Persian Rug Moud 240×170 cm Wool Hand-knotted

Moud Persian Rug

Material and Craftsmanship

This Moud Persian rug is hand-knotted. Its pile is made of 100% virgin wool, while the warp consists of 100% cotton. These two materials are part of the traditional construction of a hand-knotted rug: the warp forms the lengthwise foundation, and the wool knots are tied into it to create the visible pile. Each sequence is secured and compacted as the work progresses. The result is a textile structure created through a sequence of individual hand-tied knots.

The rug has a stated density of 375,000 knots per square metre. A dense knot structure allows fine outlines and small ornamental details to be worked into the design. When viewed closely, the pattern is therefore formed by the placement of many separate knots rather than by a printed surface. The virgin wool is the visible pile material and gives the rug its natural textile character.

Hand-knotting differs fundamentally from machine production. Every knot is introduced individually into the underlying framework, so the design is built gradually from one row to the next. The cotton warp supplies the basis for the knotting process, while the wool pile carries the pattern. The construction of this rug therefore brings together the wool surface, the cotton foundation and a high knot density in a traditional format.

The rug is described as approximately 10 mm thick. It is new and in perfect condition. Its construction combines an established hand-knotting method with an unused state of preservation. The material details identify both the visible pile and the warp, making the structure of the rug clear.

Origin and Tradition

Moud is a rug-making centre in northeastern Persia. This rug is assigned to Khorasan province in Iran, a region with a long history of carpet weaving. In Khorasan, the production of hand-knotted rugs developed over many generations into an important craft. The different places within the region maintained their own approaches to structure, ornament and colour arrangement.

The town of Moud belongs to this cultural setting and is known for hand-knotted rugs with carefully worked designs. The name Moud refers to a regional weaving tradition rather than merely to an abstract decorative style. Its carpets are associated with the combination of an ordered composition, precise knotting and motifs rooted in Persian ornament. The craft relies on knowledge of materials, warp preparation and the gradual translation of a design into knots.

Rugs from Khorasan are often associated with sturdy construction and varied, frequently floral designs. This regional range explains why Moud weaving can include clearly divided areas as well as richer ornamental passages. Flowers, vines and geometric elements in Persian rugs are generally arranged as part of a relationship between the field, borders and secondary motifs. The weaver’s task is to preserve this order across the entire surface while working one knot at a time.

The Persian weaving tradition joins practical textile work with visual composition. A rug is built on a loom, with the warp providing direction and the knots forming the pile. After each working sequence, the structure is compacted so that the next row can be added. Through this repeated process, a coherent pattern slowly emerges. Khorasan’s importance therefore lies in a regional practice where textile technique, ornamental language and the transmission of craft knowledge remain closely connected.

Moud rugs are linked both to the town of Moud and to the wider Khorasan tradition. Individual designs may place different emphasis on floral detail or geometric order. They share an orientation toward a structured Persian visual language. This rug is described as carrying a field and garden motif, placing it within a design context that connects the division of a surface with the idea of a cultivated garden.

The term Persian rug indicates the Iranian origin as well as the associated craft tradition. Khorasan is one of the regions where such rugs developed over a long period. The regional name Moud adds the particular town and weaving identity to that broader classification. Origin and technique can therefore be read together: the rug comes from northeastern Persia and is made by hand through knotting.

Design and Pattern

The design of this rug is described as a field and garden motif. A field-based composition divides the rug surface into distinct areas. These sections can be read as separate ornamental units, giving the overall design a clear structure. The garden element adds the idea of a cultivated landscape, in which plants, paths and individual areas belong to a planned arrangement rather than appearing without order.

In Persian carpet design, garden motifs are often understood as a way of organising a surface. The rug translates the idea of a garden into textile shapes and repeated ornaments. It need not be a literal plan; the essential feature is the rhythm created by the division of the field. Repeated details, borders and contained zones establish a relationship between regularity and variation. In a hand-knotted rug, this structure is expressed through the successive placement of individual knots.

The separate fields create visual sections, while ornamental elements define the relationship between them. Floral forms in this design language may appear as stylised blossoms, leaves, vines or plant-like signs. Geometric outlines give these organic motifs definition and help maintain the clarity of the composition. Moud rugs are known for varied, often floral designs, so the regional tradition allows natural forms and ordered geometry to work alongside one another.

The colour of this rug is beige. Within a carpet composition, beige acts as a restrained ground that allows the division of the design to remain legible. The overall impression comes from the relationship between the ground, the fields and the garden motifs rather than from one isolated ornament. Colour is therefore considered together with the structure of the pattern and helps distinguish the different areas of the design.

A high knot density can support the careful rendering of outlines and small details. This is particularly relevant to field and garden designs, whose effect depends on many coordinated elements. The knots follow the design row by row, forming the edges of the fields, the floral signs and the transitions within the composition. The visual result is created through the handwork itself rather than through a pattern applied after production.

Persian rugs often establish a relationship between a central area, secondary sections and enclosing borders. A field motif may distribute attention across several contained units, while a garden motif gives the surface the impression of a connected and ordered landscape. The precise effect depends on the arrangement of the motifs and their colour distribution. In this Moud rug, the stated combination of fields and garden forms the central design characteristic.

The traditional oriental and Persian style is expressed here through the relationship between ornament, surface and hand-worked repetition. The design does not depend on a single figurative image. Its order comes from the combination of divided fields and plant-related motifs. This connects the Persian pattern tradition with the regional design vocabulary associated with Moud.

Special Features

The rug is new and in perfect condition. As a hand-knotted Moud Persian rug, it combines a traditional construction with a high knot density, a pile of 100% virgin wool and a warp of 100% cotton. Its pattern is identified as a field and garden motif, and its ground colour as beige. These characteristics describe the materials, condition and design of this individual rug.

It is also specified as suitable for underfloor heating. When used over a heated floor, it should be laid with a suitable underlay and in a way appropriate for the floor in question. The hand-knotted construction is additionally described as durable and robust. Compared with machine-made rugs, hand-knotted rugs are described as offering particular ease of care.

The rug is also described as creating a warm and inviting atmosphere. This effect is associated with the virgin-wool pile, the beige colour and the traditionally structured pattern. The rug is therefore presented both as a textile floor covering and as a design element. Its hand-made construction makes it an individual piece within the Moud weaving tradition.

FAQ

How should I care for my Moud Persian rug?

Regular vacuuming at low suction is recommended for everyday care. This removes loose dust without placing unnecessary strain on the pile. Stains should be treated as soon as possible with a clean, damp cloth. The mark should be lifted carefully rather than rubbed firmly into the wool surface. Direct sunlight should be avoided so that the colours do not fade. For heavier soiling, professional rug cleaning is appropriate.

Where exactly does the Moud Persian rug come from?

The rug comes from northeastern Persia and is assigned to Khorasan province in Iran. Moud is a town with a long tradition of producing hand-knotted rugs. The region is known for rugs with detailed, frequently floral designs and robust construction. The name Moud therefore identifies a regional origin and the weaving tradition connected with it. The pattern of this particular rug is described as a field and garden motif.

Why choose a hand-knotted rug?

A hand-knotted rug is built knot by knot. Each piece is consequently made as an individual work rather than as an identical machine-produced repetition. In the Moud rug, a high knot density is combined with a virgin-wool pile and a cotton warp. Hand-knotted rugs are also described as durable, robust and easy to care for. Their design joins the qualities of the materials with the history of a craft passed down through generations.