Persian Rug Hamadan 264 x 164 cm Wool Hand-knotted

 1036

Hand-knotted Hamadan Persian Rug | Knot density: 100,000 – 350,000 knots/m² | Material: pile durable wool | Size: 264 x 164 cm | Pattern: high design variety

1 available

  • Free Shipping in EU
  • 2-5 Business Days Delivery
  • 14-Day Return Policy
  • Worldwide Shipping on request
Secure Payment SECURE PAYMENT
Shipping Partners SHIPPING PARTNERS
SKU: F7E15CA4 Categories: , ,

Inventory number: F7E15CA4

Description

Hamadan Persian Rug

Material and Craftsmanship

This Hamadan Persian rug is hand-knotted and has a pile made from durable wool. Sheep’s wool is used in traditional rugs because its fibres are resilient while its surface remains pleasant to the touch. In hand-knotting, the pile is built one knot at a time. The knots connect the pile to the foundation, allowing lines, colour fields and individual ornaments to develop as part of one continuous woven structure.

The product information gives a density range of 100,000 to 350,000 knots per square metre. Such a range describes the different degrees of fineness found in Hamadan rugs. The durable wool named for this rug is an important part of its material specification. With appropriate care, wool can provide a hard-wearing surface, which is why it has long been used for rugs intended for everyday interiors.

Hand-knotted rugs differ from machine-made pieces in the way the pile is formed. Each knot is inserted individually, and the design takes shape row by row as the work progresses. Small variations within an ornament can therefore be part of the visual character of a handmade rug. In this piece, hand-knotting and durable wool are combined with the broad range of designs associated with Hamadan.

Origin and Tradition

Hamadan lies in north-western Persia and is the named origin of this Persian rug. The city has a long history of carpet weaving. Hamadan does not refer to one single pattern used everywhere in exactly the same way. The name also covers a wider area with villages whose own working methods and preferred motifs have contributed to the region’s carpet tradition.

Assadabad, Khamseh and Tuyserkan are among the places mentioned in connection with the Hamadan area. These villages and settlements developed individual expressions within their carpet production. Differences may appear in the arrangement of motifs, the use of colour and the balance between geometric and floral forms. Hamadan is therefore best understood as a regional range of related traditions rather than as a strictly defined single design.

Carpet making in north-western Persia is closely connected with the transmission of practical knowledge. Understanding how to prepare the foundation, insert the knots, manage the design and finish the edges is traditionally passed on within weaving communities. In a hand-knotted rug, the final composition grows from many separate stages of work. The Hamadan name consequently points both to a geographic area and to a developed tradition of craftsmanship.

The variety of the region helps explain why Hamadan rugs appear in several different styles. Clear, structured fields may occur alongside floral elements, medallions and other traditional arrangements. The high design variety stated for this rug reflects that broad regional vocabulary. An individual rug may show the influence of a particular village tradition while still belonging to the wider Hamadan group.

Hamadan is often discussed in connection with durable wool rugs suitable for practical use. Wool and hand production are central characteristics associated with the regional weaving tradition. At the same time, the designs remain open to different influences. Within the Hamadan group, one can therefore find restrained compositions as well as livelier arrangements with strong contrasts and clearly defined motifs.

Gabbeh and Tabriz are also mentioned when comparing the wider Persian carpet landscape. Gabbeh rugs from the broader regional tradition are known for simple designs, often bright colours, a coarse knotting method and natural dyes. Tabriz rugs from the Iranian city of the same name are associated with fine workmanship, complex patterns and high knot densities. Nain and Isfahan are likewise recognised as names connected with distinctive craftsmanship and timeless designs. These comparisons illustrate the range of Persian carpet traditions, but they do not alter the stated Hamadan origin of this rug.

Design and Pattern

Hamadan rugs are known for a wide variety of designs. The regional vocabulary includes classic geometric patterns, floral motifs and traditional medallion-like compositions. Geometric elements can divide a design into clearly readable areas, while floral forms create softer transitions. A medallion organises the composition around a central sign and gives the field a recognisable centre.

