Persian Rug Nain 282 x 95 cm Wool Hand-knotted

 1884

Hand-knotted Nain Persian Rug | Knot density: approx. 500,000 knots/m² | Material: pile 90% virgin wool and 10% silk, warp 100% cotton | Size: 282 x 95 cm | Pattern: traditional Oriental and Persian, floral-inspired | Condition: New, very good

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Inventory number: AB712CE4

Description

Nain Persian Rug

Material and Craftsmanship

This Super Nain 9 La is a hand-knotted Persian rug from Persia, also identified as Iran. Its pile is made of 90% virgin wool and 10% silk, while the warp is 100% cotton. These materials have different roles in the construction of the rug. Virgin wool provides a resilient and tactile foundation, and silk introduces fine accents and a restrained sheen to the pile. The cotton warp forms the structural basis beneath the visible surface.

Hand knotting means that the rug is built one knot at a time rather than printed or produced as a machine-made textile. Each knot contributes to both the pattern and the density of the pile. The rug is described with a knot density of approximately 500,000 knots per square metre. A dense knot structure allows small elements to be placed closely together and supports the precise rendering associated with finely drawn Persian designs.

The pile is made from the stated combination of wool and silk and is intended for use in living areas and bedrooms. This rug is suitable for underfloor heating and is described as pet-friendly. Its condition is new and very good. An authenticity certificate is included with the rug. These details define the material composition, the making process, and the practical information supplied with this individual piece.

Origin and Tradition

The rug comes from Persia, or Iran, and is identified as a Super Nain 9 La. Nain is an established carpet-weaving region in the Iranian highlands. Rugs from Nain are associated with carefully controlled drawing, fine knotting, and balanced compositions. The name Nain therefore points to a regional weaving tradition rather than simply describing a colour or a general decorative mood.

Carpet weaving became an important part of the craft culture around Nain. Designs from the region combine established Persian ornament with a clear and finely divided layout. Floral elements, scrolling vines, and ordered border systems are often brought together so that the surface feels structured without losing its decorative detail. Precise outlines and the controlled repetition of motifs are central to the visual language commonly associated with Nain carpets.

Persian carpet making is traditionally a skilled, labour-intensive process. The weaver follows a planned design while placing knots across the foundation. Once the knotting is complete, the pile, edges, and surface are finished so that the different areas form a coherent whole. In a fine Nain design, the accurate handling of small leaves, blossoms, and curved lines matters because the motifs need to remain legible within a closely worked composition.

Nain tradition is often linked with refined arrangements and an elegant treatment of floral forms. The character of a rug does not come from the surface pattern alone. It also depends on the relationship between the field, the border, and the internal drawing. A well-organised composition gives the eye a route through the rug, while the border defines its outer frame. The designation Super Nain 9 La belongs to this rug’s product name and places it within the fine Nain design tradition.

The Iranian origin should be understood as part of the wider history of Persian carpet weaving. Different regions developed their own approaches to drawing, knotting, materials, and the arrangement of borders. These local methods were passed on through workshops and families, while individual weavers interpreted established patterns in their own way. Nain occupies a distinct place within this tradition. Its regional name preserves a connection with the Iranian craft environment in which this type of rug developed.

Regional identity in Persian rugs is expressed through more than a label. It can be seen in the organisation of the design, the treatment of floral ornament, and the degree of detail that the knotting is intended to carry. The Nain tradition belongs to the broader Persian art of turning geometric order and stylised nature into a woven surface. This rug represents that connection through its stated Persian origin, its Nain designation, and its hand-knotted construction.

Design and Pattern

The design is described as traditional Oriental and Persian, with floral-inspired motifs. Floral ornament is one of the long-standing languages of Persian carpet design. Leaves, blossoms, vines, and arabesque forms can be arranged into repeating structures that give the surface rhythm. These are not intended as botanical copies. They are stylised elements shaped to work within the proportions and order of a woven composition.

The Super Nain 9 La designation points to a Nain-inspired pattern language in which detailed drawing is important. Nain compositions frequently organise the field around a central arrangement and surrounding ornamental zones. A border can frame the inner field and establish a visual transition between the centre and the edge. Whether the arrangement is read from the centre outward or along the border, the pattern depends on relationships between repeated motifs rather than on isolated decorative details.

Fine patterns require controlled outlines. A vine must retain its direction, and the leaves or flowers attached to it must remain distinguishable from neighbouring forms. High knot density generally helps a weaver reproduce such small details with greater control. It also permits narrower transitions and more closely spaced ornaments. This is why Nain rugs are often discussed in connection with precise, finely drawn patterns and a surface capable of carrying detailed Persian ornament.

Persian floral patterns also carry a cultural history. Plant forms have long been used in Persian art as decorative symbols of order, continuity, and idealised nature. On a rug, they become part of an abstract visual system. A flower may be simplified, mirrored, or repeated, and a vine may connect several motifs into one flowing structure. The result is a design that suggests the natural world while remaining clearly shaped by the requirements of weaving.

Order does not require every handmade detail to be mechanically identical. A hand-knotted rug follows an overall plan, but the human process gives the surface its individual textile character. The composition can remain balanced while small variations reflect the work of the maker. In this piece, the floral-inspired drawing, the Persian design tradition, and the Nain name create a coherent regional style without reducing the rug to a mass-produced pattern.

Nain can also be considered alongside other Persian design traditions. Isfahan rugs, for example, are likewise known for detailed and complex patterns, but Nain has its own regional vocabulary and construction history. The shared Persian background explains certain connections in ornament, while differences in line, layout, and interpretation distinguish one weaving centre from another. The pattern of this rug is therefore best understood through its stated Nain and Persian identity.

Special Features

This rug combines a hand-knotted Persian construction with a pile of 90% virgin wool and 10% silk and a 100% cotton warp. Its stated knot density is approximately 500,000 knots per square metre. The rug is new and in very good condition. These details describe an unused piece in a finely worked material combination and connect its physical construction with the Super Nain 9 La designation.

The rug is suitable for underfloor heating and is described as pet-friendly. An authenticity certificate is included. These practical and documentary details are part of the offering alongside the regional origin and traditional Persian pattern. They provide information about intended use and delivery without changing the rug’s identity as a hand-knotted Nain Persian rug.

FAQ

What makes the Super Nain 9 La Persian rug distinctive?

Its distinctive character comes from the combination of Nain tradition, hand knotting, and a detailed floral-inspired Persian design. The pile contains 90% virgin wool and 10% silk, with a 100% cotton warp supporting the construction. The stated knot density of approximately 500,000 knots per square metre is consistent with a finely drawn surface. The rug is also new and in very good condition, and an authenticity certificate is included. Together, these points describe its regional identity, materials, craftsmanship, and supplied documentation.

How should I care for my Persian rug?

Regular vacuuming without a rotating brush is suitable for gentle routine care. If something is spilled, dab the area promptly with a damp cloth rather than rubbing it into the pile. For a deeper clean, professional rug cleaning is recommended. Because the pile contains both virgin wool and silk, the cleaning method should be chosen for this material combination. Careful handling helps preserve the surface texture and the clarity of the detailed pattern over time.

What are the benefits of a hand-knotted Persian rug?

A hand-knotted Persian rug is made knot by knot, which allows a regional design to be rendered with considerable detail and gives the finished textile an individual character distinct from a machine-made rug. The combination of virgin wool and silk brings together a durable wool-based pile and fine silk content. The handwork also creates a genuine woven surface rather than a printed imitation. In the Super Nain 9 La, these qualities are joined with Iranian origin, the Nain design tradition, and the stated high knot density.

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