Oriental Rug Peking 315 x 215 cm Wool Hand-knotted

Peking Oriental Rug

Material and Craftsmanship

This Peking Gobelin is hand-knotted. Its pile is made of 100% wool, while cotton is used for the warp threads. The combination of a wool pile and cotton warp is the stated material construction of this rug. It is described as a high-pile rug, with a pile height of approximately 2 cm. The raised pile gives the surface a distinctly textile character and supports the full, enclosed appearance associated with the Gobelin designation.

The knot density is described as extremely fine. Fine knotting allows lines, fields and transitions in a design to be worked with greater differentiation. In a Gobelin-style rug, this supports the clear reading of the composition and allows the surface to retain a carefully articulated appearance. Because the rug is hand-knotted, the visible design is created through the placement of individual knots and the subsequent finishing of the pile rather than through a printed surface.

The rug is new and comes with a label. It is also stated to be suitable for use with underfloor heating. This is a specific practical property of the rug and places it within a contemporary interior context. Its construction remains clearly defined by the listed materials: wool pile, cotton warp and hand-knotting. No additional fibres or material blends are specified.

Origin and Tradition

The rug originates from China and is described as a Peking Gobelin and a hand-knotted Chinese rug. In rug terminology, Peking refers to a Chinese design tradition in which classical decorative structures can be combined with calm, balanced arrangements of fields and borders. Here, the term identifies the rug’s Peking classification; it does not replace the explicitly stated country of origin, which is China.

Chinese rug traditions include ornamental, pictorial and decorative compositions. Many designs depend on a readable relationship between a central field, an enclosing border and carefully arranged motifs. Rather than allowing every part of the surface to compete equally, the composition can establish a clear visual order. This structural approach is also relevant to Gobelin-style designs, where the arrangement of the surface contributes to a tapestry-like impression.

Hand-knotted Chinese rugs are understood through the relationship between warp, weft, pile and knots. The warp forms the underlying framework into which the pile is inserted. Weft lines help stabilise the rows, while the knots create the visible surface. The cotton warp and wool pile specified for this rug therefore describe both its materials and the basic textile logic of its construction. In hand-knotting, the pattern develops progressively within this structure rather than being applied as a separate printed image.

The word Gobelin points to a decorative effect associated with a textile picture or tapestry surface. In rug commerce, it may be used for compositions that appear pictorial, richly decorative or painterly in their arrangement. For this rug, the relevant classification is the combination of Chinese origin, Peking Gobelin character, hand-knotting and an extremely fine knot density. The origin remains China, while Peking Gobelin explains the type and visual direction.

Chinese rugs are also often considered through the balance of colour, outline and open space. A border frames the inner field and creates a transition between the rug and the surrounding floor. In a classical composition, this framing function can be as important as the individual ornaments because it gives the whole design a controlled structure. A beige border is specifically stated for this rug, making the relationship between field and edge part of its documented appearance.

Design and Pattern

The pattern is described as Gobelin and the style as classic. The colour scheme consists of navy blue with a beige border. The deep blue provides the dominant visual ground, while the beige border separates the outer frame from the central area. The border is therefore an active design element rather than an unspecified edge. Together, the two named colours establish a clearly organised colour relationship.

Gobelin-style rugs often use a textile image effect in which the design seems to develop from a woven or knotted picture surface. Contours, colour areas and decorative details are arranged to form a coherent whole. An extremely fine knot density is well suited to this kind of detailed treatment because fine transitions and controlled lines can be represented more precisely in the pile. This explains the general relationship between knotting and design without assigning any unlisted motifs to this particular rug.

The navy-blue ground gives the rug a composed and unified colour impression. Beige introduces a lighter frame and helps distinguish the border from the inner field. In classical rug design, contrasts of this kind are used to organise the surface and guide the eye between the centre and the edge. The description does not identify individual pictorial motifs or ornaments. The appropriate factual focus is therefore the stated colour arrangement, Gobelin classification and classic style.

The classic style indicates an ordered approach to ornament and field structure. Classical rug designs generally rely on an intentional hierarchy: a main field, a surrounding frame and related colour relationships provide visual cohesion. In this Peking Gobelin, those principles meet the tapestry-like quality suggested by the Gobelin term. Hand-knotting gives the design a textile depth, while the high pile contributes to the tactile presence of the surface.

A border can also function as a visual transition between the inner design and the room around it. It separates the central pattern from the surrounding floor and allows the overall outline to remain distinct. The beige border has this framing role in relation to the navy-blue field. No further colours or specific motifs are named in the source description, so the design should be presented through the documented palette, Gobelin character and classic classification rather than through invented imagery.

Special Features

The explicitly listed features include the extremely fine knot density, hand-knotted construction, wool pile with cotton warp and high pile. The rug is new and has a label. It is also suitable for underfloor heating. These details combine a clear description of its craftsmanship with a stated feature for present-day use.

A weight of 30 kg is also given as a product characteristic. The navy-blue colour scheme with beige border, the Peking Gobelin classification and the classic style define its visible identity. The description does not provide information about age, restoration, signs of use, signature or special provenance. Those details are therefore not added.

FAQ

Where does this Peking Gobelin come from?

The rug comes from China. It is described as a Peking Gobelin and as a hand-knotted Chinese rug. Peking identifies its design and type classification within Chinese rug traditions. The origin of this particular piece is China; no different regional origin is stated.

What material is the rug made from?

The pile is made of 100% wool. The warp threads are cotton. The rug is also described as hand-knotted and high-pile, with an extremely fine knot density. These details define the listed material and construction without adding any fibres or blends that are not specified.

Is the rug suitable for underfloor heating?

Yes. The rug is explicitly described as suitable for underfloor heating. It is also offered as new with a label. This statement identifies its intended compatibility with a room using underfloor heating. No additional installation or care instructions are provided in the description.