Persian Rug Moud 225×220 cm Wool Hand-knotted

Moud Persian Rug

Material and Craftsmanship

This Moud Persian rug is hand-knotted and made from pure new wool and silk. The combination brings together two established materials of oriental rug making. New wool provides a resilient pile with a pleasantly substantial feel. It also takes colour evenly, allowing the drawn elements of a design to remain legible. Silk is used alongside the wool to create finer passages, a smoother surface in selected areas, and a restrained sheen when light reaches the pile.

Hand-knotting builds a rug one knot at a time. The pile yarn is looped and secured around the warp, while successive rows create the woven field. Once the knotting is complete, the surface is trimmed and finished so that the pattern can be read across the pile. This is a measured process: the person knotting the rug must follow the planned arrangement of colours and forms while maintaining the structure of the textile.

The recorded knot density for this rug is approximately 300,000 to 400,000 knots per square metre. A density in this range allows a design to include carefully resolved outlines and smaller ornamental passages. The wool remains visible as the principal tactile character of the pile, while silk can alter the way particular areas reflect light. The material statement for this piece is pure new wool and silk.

The rug is new with its tag and is assigned to the 21st century. It is suitable for use over underfloor heating. These are specific features of this piece, alongside its hand-knotted construction, its wool and silk composition, and its stated knot density. The documented combination describes a rug made through a traditional manual process rather than through a printed or mechanically reproduced surface.

Origin and Tradition

Moud is a region in Iran known for Persian rug production. Its weaving tradition forms part of the broad and varied history of Iranian carpets. Different Iranian centres have developed their own approaches to drawing, colour, materials, and knotting. Moud belongs to a regional culture in which a controlled pattern layout is joined to careful workmanship and a close attention to the handling of the pile.

The making of a Persian rug begins with an intended structure for the design. A drawing establishes the placement of the main forms, repeated ornaments, and colour fields. The weaver then translates that plan into rows of knots. Warp, weft, knotting, trimming, and finishing are not separate decorative additions; together they create the final textile. The process requires sustained concentration because the visual balance of the whole depends on many small decisions made during production.

Iranian rug traditions are not uniform. Some regional designs favour geometric organisation, while others use floral scrolls, medallions, or tightly connected ornament. Colour is equally important. Turquoise can occupy a defining role in a palette, bringing a cool blue-green note to the composition. Its appearance changes with the direction of the pile and with the surrounding colours. In passages containing silk, the same colour may show a smoother reflection than it does in wool, while the wool surface gives the field its textile depth.

Moud rugs are called Persian rugs because their origin is in Iran. The designation identifies both their place within Iranian production and a long craft tradition in which drawing, dyeing, material preparation, and knotting are closely connected. Skills are traditionally transmitted through workshops and generations, but every hand-knotted rug remains an individual work. The exact interaction of the hands, the yarn, the design, and the finishing process is not reproduced in precisely the same way from one piece to another.

Moud stands alongside other recognised Iranian weaving areas. Isfahan and Tabriz, for example, also have distinctive traditions and are associated with detailed designs and developed craftsmanship. Such regions illustrate the breadth of Persian rug culture, but they do not change the origin of this particular rug. This piece is identified as a Moud Persian rug from Iran.

Design and Pattern

The pattern of this rug is described as a mirror pattern. A mirror arrangement creates a visual relationship between corresponding sides or between repeated areas of the field. Forms are placed in balance so that the composition suggests reflection and order. Producing this effect by hand requires consistent attention to spacing, direction, and contour, because each part has to support the relationship of the surrounding elements.

In oriental rug design, a mirror pattern may be expressed through a central organisation, repeated ornaments on opposite sides, or a more broadly symmetrical field. The defining feature is the connection between the forms rather than one isolated motif. The image is constructed from knots, so lines, corners, curves, and transitions are part of the textile itself. They are not printed onto an existing surface. Small variations can remain visible as evidence of the hand-knotted process.

The stated colour tone is turquoise. Turquoise combines blue and green impressions and can appear differently as the pile changes direction or as the light in a room shifts. In Persian design, a colour is normally understood in relation to the rest of the composition. Contrasting and neighbouring areas can strengthen the sense of symmetry, while wool gives the colour a softly textured appearance. Silk elements may catch the light more smoothly and add variation without changing the overall turquoise character.

Persian pattern traditions often rely on order and repetition while retaining movement across the field. Repeated shapes establish rhythm, and the hand-made execution keeps the surface from looking mechanically uniform. A mirror pattern makes the complete field important: the eye reads the correspondences across the rug rather than focusing only on a single isolated ornament. Here, the effect is defined by the combination of the mirror arrangement, the turquoise tone, and the finely knotted surface.

The name Moud indicates the regional tradition and does not prescribe one single motif for every rug from that area. Moud production can include varied geometric and floral approaches. For this piece, the specific pattern information is the mirror pattern. The description therefore focuses on balance and correspondence within the composition and does not assign additional individual motifs that are not stated for this rug.

Special Features

This rug combines hand-knotting with pure new wool and silk. Its stated knot density is approximately 300,000 to 400,000 knots per square metre. It is new with its tag and belongs to the 21st century. The recorded colour tone is turquoise, and the pattern is a mirror pattern. Together, these details identify the particular material, construction, condition, period, colour, and design attributes of the piece.

The rug is suitable for underfloor heating. It can therefore be considered for a room equipped with that type of heating. As with hand-knotted rugs generally, gentle regular care helps protect the pile. The specific characteristics listed here remain separate from general care advice and describe only the features recorded for this rug.

FAQ

How should a Moud Persian rug be cared for?

Regular gentle vacuuming helps remove loose dirt before it works deeper into the pile. A setting without an aggressive rotating brush is appropriate for a hand-knotted wool and silk surface. Prolonged direct sunlight should be avoided so that the colours remain as even as possible. For heavier soiling, professional rug cleaning is advisable. Cleaning products should not be applied without checking their suitability for wool and silk, since the two materials can respond differently to moisture and chemicals.

What accessories are useful with this rug?

A non-slip underlay can help keep the rug in position and reduce movement beneath it. It should be selected for the floor and must be compatible with underfloor heating. For routine care, a vacuum cleaner with a gentle setting is sufficient. A suitable rug cleaner may be kept available for treating small marks promptly, but products should first be tested or checked for use with pure new wool and silk. The underlay should also lie flat so that it does not create unnecessary strain in the rug.

Where can a Moud Persian rug be used?

The rug can serve as a central design element in a living room. It can also be placed in a hallway or bedroom. The mirror pattern supports a structured room arrangement, while the turquoise tone introduces a clear colour accent. Since the rug is suitable for underfloor heating, a heated room is also an option. Placement should leave the hand-knotted pile protected from doors, concentrated furniture pressure, and avoidable wear along busy routes. This allows the design and material character to remain visible in everyday use.