







Persian Rug Hamadan 153 x 103 cm Wool Hand-knotted
€ 604
Hand-knotted Hamadan Persian Rug | Knot density: 100.000 – 350.000 knots/m² | Material: pile resistant wool | Size: 153 x 103 cm | Pattern: varied designs | Condition: well preserved
1 available
- ✓Free Shipping in EU
- ✓2-5 Business Days Delivery
- ✓14-Day Return Policy
- ✓Worldwide Shipping on request
SECURE PAYMENT
SHIPPING PARTNERSInventory number: 9E2DC97E
Description
Hamadan Persian Rug
Material and Craftsmanship
This Hamadan Persian rug is hand-knotted with a pile made of resistant wool. Hand production joins individual knots into a coherent, durable textile surface. Unlike a printed design, the pattern is formed gradually during the knotting process. Each finished rug therefore has the character of a separate piece rather than a mechanically identical surface. Wool gives the pile resilience while retaining the tactile qualities associated with a natural textile material. In Hamadan weaving traditions, wool is an important material for rugs intended to combine practical use with a clearly worked surface.
The rug has a knot density of 100,000 to 350,000 knots per square metre. Knot density records the number of individual knots within a defined area and provides a way to describe the technical concentration of the weaving. It is closely related to the rendering of a design, although it does not by itself describe the complete character of a rug. Here, the density belongs together with a wool pile and hand-knotted construction. The rug is well preserved. These are the specific material, making and condition details that define this one-off piece.
Working by hand requires a sequence of repeated operations. Knots are placed row by row, the structure is secured, and the emerging surface is kept orderly as the design develops. The result is a woven object whose appearance comes from the relationship between yarn, knotting and pattern. Resistant wool is suited to this type of construction because it can form a firm pile while remaining comfortable underfoot. The stated material concerns the pile; no additional material claim is made here about the warp.
Origin and Tradition
Hamadan is a city in north-western Iran and gives its name to a broad and varied carpet tradition. The surrounding area includes many villages and local weaving centres, among them Assadabad, Khamseh, Maslaghan, Enjelas, Nahawand, Tuyserkan and Mousel. Each place has contributed to the range of forms associated with the region. For this reason, rugs from the area are often grouped under the trade name Hamadan. The name identifies a regional Iranian tradition rather than one uniform design made in every workshop.
The carpet craft of Hamadan and its surrounding settlements developed over centuries. Its history reflects the interaction of village and urban production, local design practice and the practical need for durable floor coverings. Wool was a natural choice in many Iranian weaving areas: it can be spun, coloured and knotted into a substantial pile. In a hand-knotted rug, this material is transformed through many individual decisions, from the selection and preparation of yarn to the placement of each knot and the finishing of the surface.
Regional carpet traditions are shaped by the communities that maintain them. A village may preserve a particular arrangement of ornaments, a preferred balance between field and border, or a recognisable approach to colour. Neighbouring places can share certain conventions while developing their own variations. This helps explain the broad range found under the Hamadan name. The designation points to a geographic and cultural context, while the actual pattern remains specific to the individual rug.
Hamadan belongs to the wider world of Iranian Persian rugs, alongside many other regional traditions. Bakhtiari rugs, for example, are often associated with large floral designs. Tabriz rugs are commonly connected with refined detail and elegant compositions. Gabbeh rugs are frequently recognised for lively colours, geometric forms, simplicity and practical character. These comparisons provide general context for Persian weaving, but they do not change the origin of this rug. This piece is a Hamadan Persian rug from Iran.
The history of the region is therefore visible not only in a place name, but also in the way the trade category accommodates many local expressions. A Hamadan rug need not repeat a single medallion, border or arrangement to belong to the tradition. Its identity comes from the relationship between the Iranian region, the communities that weave there and the methods passed through generations. The hand-knotted technique links this individual rug to that long craft history without assigning it to a village that is not named for this piece.
Design and Pattern
Hamadan rugs are known for varied designs. Their visual range extends from traditional patterns to modern interpretations, reflecting the many villages and workshops connected with the region. Some compositions retain established ornamental ideas, while others simplify or rearrange them for a more contemporary appearance. The regional name does not require every rug to share the same central motif, border or colour structure. Instead, it frames a family of related practices in which local variation is an important part of the tradition.