The designs are inseparable from the knotting process. Every line, field and ornament is built through a particular sequence of individual knots. Geometric drawings are made especially legible through repeated angles, diamonds, hooked forms or stepped outlines. Floral motifs may be highly stylised rather than naturalistic. In Persian carpet design, leaves, flowers and vines are frequently used as ornamental signs whose purpose is to structure the surface.

Red, blue and beige are named as lively colours often found in Hamadan designs. These colour families may serve as a ground, a contrast or an accent within a composition. Red can give a field warmth, blue can separate adjoining areas, and beige can act as a light background or a connecting tone. The exact colour distribution of this individual rug is not described; what is established is the high design variety of the Hamadan tradition.

Medallion-like designs are among the familiar organising principles of Persian rugs. A central motif may be surrounded by secondary ornaments, vines or geometric borders. Other compositions distribute their motifs across the entire field instead of directing the eye towards one centre. Both approaches belong to the range associated with Hamadan. The origin therefore identifies a family of related design practices rather than prescribing one particular layout.

Borders also play an important role in traditional rug design. They frame the inner field and create a visual transition between the centre and the outer edge. In geometric compositions, borders can reinforce a sequence of repeated shapes and clear boundaries. In floral designs, vines or blossoms may link the different areas. The specific borders on this one rug are not described, so no more detailed claim about them is made here.

The source text also connects the patterns of Hamadan rugs with historical and cultural stories. Through signs, colour arrangements and recurring motifs, carpets can preserve references to the design history of their region. This does not mean that every individual ornament carries one definite narrative. Rather, it describes the cultural setting in which Persian carpet patterns were created, interpreted and passed on. Hamadan combines that setting with a varied hand-knotted visual language.

Special Features

The features expressly identified for this rug are its Hamadan origin in north-western Persia, its hand-knotted construction, its pile of durable wool and its high design variety. The stated knot density ranges from 100,000 to 350,000 knots per square metre. These details summarise the rug’s documented material, production method and regional classification.

The wool provides the durable material characteristic named for the rug while retaining the pleasant feel associated with sheep’s wool. Hand-knotting makes its traditional method of production clear. The design is not limited to one motif: Hamadan traditions include geometric, floral and medallion-like compositions. This combination of hard-wearing wool, manual craftsmanship and a varied regional design language defines the documented character of the piece.

The general description names private homes, offices and public institutions as possible settings for Hamadan rugs. Actual suitability depends on the way a room is used and on proper care. No specific condition is stated for this individual rug, so no condition claim is added.

FAQ

How should I care for a Hamadan Persian rug?

Regular vacuuming helps remove dust and loose dirt from the pile. Treat stains as soon as possible with a damp cloth and a mild cleaning product. Work carefully and avoid soaking the rug unnecessarily. Professional rug cleaning is recommended every few years. Durable wool supports long-term use when handled properly, but it does not replace gentle treatment or a cleaning method suited to the rug’s construction.

How can I tell whether a Hamadan Persian rug is authentic?

The listed indicators of an authentic Hamadan rug are a high knot density, natural wool and hand-knotted edges. The back can provide further information: on a hand-knotted rug, the rows of knots are visible and even. Origin, material, construction and design should be considered together when assessing a piece. Hamadan identifies a regional weaving tradition in north-western Persia, not one single pattern that every rug must share.

Can the rug be used over underfloor heating?

Hamadan rugs are described as suitable for rooms with underfloor heating because of their robust wool. They can provide a pleasant sense of warmth and contribute to a comfortable interior. The rug should not be exposed to direct heat, however. Even heat distribution and appropriate use help protect the material and pile. For unusual heating systems or sensitive floor constructions, a professional assessment is advisable.

Additional information
}) }) }) }) } }) } })