



Persian Rug Kashan 83 x 106 cm Wool Hand-knotted
€ 905
Hand-knotted Keshan Persian Rug | Knot density: 150.000 – 300.000 knots/m² | Material: Pile sheep wool, warp and weft cotton | Size: 83 x 106 cm | Pattern: Classic, detailed designs | Condition: Very good
1 available
- ✓Free Shipping in EU
- ✓2-5 Business Days Delivery
- ✓14-Day Return Policy
- ✓Worldwide Shipping on request
SECURE PAYMENT
SHIPPING PARTNERSInventory number: 3DE1CFDF
Description
Keshan Persian Rug
Material and Craftsmanship
This Keshan Persian rug is hand-knotted and has a pile made from high-quality sheep wool. Cotton is used for both the warp and the weft. The combination of a wool pile with a cotton foundation belongs to the established construction practices of Persian rug making, where the foundation supports the woven structure and the wool forms the visible surface. Sheep wool is valued for its natural sheen and durability. Cotton provides a firm textile basis for the rows of knots.
The stated knot density ranges from 150,000 to 300,000 knots per square metre. A dense knot structure allows outlines, ornaments and small changes in colour to be rendered with clarity. In a hand-knotted rug, the pattern is not printed onto the finished surface. It is created by placing coloured knots within the pile, so the design remains part of the construction itself. This method gives the rug its characteristic tactile surface and links the visual composition directly to the work of the knotter.
Hand production requires consistent handling of the knots, weft and pile as the rug develops on the loom. Each section is integrated into the structure already formed. Cotton in the warp and weft helps stabilise the textile, while sheep wool creates the visible pile. Keshan rugs are traditionally associated with a relatively short pile, which helps keep the drawing defined and makes everyday care manageable. The condition of this individual rug is described as very good.
Origin and Tradition
This Persian rug comes from Iran and belongs to the Keshan tradition of rug making. The city of Keshan developed within a region shaped by trade, cultural exchange and a long-standing textile culture. Keshan became known as an important trading centre along the Silk Road. Through these routes, materials, colours, forms and weaving knowledge travelled between regions. Local workshops absorbed such influences while developing their own ways of organising patterns and producing hand-knotted textiles.
The name Keshan refers not only to a place but also to a recognisable Persian design tradition. Keshan rugs are associated with controlled drawing, carefully arranged fields and a refined use of ornamental detail. Designs were transmitted across generations, then adapted in different workshops and periods. This means that Keshan is not a single fixed template for every rug. It identifies a family of rugs connected by regional origin, decorative language and a particular approach to craftsmanship.
Persian rugs from Keshan have long been valued for their careful construction and decorative character. Their origin includes a vocabulary of colours, borders and floral forms that developed within the local tradition. Making a pattern on a loom combines planning with manual execution: a design establishes the overall order, while the knotters translate that design into wool one knot at a time. The density and precision of the knotting determine how much detail can be expressed within the composition.
Keshan’s history as a trading centre helped establish the city’s name in the international rug world. Exchange with other regions brought new influences into the workshops without erasing their local identity. Keshan rugs are therefore linked both with established Persian compositions and with a developed language of colour and form. Antique Keshan rugs more than 100 years old are sought by collectors; that general statement about antique examples does not establish an age for this rug.
The broader Persian rug tradition includes several other well-known regional types. Isfahan rugs are often associated with fine drawing and the use of silk, while Tabriz rugs are commonly linked with complex compositions and high knot densities. Nain rugs are known for fine combinations of wool and silk. Each of these places has its own history and visual vocabulary. This individual rug is identified as a Keshan Persian rug from Iran, not as one of those other regional types.
Design and Pattern
The pattern of this rug is described as classic and detailed. Keshan designs often bring together floral and geometric forms. Floral elements may appear as blossoms, leaves, vines or stylised botanical shapes. Geometric contours give the ornaments structure and help organise the many smaller details. The relationship between the two types of form creates a surface that is ordered while still offering visual variety.
A central medallion or rosette is a common arrangement within the Keshan tradition. Such a centre can establish the visual focus of the field and is often surrounded by smaller floral groupings. Secondary motifs lead from the central design towards the borders, linking the different areas of the composition. When these elements are placed closely together, the drawn quality of the rug becomes more pronounced. The high knot density supports the rendering of small details, although it does not by itself determine the exact design of this one-off piece.
The traditional Keshan palette ranges from vivid reds and gentle blues to warm earth tones. These colours can be distributed among the field, medallion, flowers, vines and border bands in different ways. Red tones often give a composition a strong textile presence, while blue can create cooler contrasts and accents. Earth tones connect the individual areas and provide a more restrained foundation. These colour groups describe the established Keshan palette; the source does not specify the exact colour arrangement of this individual rug.
Borders perform an important structural role in classical rug design. They frame the inner field, repeat selected motifs and create a transition between the main composition and the outer edge. Small flowers and geometric details may be arranged in a measured rhythm. In a hand-knotted rug, every repeated element is built from individual knots, so minor variations can be part of the handmade character. The overall appearance remains governed by the planned composition and its balance of centre, field and border.
The abundance of detail is not merely decorative; it also reflects the working method of Persian knotting traditions. A design has to be converted into a sequence of knots as the textile grows on the loom. Colour changes define contours, while the placement of motifs divides the field into related areas. In this way, a Keshan rug combines a floral image vocabulary with geometric order. It can serve as a floor covering and as a decorative textile without being limited to one particular interior style.
Special Features
The notable features of this piece are its hand-knotted construction, its high-quality sheep-wool pile and its cotton warp and weft. A density of 150,000 to 300,000 knots per square metre supports detailed execution of the pattern. Together with the very good stated condition, these details describe a carefully made Keshan Persian rug in a clear and factual way.
The combination of classical ornament and the broad traditional Keshan colour range allows this type of rug to work in different settings. Its design can structure a room while retaining the character of a Persian textile. At the same time, the handmade process remains visible in the relationship between pile, knots and pattern. No further details such as a specific age, signature or special provenance are given for this individual rug.
FAQ
What are the typical features of a Keshan Persian rug?
Keshan Persian rugs belong to an Iranian knotting tradition known for classic, detailed ornament. Floral and geometric forms are common, often arranged around a central medallion or rosette with accompanying floral compositions. The traditional colour range includes vivid reds, gentle blues and warm earth tones. This rug is also hand-knotted, with a sheep-wool pile and cotton used for the warp and weft. Its specified knot density is 150,000 to 300,000 knots per square metre.
How should a Keshan Persian rug be cared for?
Regular vacuuming with a vacuum cleaner without a brush attachment is recommended for routine care. This removes loose dirt while avoiding unnecessary mechanical action on the pile. Spills and stains should be dabbed immediately with a damp cloth; rubbing may affect the surface and the appearance of the colours. Professional rug cleaning is recommended when a more thorough treatment is needed. Specialist cleaning helps preserve the colours and textile structure of the rug.
How does Keshan differ from other Persian rugs?
Keshan is chiefly distinguished by the combination of a high knot density, carefully drawn floral and geometric patterns and a rich traditional colour language. By comparison, Tabriz rugs are often associated with complex compositions and high knot density, while Isfahan is known for fine designs and the use of silk. Nain rugs are commonly described through fine combinations of wool and silk. Keshan has its own regional design tradition and is valued for robust quality as well as a more vivid colour effect.
Additional information
| Design Style | |
|---|---|
| Size | |
| Shape | |
| Origin | |
| Knot Density | |
| Material |











