, is one of the historic centres of oriental rug weaving. Over many centuries, different regional schools developed there, with distinctions in structure, colour use, ornament, and technical execution. Rug making is closely connected with practical knowledge passed from one generation of craftspeople to the next.

A traditional Persian rug is created through several coordinated stages. The foundation is prepared first. Knots are then placed according to a planned design, row by row, before the pile is trimmed and aligned into an even surface. This work requires concentration because small deviations can affect the flow of a line or the proportions of a pattern. With fine materials such as silk, the design can be rendered with especially delicate definition.

Kashmir rugs are recognised within the wider world of oriental rugs as their own group and are associated with fine materials, subtle colour nuances, and a soft feel. The name Kashmir therefore refers to a rug tradition within the broad range of oriental forms. The present description also expressly identifies this piece as a Persian rug and places it in Persia. These designations appear alongside the Kashmir reference; no additional manufacturing city is added here.

Persian rug art includes both highly ordered layouts and compositions with a more flowing appearance. Repeated ornaments may draw on historic examples, plant forms, geometric structures, or regional visual languages. Their meaning often comes from the relationship between all parts of the design. Persian rugs are consequently not only useful textiles but also records of a long cultural history. Every hand-knotted example preserves a link between material, working method, and design.

In rug terminology, Persian rugs are often distinguished by place of origin, city, or pattern tradition. Kashmir, Nain, and Tabriz rugs illustrate the variety of oriental weaving, with each name representing a particular artistic and technical tradition. Nain rugs are known for finely drawn patterns and the use of wool and silk; Tabriz rugs are associated with geometric designs and often vivid colours. These examples explain the wider field without assigning an additional pattern or a different origin to this particular rug.

Design and Pattern

The pattern of this rug is described as rare and especially beautiful. Its style is also identified as traditionally Persian or oriental. The design thus belongs to the tradition of Persian rugs, where a developed composition, balanced areas, and carefully placed ornaments are important. The specific description does not name individual medallions, borders, flowers, or geometric symbols. The accurate description therefore remains with the rare, distinctive, traditionally Persian-oriental design.

Persian patterns often rely on a relationship between a central field and surrounding borders. A central area may be organised through repeated ornaments, while border bands frame the composition and reinforce its direction. Other designs use continuous scrolling forms or geometrically ordered elements. These principles explain why Persian rugs can be recognised as a connected art form despite their many regional variations. They describe pattern traditions in general, not details that have not been identified on this rug.

Colour and line serve both decorative and organising functions in Persian rug design. Colour areas can suggest depth, separate motifs, and guide the eye through the composition. Fine silk supports a differentiated rendering because its smooth surface allows nuances and contours to appear clearly. The lustre of the material may change the visual effect of a pattern as the light shifts. No individual colours are specified for this rug; the documented points are its rare, distinctive design and its traditional Persian-oriental style.

In the world of rugs, the Kashmir designation is often associated with fine drawing and restrained tonal variation. Persian pattern traditions, by contrast, encompass a broad range of floral, geometric, and stylised forms. A pattern is not merely a surface decoration: it also expresses order, continuity, and the planning involved in its making. Its effect results from the interaction of knots, material, lines, and colour fields. In a hand-knotted one-off, the composition is built by hand and receives its individual textile expression in the process.

The description calls the design unique and connects it with Persian art. This presents the rug as an individual piece with a special appearance. No exact motif name is supplied. For that reason, terms such as Mahi, Boteh, or medallion are not added. The supported characteristics are the rare and especially beautiful design and the traditional Persian-oriental style.

Special Features

The rug is brand new and is offered with its label. It has been checked and professionally washed, cleaned, and prepared. These details describe its condition and preparation for sale. It can therefore be laid out directly without an additional initial cleaning. Regular gentle care remains sensible so that the qualities of the pure silk are preserved over time.

The description also states that the rug is suitable for underfloor heating. It is suitable for all rooms as well. The combination of pure silk, hand-knotted construction, rare design, and a new condition with label forms the particular profile of this piece. No additional certificates, signatures, or age statements are specified.

FAQ

How should I care for this Persian rug?

Vacuum the rug regularly and gently. Occasional professional cleaning is recommended for thorough care. Avoid strong, direct sunlight to help prevent the colours from fading. Because the pile is made from pure silk, careful handling is appropriate. This rug has already been professionally washed and prepared; continued gentle maintenance will help preserve its surface and lustre.

Where is this Persian rug made?

The rug is described as a hand-knotted Persian rug from the traditional region of Persia. Persia, present-day Iran, is known for its long and important history of rug weaving. Persian rugs are made there by hand using established craft methods. The description does not name a specific city or workshop. The stated origin is therefore the region of Persia, without adding a more precise local attribution.

What are the benefits of a hand-knotted Persian rug?

Hand-knotted Persian rugs combine traditional production with individual design. Each rug is built as its own piece, making it unique. The handmade construction and the resilience associated with the material are connected with a long service life. In this example, the pile is also made from pure silk. Hand-knotted rugs can be passed down through generations and can contribute to retaining value.

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