









Persian Rug Sarouk approx 350 x 247 cm Wool Hand-knotted
€ 1875
Hand-knotted Sarugh Persian Rug | Knot density: Hand-knotted | Material: 90% wool, 10% cotton | Size: approx 350 x 247 cm | Pattern: Oriental | Condition: Good condition, professionally cleaned
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Description
Sarugh Persian Rug
Material and Craftsmanship
This Sarugh FARAHAN rug is hand-knotted and made from wool with a cotton component. The use of natural fibres gives the rug a firm textile structure while retaining the familiar softness of wool. Wool has long been valued in rug making for its resilience, comfortable feel and naturally insulating character. It can also help regulate moisture in an interior and contributes to a balanced surface underfoot.
Handwork defines the construction of this rug. Each knot is placed by hand within the foundation, and the visible surface is built gradually through a large number of individual working steps. The product information describes the knot density as hand-knotted; no numerical knot count is provided. The rug took approximately nine months to make.
The wool pile provides a soft and warming touch while remaining suitable for regular use. Wool is known for its durable fibres and practical maintenance properties. With appropriate care, it can retain its structure and appearance over a long period. This rug has been professionally cleaned and is described as being in good condition.
Origin and Tradition
The rug comes from the Sarugh region of Iran. Sarugh is situated near Arak in the central province of Markazi. Its name therefore identifies an Iranian weaving region rather than merely describing a general oriental appearance. The local tradition combines experienced handwork with a recognisable approach to colour, composition and ornament.
Sarugh belongs to the broader history of Iranian carpet weaving. Across Iran, knowledge of wool preparation, foundation building, dyeing, knotting and pattern planning has traditionally been passed from one generation to the next. These skills developed within households, workshops and local communities. The work requires patience because the structure and image of a rug emerge progressively rather than being applied in a single finishing stage.
The area around Arak and Markazi is associated with several established weaving traditions. Sarugh rugs are commonly linked with strong colours and clearly organised designs. Their construction reflects the wider principles of Persian rug making: a textile must provide a durable surface while also creating a carefully balanced relationship between field, border and repeated motifs.
Traditional knowledge is transmitted through both practical instruction and familiarity with regional design language. The preparation of the wool, the arrangement of the foundation and the placement of each knot influence the final density and definition of the surface. Hand-knotted rugs consequently show the result of a particular working process. Even when a design follows an established regional vocabulary, the finished piece remains individually made.
Iranian rugs are often identified by the region where a weaving tradition developed. Such names may refer to a town, a surrounding area or a group of workshops with related methods and designs. Sarugh is the Iranian region named for this rug. FARAHAN is included in the product name as an additional designation. The regional origin provides the historical and technical context for the piece without changing the fact that it is a hand-knotted Sarugh rug.
Design and Pattern
The pattern of this rug is described as oriental. Sarugh rugs are known for colourful and complex compositions in which floral and geometric elements may be brought together. Flowers, scrolling vines and stylised animal forms are among the motifs found in the regional design vocabulary. These elements can be arranged within a defined field and framed by borders that give the overall composition a clear visual order.
Floral ornament often introduces movement and rhythm into a rug. Vines can connect separate blossoms and guide the eye across the field, while geometric forms establish boundaries and provide visual structure. In Sarugh work, these different approaches may be combined in varied ways. The particular product description identifies the present rug simply as oriental in pattern, while the regional tradition supplies the broader context for understanding that designation.
Colour is central to the organisation of a Persian rug. Contrasting tones can distinguish one area from another, bring individual motifs forward and create a sense of depth. Sarugh designs are traditionally associated with vivid colours and detailed patterning. The visual language can draw on natural forms and cultural symbolism, while remaining governed by repetition, balance and the relationship between the central field and its surrounding borders.
A hand-knotted pattern is built through the gradual placement of coloured knots rather than through printing or mechanical surface repetition. The drawing is translated into separate areas of yarn as the work progresses. Small variations are a normal sign of manual production. The clarity of a design depends on the planning of the pattern, the skill of the weaver and the care taken with each part of the construction.
Oriental rug designs can be read as decorative systems as well as carriers of inherited forms. Repeated motifs create cadence, borders contain the composition and the field provides room for the principal ornament. Sarugh traditions frequently bring floral and geometric vocabulary into a coherent whole. This makes the regional style adaptable to different interiors while preserving its connection with Iranian weaving culture.
Special Features
This rug is a one-off piece. Its distinguishing characteristics are its Iranian Sarugh origin, hand-knotted construction and the use of wool with a cotton component. It was made over approximately nine months and has been professionally cleaned. The product details also describe it as rectangular, in good condition and suitable for use in rooms with underfloor heating.
The handmade construction means that the surface, colour areas and pattern details result from the work of individual knotters. Natural fibres can develop their own surface character through use. Wool may acquire a patina over time as the pile and colours settle into the life of the room. This is a normal aspect of a handmade textile and should be supported by careful, appropriate maintenance.
FAQ
How should I care for the Sarugh FARAHAN rug?
Regular vacuuming on a low setting helps remove loose dust and everyday particles without placing unnecessary strain on the pile. A fresh stain should be treated promptly with a damp cloth and a mild cleaning product. Vigorous rubbing can affect fibres and colours, so a gentle approach is preferable. For heavier soiling, professional rug cleaning is recommended. This rug has already been professionally cleaned.
Can the rug be used with underfloor heating?
Yes. The wool Sarugh FARAHAN rug is suitable for rooms with underfloor heating. Wool has natural insulating properties and can work well in a heated interior. The heating system should be operated in accordance with the usual recommendations for rugs and floor coverings. Correct placement and adequate air circulation also help preserve the textile during regular use.
How can I assess the quality of a hand-knotted rug?
Useful points of reference include the hand-knotted construction, the materials and the precision of the pattern. Looking at the reverse can help reveal whether the knots and foundation were made by hand and how consistently the structure was formed. The clarity of the design and the firmness of the textile also provide information about workmanship. For this piece, the stated features are wool with a cotton component, hand-knotted production and an oriental pattern.
Additional information
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