







Persian Rug Hamadan 318 x 95 cm Wool Hand-knotted
Original price was: € 2101€ 691Current price is: € 691
Hand-knotted Hamadan Persian Rug | Knot density: 100.000 – 350.000 knots/m² | Material: Pile 100% sheep wool | Size: 318 x 95 cm | Pattern: Varied designs in blue and red
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Description
Hamadan Persian Rug
Material and Craftsmanship
This Hamadan Persian Rug is made from hard-wearing wool. The detailed material description identifies the pile as 100% sheep wool. Sheep wool is known for its robustness and durability, and it provides the pile material for this rug. Wool can repel dirt while still offering a comfortable feel. The material therefore combines practical use with the familiar character of a wool rug.
The rug is made by hand-knotting. This method requires skill, care, and precision throughout the weaving process. The knots are not applied by machine; they are created individually as part of a manual craft. Different knotting techniques make it possible to render fine details and complex patterns. The listed knot density is between 100.000 and 350.000 knots per square metre.
Hand-knotting is completed through many successive stages. The person making the rug must follow the intended design while working, keeping colours, lines, and shapes in relation to one another. In this piece, the hand-knotted construction is combined with durable sheep wool. The result belongs to a craft tradition in which experience and careful execution are important to the finished appearance.
Experienced artisans carry out this type of work, and knowledge of carpet knotting has been passed down through generations. The use of different knotting methods allows both structured areas and detailed motifs to be developed. In this Hamadan rug, material, manual technique, and pattern are presented together as parts of a traditional Oriental rug.
Origin and Tradition
The Hamadan rug belongs to the Iranian carpet tradition. Hamadan is a significant city in western Iran, while the source places this rug in northwestern Iran. The region is known for traditional carpet production. Its textile culture is closely connected with the transmission of practical knowledge, including knotting methods, pattern making, and the handling of wool from one generation to the next.
Carpet production in Hamadan has a long history reaching back to the fifteenth century. Within this historical setting, a broad vocabulary of forms and colours developed. Rugs from the region are associated with varied patterns and colour combinations. This variety is an important feature of the Hamadan tradition and means that the name does not describe one single, unchanging design.
Hamadan lies in a culturally diverse part of Iran, and that diversity is reflected in its carpet work. Established design ideas may bring floral and geometric elements together in the same visual language. Motifs are not understood only as surface decoration; within Iranian tradition they can also carry stories, memories, customs, or particular meanings. Their significance is connected with the cultural setting in which the rugs are made.
Iranian carpet making is generally linked with knowledge of proportion, repetition, and colour arrangement. A pattern may run across the field, be divided into separate areas, or be held together by a recurring motif. In Hamadan work, variety is central. Regional tradition is therefore not necessarily a rigid template. It also includes the ability to arrange inherited forms in different ways while retaining a recognisable local character.
The long history of production makes the Hamadan rug an example of how practical use and craftsmanship can coexist. Carpets in Iranian regions have been made for everyday settings as well as for their artistic and cultural qualities. The teaching of experienced knotters preserves technical knowledge and established approaches to composition. Origin consequently refers not only to a geographical location but also to a body of working knowledge handed down over time.
The name Hamadan points to this northwestern Iranian tradition rather than to an unspecified Oriental pattern. Origin and hand-knotting are closely connected: regional knowledge appears in the choice of motifs, the arrangement of colours, and the execution of the knots. This particular rug is described within that tradition through its varied designs in blue and red.
Design and Pattern
The design of this Hamadan rug is described as varied, with designs in blue and red. These two colour directions establish its stated palette. In Iranian carpet art, blue may range from subdued shades to deep tones, while red can be used in several rich gradations. The exact handling of the colours belongs to the individual appearance of this one-off rug.
Hamadan pattern traditions include floral arrangements as well as geometric forms. Floral designs may use leaves, blossoms, and flowing lines, while geometric compositions rely on angles, diamonds, fields, or repeated contours. These approaches do not have to remain separate. Regional carpet design can combine them and distribute them across the surface in a balanced arrangement.
A floral pattern introduces softer lines and organic movement. Geometric shapes create clearer boundaries, rhythm, and a more visibly structured order. Bringing such elements together produces the breadth associated with Hamadan designs. The tradition therefore cannot be reduced to one decorative formula; it allows different motifs to appear side by side within a coherent carpet composition.
In Iranian carpet art, colour and pattern can carry more than a purely decorative function. Repeated signs may refer to stories, customs, or cultural ideas. Their meaning is part of a regional visual tradition. Not every motif has one fixed translation or interpretation; often its effect comes from the interaction of shape, repetition, and contrast between colours.
Blue and red create a clear relationship between cooler and warmer colour effects. Alongside the earthy tones mentioned for Hamadan designs, they can support both floral and geometric compositions. Earth colours may connect separate motifs, while blue and red areas can provide emphasis within the field. The individual dominant motifs of this rug are not specified further; what is established is its variety of blue and red designs.
Hamadan pattern making also demonstrates how inherited forms can be adapted through individual work. Knotters can arrange familiar motifs, vary their proportions, and combine them with other elements. The regional character remains visible without every rug becoming identical. Hand-knotting supports this kind of variation because detailed lines, small shapes, and changing colour sequences can be built up gradually.
In an interior, this pattern language appears as a textile surface with a clear Iranian regional identity. Blue and red give the design a defined presence, while floral and geometric elements allow different visual readings. The rug therefore combines the practical role of a runner with the image-making tradition of Iranian carpet art. Its design has been executed by hand in wool rather than produced as a printed graphic.
Special Features
One notable property of this Hamadan rug is its resistance to wear. This characteristic is associated with the robust wool and the hand-knotted construction. The rug is consequently described as suitable for rooms with substantial foot traffic. Its practical function is presented alongside its varied blue and red design.
Hand-knotted rugs are generally considered more durable than machine-made alternatives. In this piece, that construction is combined with hard-wearing sheep wool. Care consists of regular vacuuming and professional cleaning when needed. Spots may be treated carefully with a damp cloth and mild detergent; excessive moisture should be avoided.
The rug is also described as easy to maintain, making it a practical choice for families with children or pets. Occasional cleaning can help preserve its appearance and hygiene. Outdoor use is not recommended because the rug is not intended for weather conditions such as rain or direct sunlight. It should mainly be used in protected indoor areas.
FAQ
How should I care for my Hamadan rug?
Vacuum the rug regularly to remove loose dirt. When necessary, have it professionally cleaned. Small spots can be treated carefully with a damp cloth and a mild cleaning product. Avoid excessive moisture, as it can encourage mould formation. Routine care should remain gentle so that the wool is not exposed to unnecessary stress.
Is the Hamadan rug suitable for underfloor heating?
Yes, the Hamadan rug is generally suitable for underfloor heating. Wool has good insulating properties and can therefore be used on heated floors without the rug suffering from the warmth. This general suitability complements the rug’s intended use in protected indoor spaces.
Can I use my Hamadan rug outdoors?
Outdoor use is not recommended. The rug is not suited to weather influences such as rain or direct sunlight. To preserve its appearance and integrity, it should mainly be placed in protected indoor areas. In those conditions, the hard-wearing wool can provide the practical qualities described for this rug.
Additional information
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