Persian Rug Persia 200 x 300 cm Wool Hand-knotted

Persia Persian Rug

Material and Craftsmanship

This Persian rug is made from 90% pure virgin wool and 10% natural fibre blend. The combination gives the rug a wool pile with a textile character shaped by natural fibres. The wool is described as hand-spun, adding an individual texture and a characteristic sheen to the surface. Wool has long been used in rug making for its tactile qualities and its ability to form a resilient pile suited to everyday interiors.

The rug has a knot density of 360,000 knots per square metre. A dense knot structure allows a design to be drawn with considerable differentiation, which is relevant to the floral details of this piece. The product description calls the rug hand-knotted and handmade. It also describes it as machine-woven. These statements are retained because the source names different aspects of its construction. The rug is additionally described as weighing approximately 3.5 kg per square metre and as being approximately 8 mm thick.

Its construction therefore brings together the stated hand-knotted and handmade character with hand-spun wool and the separate description of machine weaving. The material information remains specific: virgin wool forms the principal pile material, accompanied by a natural fibre blend. This gives the surface a natural textile presence while the dense knotting supports the detailed appearance of the floral design. The result is presented as a rug intended for use in living spaces.

Origin and Tradition

The rug comes from Persia. Persian rug making is a broad and varied tradition shaped by regional workshops, inherited techniques and changing design preferences. A rug is built through the interaction of knots, pile, foundation and woven structure. Different areas developed their own approaches to drawing, colour arrangement and the balance between central fields and borders. These distinctions are part of the wider history of Persian textiles.

Persian rugs have traditionally served as practical floor coverings as well as carefully made decorative textiles. Their designs may preserve established motifs, rearrange familiar elements or reinterpret them for a contemporary setting. Floral compositions are among the most recognisable forms within this tradition. They often draw on blossoms, leaves, vines and flowing stems, placing organic shapes within an ordered field. A modern design can simplify these forms or soften their outlines while keeping a connection to the established visual language.

Well-known Persian rug centres include Tabriz, Isfahan and Shiraz. Tabriz rugs are often associated with detailed drawing, medallions and elaborate borders. Isfahan designs are frequently linked with balanced compositions, fine ornament and carefully coordinated colour. Shiraz examples are often hand-knotted and may show simpler, more direct patterns with a distinctive character. These are examples of the diversity of Persian rug traditions, not statements about this rug’s specific city or province. The origin given for this rug is Persia.

The Persian tradition includes both strongly symmetrical layouts and freer arrangements inspired by plants and natural forms. The relationship between ornament and surrounding ground is an important part of the design. A central field may be framed by one or more borders, while vines and floral elements create movement across the composition. Contemporary rugs influenced by this tradition do not have to reproduce a historical design literally. They can retain the idea of a floral field while changing its scale, definition or visual balance.

The high knot density of this rug relates to the technical vocabulary of Persian rug making, where fine drawings are created through the careful placement of many knots. Knot density describes the number of knots within a given area; it is a construction detail rather than a complete judgement of quality. It can affect the way lines, leaves and transitions are rendered. In this piece, the dense structure accompanies a modern floral pattern, allowing the traditional technique and contemporary treatment to exist together.

Design and Pattern

The rug is described as modern and oriental in style, with a floral Erased design. In rug terminology, Erased refers to a deliberately softened, faded or partially overlaid treatment of a traditional-looking pattern. Instead of presenting every ornament with a hard, clearly separated outline, the design lets parts of the drawing recede into the ground. The floral subject remains identifiable, while the treatment gives it a more open and contemporary appearance.

Floral Persian patterns commonly use flowers, leaves, vines and curved stems. These elements can be repeated in a regular arrangement or distributed across the field to create a flowing composition. An Erased treatment reduces the visual rigidity of such forms, allowing pattern and ground to interact. The design of this rug therefore connects with Persian floral ornament without presenting itself as a strictly historical reproduction.

Grey and green define the colour palette. Grey provides a restrained, neutral ground, while green introduces a natural reference that supports the floral theme. Together, the colours form a balanced combination that can sit alongside both classic and contemporary furnishings. The effect depends on the relationship between the subdued base colour and the botanical accent rather than on a single dominant bright tone.

The pattern can work as a connecting element in several types of interior. In a traditionally furnished room, the floral subject recalls the decorative language of oriental rugs. In a modern room, the softened Erased treatment supports a clearer, less crowded arrangement while retaining visible ornament. The rug is neither a purely geometric design nor a simply rustic pattern. It combines organic shapes with a contemporary reduction of detail.

Persian rug design encompasses many other approaches as well. Geometric compositions may rely on clear axes, medallions and symmetrical borders. Tabriz examples are often discussed in connection with fine details and elaborate border work, while Isfahan designs are associated with complex symmetry and Shiraz examples with simpler hand-knotted patterns. These references provide regional background only and do not classify this individual rug. This piece is described as a modern Persian rug with a floral Erased design in grey and green.

Special Features

The condition of the rug is new and perfect. It is described as allergy-friendly and suitable for underfloor heating. These are functional features named for the piece and make it relevant to contemporary living spaces. The description also identifies it as handmade and machine-woven, alongside the hand-knotted designation.

The natural material composition gives the rug a distinctly textile surface, while the floral Erased pattern introduces a modern oriental character. Grey and green can be combined with a range of furniture and interior palettes. Because the product is handmade, its dimensions may vary slightly; this note concerns the nature of its production and should be considered when planning the intended location.

FAQ

How should I care for my Persian rug?

Regular vacuuming without a brush attachment helps remove dust and loose dirt while avoiding unnecessary strain on the pile. Occasional professional cleaning is also recommended. Direct sunlight should be avoided in order to reduce the risk of the colours fading. Care should take the natural fibre composition into account, and a professional cleaner should be consulted for more extensive treatment.

Where does this Persian rug come from?

This Persian rug comes from Persia. Persia has a long and diverse rug-making tradition with different regional patterns, techniques and approaches to materials. This rug combines that stated origin with a modern floral Erased design in grey and green. No more specific province or city is given for this individual piece.

Is the rug suitable for allergy sufferers?

Yes, the rug is described as allergy-friendly. It is made from virgin wool and a natural fibre blend. Natural materials are often better tolerated by allergy sufferers than synthetic fabrics, although individual reactions can differ. Regularly removing dust and dirt supports good indoor air quality and is therefore an important part of careful rug maintenance.