




Persian Rug Mashhad 288 x 196 cm Wool Hand-knotted
€ 1208
Hand-knotted Mashhad Persian rug | Knot density: 180,000 – 250,000 knots/m² | Material: pile high-quality wool | Size: 288 x 196 cm | Pattern: floral design with classic medallion | Condition: Very good
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Description
Mashhad Persian Rug
Material and Craftsmanship
This Mashhad Persian rug is hand-knotted with a pile made from high-quality wool. Wool is a traditional material in Persian rug making, valued for its soft feel and durability. Here, the natural character of the wool is combined with careful knotting. The material therefore contributes both to the pleasant surface and to the firm textile structure associated with a hand-knotted rug.
The knot density of this rug ranges from 180,000 to 250,000 knots per square metre. A dense knotting structure allows floral shapes and a classic medallion to be rendered with distinction. In hand-knotting, each knot is tied individually into the foundation. The rows are then compacted, gradually creating the stable surface and the visible design. This process requires time, experience and a consistent working method.
Mashhad rugs are traditionally made with high-quality wool, although individual examples may also contain silk. High-quality wool is specified as the pile material for this rug. The material statement therefore clearly identifies the pile, while no silk construction is claimed for this particular piece. Its hand-knotted technique remains visible in the precise drawing and in the textile firmness of the finished surface.
Origin and Tradition
Mashhad is a renowned city in eastern Iran and gives its name to this rug tradition. Mashhad rugs belong to the Persian weaving heritage, where experienced handwork, careful pattern drawing and rich colour planning come together. The city lies in a region in which rug making has developed as an important cultural and craft practice over a long period.
A Persian rug from Mashhad is more than a utilitarian textile. In Iranian rug culture, knowledge of knotting, colour, proportion and ornament is passed on through generations. The result is a visual language in which practical workmanship and decorative order are closely connected. The maker must understand the structure of the entire design, because the pattern is built gradually from many individual knots.
Mashhad rugs are often associated with a rich palette. Deep red is especially characteristic as a ground colour, combined with strong blues and delicate purples. This colour structure reflects a wider Persian tradition in which one dominant tone holds the composition together. Blue can add depth and contrast, while purple introduces finer transitions and additional nuance. The rug described here has a red ground with blue and purple accents.
Iranian rug making includes many regional traditions. Mashhad stands alongside other recognised centres such as Kerman and Tabriz. Kerman rugs are known for detailed designs and varied colour schemes, while Tabriz rugs often combine complex geometric arrangements with floral motifs. Nain and Kashan are also famous for refined rugs, and some examples combine wool with silk. Each place has its own design history; these comparisons do not change the origin of this rug, which is Mashhad.
The Persian tradition also depends on the relationship between field, medallion, border and colour areas. A design is not defined only by isolated ornaments, but by the way these elements balance one another across the whole textile. Hand-knotted Mashhad rugs bring this regional knowledge into a durable woven form. Their cultural significance lies in the connection between local expertise, patient workmanship and established methods of composition.
Design and Pattern
The design of this rug is floral and organised around a classic medallion. A medallion creates a visual centre and gives the surrounding pattern a clear structure. Floral forms may extend outward from the centre or support the central arrangement through repeated ornament. This creates a relationship between focal point, direction and recurring botanical shapes.
Floral Persian designs commonly use stylised flowers, leaves, vines and connected lines. These are not literal depictions of one particular plant, but ornamental forms arranged across the field. Their purpose is to divide the surface rhythmically and to create transitions between the central motif, the surrounding field and the border. Hand-knotting allows such forms to be developed through many small changes and carefully controlled outlines.
The ground colour of this rug is red. Blue and purple accents add further colour points within the floral composition. Red provides the principal visual foundation, blue introduces a distinct contrast, and purple can create a more subtle bridge between stronger and softer areas. The combination is classically Persian in character and corresponds to the rich palette often associated with Mashhad rugs.
The classic medallion is not viewed separately from the surrounding flowers. Repeated botanical forms can guide the eye from the centre towards the outer areas. At the same time, the different colour accents help the ornament remain legible. The composition therefore combines a clearly defined centre with abundant floral detail, while the individual elements remain connected to the overall design.
Symmetry, repetition and balanced distribution are important tools in Persian pattern design. They allow a rug to be read as one coherent composition. In a floral medallion design, these principles meet lines and flower forms that appear more organic. The result can feel both ordered and lively. The sequence of red, blue and purple helps distinguish the pattern areas and contributes to the rug’s characteristic colour effect.
Mashhad rugs are also associated with a broad range of floral compositions. Some designs emphasise a central arrangement, while others cover the field more densely with repeating floral forms. The rug described here is specifically identified by its classic medallion and floral design, making it a centrally organised composition. These pattern features belong to Persian ornament and should not be read as an origin statement for Kerman, Tabriz, Nain or Kashan.
Special Features
The recorded features of this rug include hand-knotting, a pile of high-quality wool, a knot density between 180,000 and 250,000 knots per square metre, and a floral pattern with a classic medallion. Its ground colour is red, complemented by blue and purple accents. Its condition is described as very good.
The combination of a dense knotting structure, wool pile and traditional Mashhad design clearly defines the textile character. The knot density supports detailed drawing, while wool provides a surface that is both resilient and soft. Regular care is recommended: dirt should be removed promptly, and professional cleaning is advised for thorough maintenance. This helps preserve the colours and the structure of the rug.
FAQ
How should I care for my Mashhad Persian rug?
The rug should be vacuumed regularly so that dust and loose dirt do not remain in the pile. Fresh stains should be treated as soon as possible. Professional cleaning is recommended for a thorough service. Appropriate care helps preserve the colour and structure of the hand-knotted wool rug over time. Cleaning should take the pile and its colouring into account so that the surface is treated carefully and the character of the textile remains intact.
Where do the materials for Mashhad Persian rugs come from?
Mashhad Persian rugs are generally made from high-quality wool and are occasionally made with silk. The wool is often sourced within the region itself. Some silk qualities may come from other parts of Iran. High-quality wool is specified as the pile material for this rug. The broader Mashhad tradition therefore includes wool rugs as well as individual silk examples, but no silk construction is stated for this particular piece.
What makes Mashhad Persian rugs distinctive?
Mashhad Persian rugs are known for their fine knot density and use of vivid colours. Floral designs and a central medallion are among the features that give them a recognisable Persian visual language. In the rug described here, that tradition is combined with a red ground and blue and purple accents. The hand-knotted technique and wool pile complement the regional design, and Mashhad rugs are regarded as sought-after collector pieces.
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