Persian Rug Moud 225×220 cm Wool Hand-knotted

Moud Persian Rug

Material and Craftsmanship

This Moud Persian rug with silk Amini is hand-knotted and made from wool with silk. The two materials shape both its surface and its visual character. Wool forms the principal pile and gives the rug the textured feel associated with hand-knotted weaving. Silk adds a smoother touch and a restrained sheen, allowing light to play differently across the pile. The result is a material combination in which wool provides the textile body while silk contributes to the refined surface appearance.

The rug is described as very finely knotted. Fine knotting involves placing a large number of individual knots carefully into the foundation. This permits small forms, narrow lines and gradual transitions to be worked with greater distinction. Knot density is therefore an important part of the rug’s construction and appearance. Here it stands alongside the wool-and-silk composition as one of the defining features of the workmanship.

The rug is new with its label. It is also described as suitable for underfloor heating. In a hand-knotted rug, material and construction remain closely connected: wool gives the pile a substantial textile quality, while silk supports its fine appearance. Handmade production means that the precise distribution of knots, colours and pattern details belongs to this individual piece rather than to a mechanically repeated surface.

Origin and Tradition

This Moud rug comes from Moud in the province of Kerman, Iran. Kerman is one of Iran’s established carpet regions and has a long tradition of producing hand-knotted Persian rugs. The name Moud identifies the local and regional association of the rug. Its tradition is linked to careful knotting, detailed compositions and the continued use of skills passed through generations of weaving families and workshops.

Carpet making in Kerman developed through many successive generations. Knowledge of preparing fibres, arranging the foundation, inserting knots and finishing the edges was transmitted as practical craft knowledge. Each stage affects the eventual structure and appearance of a rug. A hand-knotted carpet is not made in one single operation; it grows through a sequence of precise steps in which the developing pattern must remain aligned with the underlying construction.

Moud is especially associated with complex designs and lively colours within the Kerman tradition. This regional background shows that a rug name can refer to more than a decorative category. It can identify a place, a body of technical knowledge and a history of pattern making. In a Moud rug, inherited design principles are combined with the individual work of the knotters who execute the composition.

Persian rugs from Kerman may combine floral motifs, geometric forms and finely divided arrangements. Individual elements are often positioned so that the whole design remains coherent. Such a composition requires close attention during knotting. With a very fine knot structure, smaller pattern units and delicate lines can be rendered with greater differentiation. The region’s tradition therefore includes both the practical discipline of weaving and a recognisable approach to ornamental design.

Iranian rugs serve as useful textiles as well as records of a living craft culture. Their materials, colours and motifs reflect regional knowledge and the history of the communities that made them. The Moud designation connects this rug with Kerman, while Amini appears in its product name. Because it comes from Iran, it is a Persian rug; the reference to Moud describes its particular regional tradition.

Design and Pattern

The pattern is described as oriental, while the design is described as distinctive and classical. Together, these terms indicate a traditional Persian visual language with an individual character. Oriental carpet designs may use floral and geometric forms arranged in fields, borders or connected areas. In a Moud associated with Kerman, close attention to detail is an important part of how such a design is developed and read.

Floral motifs draw on forms from nature but are generally stylised for use in carpet composition. Leaves, blossoms and vines may be organised symmetrically or distributed across the surface. Geometric elements provide another kind of order through lines, repetitions and clearly defined areas. Combining these two approaches allows Kerman and Moud designs to appear ornamental while retaining a clear internal structure.

Silk changes how the design is perceived. Its smoother surface reflects light differently from wool, which can make selected parts of the pattern appear more animated as the viewing angle or lighting changes. The motifs themselves remain unchanged, but their visual depth can vary across the surface. Very fine knotting supports this impression by allowing small forms and fine transitions to be represented with care.

The colour arrangement is described as harmonious. In Persian carpet design, colours are not only isolated fields; they also organise the relationship between the parts of the composition. A colour may bring a motif forward, separate a border or connect several pattern areas. Plant-based dyes are also part of the broader traditional knowledge of the Kerman region. Such dyeing practices belong to the history of Persian carpet making and help explain the importance of colour as both a practical and artistic element.

Its classical character allows the design to work in several interior settings. The product description names living rooms and dining rooms, as well as bedrooms and hallways, as possible locations. The oriental identity remains visible while the fine surface and silk content add a distinct material note. The rug is square, so the pattern can be read as a unified field rather than primarily as a long directional runner.

A distinctive design in Persian carpet making does not necessarily depend on a single unusual symbol. It may result from the arrangement of motifs, the balance between floral and geometric forms, the density of detail or the way light moves across wool and silk. In this Moud, those design qualities are joined to a regional Kerman tradition and to the individual character of hand-knotting.

Special Features

Notable features include the hand-knotted construction, the very fine knotting, the combination of wool and silk and the distinctive oriental design. Handmade production gives each piece its own precise knot arrangement. Minor variations in knot placement and colour distribution are part of the making of a hand-knotted one-off rug. Silk contributes a particular sheen to the surface, while wool remains the principal pile material.

The rug is described as easy to care for and durable. Regular vacuuming is generally sufficient for routine cleaning. For persistent stains, professional rug cleaning is recommended so that the wool and silk can be treated appropriately. The rug is also suitable for underfloor heating. Its condition is new with its label.

FAQ

Is the Moud Persian rug easy to care for?

Yes. Regular vacuuming is generally enough to keep the rug clean. Persistent stains should be handled by a professional rug cleaner. This is appropriate because the pile contains both wool and silk, materials that should be treated according to their specific properties during cleaning.

How can the quality of a Persian rug be assessed?

Important factors include knot density, the materials used, the quality of the construction and the design. This Moud combines wool with silk, very fine knotting and hand-knotted workmanship. A high knot density allows more detailed pattern work and is often associated with more elaborate craftsmanship and greater durability.

Where can this rug be used?

According to its description, the Moud can be placed in living rooms or dining rooms and can also add an accent to a bedroom or hallway. Its classical style and oriental pattern suit interiors ranging from traditional to modern. The rug is additionally suitable for underfloor heating.