Traditional Persian carpet design often depends on the organisation of a surface. A central ornament may be surrounded by a field and framed by borders, or repeated geometric forms may create a more even rhythm across the rug. Floral elements, angular shapes and linked motifs can be balanced through symmetry or arranged with a more freely varied structure. When these ideas are carried out by hand, the design is built knot by knot. Pattern is therefore both an image and a physical texture.
Modern interpretations can reduce the number of ornaments, alter their scale or use a more open arrangement. Such changes allow a regional weaving tradition to remain connected with its history while addressing different preferences in interior design. The source description identifies this rug’s pattern category as varied designs; it does not assign a single named motif to the individual piece. That distinction matters because the Hamadan name describes the regional tradition, not a particular pattern that must appear in every example.
Comparisons with other Iranian rug traditions further illustrate the range of design language. Bakhtiari is often discussed in connection with large floral patterns, while Tabriz is associated with fine detail and elegant designs. Gabbeh is commonly linked to geometric forms, lively colours, simplicity and functionality. These categories are useful points of reference, but they remain separate traditions. A Hamadan rug has its own regional background, and its varied designs are understood through the weaving culture of north-western Iran.
The design of a hand-knotted rug also changes subtly through the relationship between pile, knot placement and viewing distance. A pattern can appear crisp where the knotting is concentrated and more tactile where the wool surface becomes prominent. This is a general feature of the craft rather than an additional claim about an unlisted motif or colour. In this piece, the documented design characteristic is its variety, while the documented construction is hand knotting with a resistant wool pile.
Special Features
The clearly identified features of this one-off rug are its Hamadan origin, Iranian Persian classification, hand-knotted construction, resistant wool pile, knot density of 100,000 to 350,000 knots per square metre, varied designs and well-preserved condition. Together, these details describe both its technical character and its place within the regional carpet tradition. The wool contributes resilience to the pile, while the hand-knotted structure records the individual work involved in making the surface.
A hand-knotted rug is not an entirely uniform industrial product. Small differences in the execution belong to the method and help distinguish one piece from another. The named origin should nevertheless remain precise: this is Hamadan, Iran, not one of the other Persian regions mentioned for comparison. No age, signature or particular workshop is specified for this rug, so none is added. Its identity rests on the origin, material, technique, design range and condition that are described.
The combination of practical material and varied pattern language also reflects the dual role of many Persian rugs. They can function as durable floor textiles while carrying regional design traditions into a living space. That general role does not replace the individual description. Here, the relevant facts remain the resistant wool, the hand-knotted workmanship and the well-preserved state of the Hamadan piece.
FAQ
What makes a Hamadan Persian rug distinctive?
This rug is distinguished by its hand-knotted construction, resistant wool pile and knot density of 100,000 to 350,000 knots per square metre. Its varied designs are another defining feature of the Hamadan tradition. Hamadan lies in north-western Iran and is associated with numerous villages and weaving centres, so rugs sold under this name do not all follow one identical pattern. This individual rug is well preserved and brings together that regional diversity with a durable wool surface.
How should I care for my Hamadan Persian rug?
Regular vacuuming is the basic care routine, and occasional beating can help keep the rug in good condition. Treat spills promptly with a damp cloth so that they do not remain permanently in the textile surface. Gentle treatment is preferable to vigorous rubbing, particularly while a stain is still being removed. Resistant wool supports practical use, but it does not eliminate the need for suitable care. For larger or uncertain damage, professional rug cleaning is the appropriate option rather than an aggressive household treatment.
Where can I find Hamadan Persian rugs?
Hamadan Persian rugs are available from specialist carpet dealers and through online shops. A reliable retailer should be chosen so that origin, material, construction and quality can be described clearly. For a one-off rug, the individual item and its documented features are more important than a generic image of the region. The name Hamadan refers to an Iranian carpet tradition shaped by many villages, which is why patterns and local expressions can vary. This makes it possible to assess each rug on its own regional and technical characteristics.
Additional information
| Design Style | |
|---|---|
| Size | |
| Shape | |
| Origin | |
| Knot Density | |
| Material |















