Persian Rug Moud 295 x 200 cm Wool Hand-knotted

Moud Persian Rug

Material and Craftsmanship

This Moud Persian rug is hand-knotted. Its pile is made from high-quality wool and silk. The two materials contribute different qualities to the surface: wool provides a soft pile, while silk is used within decorative motifs and creates a visible sheen there. This combination is characteristic of fine Moud rugs and forms part of the rug’s stated material composition.

Cotton is used for the warp and the fringes. The weft consists of cotton and high-quality sheep’s wool. These details describe the construction in separate textile roles rather than as a single undifferentiated material. Hand knotting joins the individual knots into a dense woven structure, allowing small floral details, outlines and ornamental relationships to be rendered with clarity.

The rug has a stated knot density of 350,000 knots per square metre. Fine Moud rugs are described with knot densities ranging from 300,000 to 360,000 knots per square metre. Such density supports detailed pattern work and durability, while wool and silk retain their distinct functions in the pile. This individual rug is described as being in excellent condition.

Origin and Tradition

The rug comes from Moud in eastern Persia. Moud lies south of Mashhad and has a long history of carpet production. The area is associated with hand-knotted rugs in which careful workmanship, fine materials and elaborate ornament are brought together. Moud therefore identifies an established regional tradition, not merely a decorative label.

Moud rugs are made in several recognised arrangements for the central field. Their principal forms include a central medallion, a continuously patterned interior and a garden-like composition divided into rectangular sections. These approaches differ in structure, yet they share a controlled relationship between field, border and floral ornament. The result is a family of designs rather than one single Moud layout.

The craft depends on the coordination of drawing, colour and knotting. A design is translated into a textile structure in which the field, border and smaller motifs remain connected. In a hand-knotted rug, the image is built knot by knot. A fine density allows contours, blossoms, palmettes and other details to be placed close together and adjusted into a coherent ornamental surface.

Moud belongs to the wider carpet culture of eastern Persia. In this region, wool, sheep’s wool, cotton and silk may be assigned different functions within a rug. Cotton is used for the warp and fringes, wool forms the soft pile, and silk can bring emphasis and lustre to selected motifs. This division reflects the practical construction of the textile as well as its visual effect.

The eastern Persian carpet landscape also includes Sarough, Kashan and Isfahan. These origins are likewise associated with fine materials and complex designs, but each has its own visual tradition. Kashan rugs are known for floral compositions and deep colours, while Isfahan rugs often feature refined medallions and geometric designs. A Moud rug can be placed within this broader regional context while retaining its own origin and characteristic pattern groups.

Design and Pattern

The pattern of this rug is described as medallion, all-over and field design. These terms refer to three important Moud arrangements. A medallion composition gives prominence to a central form. An all-over design allows the interior field to be governed by a repeated Herati pattern. A field design divides the surface into rectangular sections containing floral imagery. The three descriptions identify the principal Moud design types represented in the product information.

In the medallion Moud design, a round star medallion appears at the centre of the Herati pattern. An elegant border with palmettes and stylised floral motifs frames the composition. The medallion establishes a visual centre, while the border gives the interior a defined outer structure. Floral details make the arrangement lively without removing its deliberate order.

The all-over Moud design spreads its ornament across the interior rather than relying on one isolated central emblem. Its characteristic Herati pattern creates continuity through recurring, interlocking plant forms. Repetition gives the field a steady rhythm and links the separate details into one surface. This type of arrangement is therefore read as a continuous pattern rather than as a single central scene.

The field-pattern Moud is also called a garden pattern. Rectangular compartments contain floral motifs such as flowers and trees of life. Animal and plant motifs may appear in the border. The compartmental structure recalls an ordered garden and distinguishes this design from a solitary medallion. The border and repeated colours and forms nevertheless connect the sections into a unified composition.

This rug uses strong red, reddish brown and blue against a beige and red-toned ground. Red establishes prominent areas and outlines, reddish brown adds warmth and depth, and blue introduces a cooler contrast. Beige can give the ornaments greater visual space, while a red-toned ground creates a more concentrated colour field. Moud designs commonly bring strong colours together with floral ornament and carefully organised pattern structures.

Silk is used in many Moud rugs within animal, floral and palmette motifs. There it highlights selected parts of the drawing and produces a subtle sheen. Wool forms the soft pile and carries the main surface, while silk helps distinguish individual ornaments from the surrounding ground. The contrast between the wool surface and the silk details makes changes of motif and emphasis easier to read.

Special Features

The notable features of this rug are its hand-knotted construction, fine knot density, combination of high-quality wool and silk, and strong colour scheme. Its pattern is described through the terms medallion, all-over and field design, covering the three central design approaches associated with Moud rugs. Strong red, reddish brown and blue appear on a beige and red-toned ground.

The condition is described as excellent. Cotton is used in the warp and fringes, while the weft contains cotton and high-quality sheep’s wool. These construction details complement the wool and silk pile. The material information explains how the rug is made; the colour and pattern information describes its visible appearance. Origin, construction and design can therefore be considered separately and together.

As a Moud Persian rug, this one-off piece belongs to the eastern Persian hand-knotting tradition. Its design combines a finely articulated surface with materials assigned to different parts of the textile. The recorded characteristics identify it as a hand-knotted Moud rug without confusing its origin with other eastern Persian carpet centres.

FAQ

What distinguishes a Moud Persian rug?

Moud rugs combine fine hand knotting with several established design forms. These include the medallion design, the all-over Herati field and the field or garden pattern. Strong red, reddish brown and blue on a beige or red-toned ground are characteristic colour choices in the described Moud palette. High-quality wool provides the pile, while silk can add lustre to flowers, palmettes and animal motifs. A fine knot density supports a detailed rendering of the ornament.

How should I care for a Moud rug?

Regular vacuuming helps remove loose dust from the pile. The rug should be protected from direct sunlight so that its colours remain stable. If a spill occurs, treat it immediately with a damp cloth. Harsh cleaning products should not be used. Gentle care is especially appropriate for a pile combining wool and silk, and it helps preserve the surface, the motif details and the visual distinction between the two materials.

Where do the materials for Moud rugs come from?

The materials used for Moud rugs come largely from eastern Persia. High-quality wool is used for the pile, and many Moud rugs also contain silk in their decorative motifs. Cotton is used for the warp and fringes. The weft consists of cotton and high-quality sheep’s wool. Each material therefore has a defined role in the rug’s pile, warp, weft or finishing elements.