Persian Rug Tabriz 210 x 144 cm Wool Hand-knotted

Tabriz Persian Rug

Material and Craftsmanship

This Tabriz Persian rug is hand-knotted and made with high-quality wool and cotton. The wool forms the pile, creating the visible and tactile surface of the rug. Cotton is specified for the warp. In a hand-knotted rug, the design is not printed or produced as a machine-made repetition; individual knots are worked into the prepared warp. The pile is then finished so that the colour areas and outlines of the design can be clearly read.

The construction links the material directly to the making of the pattern. Each knot is placed into the warp and becomes part of the rug’s structure. Wool is a traditional pile material because it creates a textile surface with a distinct handle. Cotton provides the warp foundation on which the knots are arranged. No other fibre is specified for this piece; its stated material composition is high-quality wool and cotton.

The term hand-knotted describes both the technique and the listed knot-density information. It indicates that the rug was made using a traditional knotting process rather than as a hand-woven flat textile. The floral motifs are formed through the sequence of knots, colours and contours. The result is a surface in which the design is inseparable from the craft process. The rug is described as hand-knotted, with a wool pile and a cotton warp.

Origin and Tradition

The rug comes from Iran and is assigned to the city of Tabriz, also written Täbriz. Tabriz is one of the recognised centres of Persian rug culture. Located in north-western Iran, the city developed a regional tradition associated with careful drawing, structured ornament and skilled knotting. Tabriz rugs are commonly discussed in connection with compositions whose details are clearly organised and whose designs are carefully worked out.

The Tabriz tradition forms part of a much wider history of Iranian rug making. For centuries, rugs have been produced in workshops and family settings, with knowledge of designs, colour arrangements and knotting passed from one generation to the next. A rug is shaped not only by its material, but also by the relationship between the design, the warp, the knotting method and the final finishing. The Tabriz origin therefore points to a regional craft tradition within Iranian carpet production.

Tabriz weavers have incorporated different strands of Persian ornament into organised rug compositions. Floral scrolls, blossoms, medallions and carefully divided fields belong to the vocabulary often associated with the region. Rugs from Tabriz do not all share one identical design; the specific pattern of this piece is described as Oriental with floral motifs. Its place of origin and its decoration should therefore be understood as related, but separate, characteristics.

Iranian rug culture includes many regions, each with its own workshop practices and visual tendencies. Tabriz represents an urban workshop tradition in which designs are often developed with precise drawing and translated into a regular textile structure. The term Persian rug describes the Iranian origin of this piece. Here it is not merely a reference to a decorative style, since the product information explicitly identifies Iran and Tabriz as the source.

Hand-knotted rugs in this tradition are both useful textiles and decorative works. Their production requires time, training and close attention to the design. The warp provides the framework, while the pile carries the visible pattern. In this way, a Tabriz rug joins a practical textile function with a visual language that grew from Iranian ornament traditions. The individual object is formed through the meeting of that regional background and its specific hand-knotted execution.

Design and Pattern

The pattern of this rug is described as Oriental with floral motifs. This indicates a decorative composition in which blossoms and plant-based forms provide the main visual character. Floral motifs may appear as individual ornaments, scrolling vines or elements within a larger, regularly organised field. The product description identifies flowers as the motif, but does not specify a particular medallion, border arrangement or species of flower.

In Persian rug design, floral forms are often stylised rather than rendered as botanical illustrations. They can be repeated rhythmically, adjusted to the geometry of the field and combined with leaves or scrolling lines. Vines may connect separate elements, blossoms may act as accents, and smaller forms may fill the spaces between larger ornaments. These are principles of the wider design tradition, not additional claims about details that are absent from the description of this rug.

The Tabriz design tradition is generally associated with controlled drawing and a well-organised relationship between individual motifs. In many designs, floral elements are clearly outlined while remaining part of a coherent overall arrangement. A central field may be enclosed by a border, and secondary motifs may create a transition between the interior and the edges. For this rug, however, only the Oriental floral character is stated. No particular centre or border should therefore be assigned to it.

Floral designs often provide rhythm and balance across a Persian rug. Repeated forms guide the eye over the surface, while changes in scale, contour and placement prevent the composition from becoming entirely uniform. The knotting process translates the drawing into individual coloured knots. Lines are consequently part of a woven textile structure rather than printed marks. The clarity of the pattern comes from the interaction of knots, pile and colour distribution.

Here, Oriental describes the decorative direction, while Tabriz identifies the stated Iranian origin. This distinction matters in rug terminology: a floral design can occur in more than one region, while workshop traditions influence the way motifs are arranged and executed. This piece combines the named Tabriz origin, its Persian classification and the specified floral pattern. Specific colours and a named historical pattern are not provided, so they are not added to the description.

Special Features

The rug is described as new without a label and in top condition. This condition information is a specific feature of the offered piece. It is also suitable for underfloor heating. The product therefore combines traditional hand-knotting with an application suited to contemporary interiors. Underfloor heating should be operated correctly so that the rug and the floor covering are treated appropriately during use.

Another defining feature is the combination of high-quality wool in the pile and cotton in the warp. Together with the hand-knotted technique, the Iranian origin and the floral design, these details form the identity of this one-off rug. Because a hand-knotted rug is created through its particular arrangement of knots, its execution is not the same as an arbitrarily reproduced standard pattern.

FAQ

What defines a Tabriz Persian rug?

A Tabriz Persian rug combines an Iranian origin with hand-knotted construction. Tabriz is an important centre of Persian rug making and is broadly associated with carefully drawn designs, often including floral ornament. This piece is described as Oriental with floral motifs and uses high-quality wool for the pile and cotton for the warp. Its character therefore comes from the combination of origin, material, technique and the specified pattern.

How should this hand-knotted rug be cared for?

A hand-knotted wool rug benefits from regular, gentle vacuuming so that dust and loose particles do not remain in the pile. Strong direct sunlight should be avoided, since prolonged light can alter textile colours over time. Spilled liquids should be absorbed promptly, and stains should not be treated with aggressive products. More substantial soiling is best entrusted to a professional rug cleaning service. Its suitability for underfloor heating should also be considered during proper use.

How does a hand-knotted rug differ from a machine-made rug?

In a hand-knotted rug, the design is built knot by knot into the warp. The textile structure therefore results directly from the craft process. Machine-made rugs are produced with industrial methods and standardised production sequences. A hand-knotted piece such as this Tabriz Persian rug consequently has its own individual knot arrangement. The product description explicitly identifies this rug as hand-knotted.