Persian Rug Moud 200 x 191 cm Wool Hand-knotted

Moud Persian Rug

Material and Craftsmanship

This Moud Persian rug is hand-knotted, with a pile made from 100% virgin wool and a warp made from 100% cotton. These materials perform different roles in the construction of a traditional rug. The warp forms the underlying framework, while the wool knots create the visible pile. In hand-knotting, each knot is tied individually into the prepared warp. The resulting textile structure is therefore built knot by knot rather than applied as a design to a finished surface.

The stated knot density is 300,000 knots per square metre. A density of this kind requires careful work and precise coordination between the rows, knots and pile. The pattern is created during the making of the rug through the placement of individual knots. Hand-knotting is a technique passed down through generations of rug-making communities. It gives each rug an individual structure and makes the piece distinct from a mechanically produced floor covering.

Virgin wool is traditionally used in oriental rugs for its soft, natural feel and its ability to form a resilient pile. It also accepts colour in a range of nuanced tones. Cotton is used here for the warp, providing a regular foundation for the knotted surface. The material information for this rug is clearly divided between the two parts of the construction: 100% virgin wool in the pile and 100% cotton in the warp.

Origin and Tradition

The Moud rug comes from the Moud region in Khorasan Province, Iran. Moud is both the name of the region and the designation associated with its rug-making tradition. Khorasan is one of the historic carpet-producing areas of Iran. Over many generations, local makers developed knowledge of wool preparation, colouring, knotting methods and the organisation of motifs. The production of rugs in such regions is closely connected with practical skills and inherited craft knowledge.

Khorasan has a broad range of regional carpet traditions rather than one single visual formula. Rugs from the area are associated with careful weaving and knotting, varied pattern systems and the considered use of suitable materials. Knowledge of stretching the warp, placing the knots, securing the rows and finishing the surface is part of the wider craft tradition. In this context, Moud identifies more than a location: it places the rug within a particular regional history of making and design.

Iranian oriental rugs have long served both practical and decorative purposes. A rug can cover a floor, organise a room and carry a visual language connected to its place of origin. The traditions of Khorasan combine this everyday function with a highly structured approach to drawing and construction. Moud rugs belong to that Iranian context, where regional identity, handwork and pattern planning are considered together. This rug is therefore described as a Persian rug because its stated origin is Iran.

Hand production demands patience and close attention to the planned composition. Each new row must correspond with the sections already completed so that outlines, fields and transitions remain coherent. This coordination is particularly important when the design contains many small elements. The Moud tradition is consequently associated with carefully developed drawings and a precise approach to regional forms. The origin named for this rug is Moud in Khorasan, within the Iranian Persian-rug tradition.

Design and Pattern

The pattern of this rug is described as a small-scale field design. A field design divides the surface into several defined areas that form an ordered composition together. Individual fields may be distinguished by borders, colour changes or repeated ornamental details. When the arrangement is small-scaled, its character comes from the number of compact forms and from the regular relationship between them across the rug.

Moud rug traditions include floral motifs and geometric forms. Floral drawing may use leaves, blossoms and scrolling vines, while geometric elements are expressed through lines, angles and balanced arrangements. Iranian rug design often brings these two languages together. The result is a system of repeated signs, frames and fields rather than an arbitrary collection of shapes. The description of this individual rug remains specific to its small-scale field design, while the wider Moud tradition provides the regional context for understanding such an organised composition.

Traditional Moud colour ranges are described as extending from gentle earth tones to strong, luminous colours. Within a composition, these groups can be balanced to distinguish fields, clarify outlines and create rhythm between larger areas and smaller details. Colour in a rug is not only decorative. It also helps establish the hierarchy of the design and separates one section from another. In a detailed field arrangement, the relationship between colour areas and fine lines is especially important because many separate elements work together within a limited visual space.

Traditional Iranian patterns may draw on floral ideas, geometric order or a combination of both. Their structure is created through repetition, symmetry, rhythm and the relationship between central fields and surrounding borders. This type of design can work with classical and contemporary interiors because it is not restricted to one particular room. The rug is described as suitable for different spaces, including a study, dining room and bedroom. Its small-scale field pattern remains the defining visual feature.

With a hand-knotted rug, the drawing is built into the textile itself. Small parts of the design are formed through individual knots, so that lines, surfaces and transitions are connected to the pile. The high knot density supports the careful development of a finely divided composition. This explains why Moud rugs are associated with detailed pattern organisation and the precise interpretation of regional forms. For this piece, the stated design is a traditional oriental and Persian-style small-scale field motif.

Special Features

The rug is new and unused. Its listed thickness is approximately 10 mm, and it is suitable for use with underfloor heating. These details describe its intended role as a floor covering in the home. The source specifically names a study, dining room and bedroom among the possible settings, while also indicating that it can be used in various rooms.

Another defining feature is the combination of hand-knotted construction, a virgin wool pile and a cotton warp. The knot density of 300,000 knots per square metre indicates a closely worked structure. Together with the small-scale field design, this connects the material, technique and pattern into one coherent rug. Its origin in Moud, Khorasan, and its classification as a Persian rug provide the regional framework for the piece.

FAQ

How should I care for the Moud Persian rug?

Regular, gentle care is recommended. The rug can be vacuumed with a soft brush. Direct sunlight should be avoided in order to reduce the risk of the colours fading. If a spill or mark occurs, it should be dabbed immediately with a damp cloth. Rubbing should be avoided, as it can place unnecessary stress on the surface. Careful handling is appropriate for a hand-knotted textile and supports the upkeep of its wool pile during everyday use.

Where does the Moud rug come from?

The Moud rug comes from the Moud region in Khorasan Province, Iran. Khorasan is known for its carpet-weaving techniques and rich cultural traditions. Moud identifies the region of origin and also refers to a distinct Iranian rug-making tradition. The rug is classified as Persian because the stated country of origin is Iran.

What makes hand-knotted rugs distinctive?

In a hand-knotted rug, every knot is tied individually into the warp. This process requires skill, time and close attention to the intended drawing. The knot density and pattern structure are created directly during production rather than printed onto a completed surface. In the Moud rug, this method is combined with a virgin wool pile, a cotton warp and a small-scale field design. The result is an individual hand-crafted textile rather than a purely mechanical reproduction.