




Persian Rug Kashan 195 x 138 cm Wool Hand-knotted
€ 1077
Hand-knotted Keshan Persian rug | Knot density: 150.000 – 300.000 knots/m² | Material: wool pile, cotton warp | Size: 195 x 138 cm | Pattern: Floral and geometric motifs | Condition: Very good
1 available
- ✓Free Shipping in EU
- ✓2-5 Business Days Delivery
- ✓14-Day Return Policy
- ✓Worldwide Shipping on request
SECURE PAYMENT
SHIPPING PARTNERSInventory number: 58E2ACAA
Description
Keshan Persian Rug
Material and Craftsmanship
This Keshan Persian rug is hand-knotted and made from high-quality sheep’s wool together with cotton. The wool forms the pile and gives the surface the soft yet hard-wearing character associated with Keshan rugs. Cotton is traditionally used for the foundation of this type of rug, particularly in the warp and weft. The combination provides a stable structure in which the rows of individual knots can be built with precision.
In hand-knotting, each knot is inserted separately into the prepared warp. After a series of rows has been completed, the weave is compacted and the pile is brought into an even alignment. This process demands time, practical experience and continuous attention throughout production. Unlike an industrially reproduced floor covering, a hand-knotted rug derives its textile structure directly from the relationship between knots, foundation and pile.
The density described for this rug indicates a compact construction capable of supporting detailed drawing. A closely knotted surface can reproduce fine lines, small floral elements and carefully defined borders with clarity. Sheep’s wool also remains a practical material for a rug used in living spaces. Its natural fibre structure combines a pleasant feel with useful resistance in everyday use. Wool and cotton therefore form a traditional material basis for Persian rug making.
Origin and Tradition
Keshan rugs originate in Keshan in Iran. The city and its surrounding area are recognised centres of Persian carpet culture. A distinctive local tradition developed there over many generations, bringing together skilled manual work, balanced compositions and careful finishing. The name Keshan therefore refers both to a place of production and to a recognisable family of Persian rug designs and techniques.
The Keshan tradition belongs to the wider history of Persian weaving. In Persia, rugs served as household textiles, furnishings and trading goods. They were made for domestic interiors, used in formal settings and transported through commercial networks to other regions. Along with the rugs themselves, these routes spread ideas about central fields, borders, ornament and colour organisation. Keshan became associated with a form of weaving in which decorative refinement and a clearly ordered surface are closely connected.
Knowledge in this tradition has often been transmitted through workshops, families and practical instruction. Preparing the warp, constructing the foundation, selecting wool and maintaining an even knotting rhythm all require more than a written pattern. The weaver must understand how individual elements fit together across the whole field. The design is consequently built as a relationship between central areas, border zones and transitions rather than as an unconnected sequence of motifs.
Regional identity in Persian rugs is expressed through more than ornament alone. It can include the conventions of a workshop, the handling of line, the arrangement of floral forms and the balance between open and densely filled areas. Keshan is commonly associated with refined floral compositions and a controlled overall structure. This background describes the Keshan rug tradition; it does not assign another regional origin to a rug simply because a particular motif resembles one used elsewhere.
Keshan stands alongside other Persian weaving traditions such as Isfahan, Nain and Tabriz. Each name represents its own historical development and workshop practices. Comparisons can be useful for understanding the variety of Iranian carpet art, but they do not make the traditions interchangeable. A Keshan rug is identified through its connection with Keshan and through the combination of construction and design conventions that developed there.
The historical role of Persian rugs also explains their continuing attention among collectors. The importance of an individual rug depends on several factors, including age, condition, materials, knotting, craftsmanship and the quality of its design. Not every Keshan rug is automatically a collectible of increasing value. The individual piece must be considered on its own terms. For this rug, the stated characteristics include hand-knotting, high-quality sheep’s wool, cotton and very good condition.
Design and Pattern
Keshan rugs are often organised through a clearly articulated pattern structure. A central field may be framed by one or more borders, creating a transition between the main composition and the outer edge. This arrangement gives the surface visual order and allows floral details to remain legible within a larger design. Depending on the drawing, the centre may be strongly emphasised, or the ornament may flow continuously across the field.
Floral motifs are a familiar part of Keshan design. Blossoms, leaves, rosettes and curling branches can be arranged in repeated sequences or linked into broader arabesques. These forms are stylised rather than botanical illustrations. They belong to a decorative vocabulary developed over generations, one that uses rhythm, symmetry and controlled movement to animate the surface without losing its formal balance.
Geometric elements may appear alongside the floral vocabulary. Lines, diamonds, medallion forms and repeated border ornaments help organise the composition. Geometry and vegetal ornament are not necessarily separate systems. Curving branches may be contained by clear outlines, while straight borders are softened by blossoms and leaves. Their interaction produces the characteristic Persian balance between regular structure and intricate decoration.
The source description names red, blue and gold among the colours frequently associated with Keshan rugs. Colour can separate the central field from the borders and establish a hierarchy between primary and secondary motifs. In Persian design, colour is not merely an added surface effect. It helps clarify the relationship of the forms, draws attention to selected ornaments and connects separate parts of the composition. Traditional symbols in Persian rugs are also often linked with ideas of good fortune and prosperity.
A hand-knotted pattern is built knot by knot, so the drawing is translated into the rug through a physical sequence of individual actions. Minor variations resulting from manual production belong to the character of a handmade textile and distinguish it from a fully industrial repetition. At the same time, the planned composition remains central: the rhythm of the ornaments, the direction of the borders and the proportion of the fields follow an established design language. This is what makes Keshan patterning structured rather than arbitrary.
Detail and repetition are important to the visual identity of the tradition. A floral element may recur at a measured interval, while smaller leaves and connecting lines fill the spaces between larger forms. Borders can echo the central vocabulary on a narrower scale, creating continuity from the middle of the rug to its edge. Such relationships require an understanding of proportion as well as the ability to maintain a consistent knotting sequence over the entire design.
Special Features
The stated features of this rug are its hand-knotted construction, high-quality sheep’s wool and the use of cotton. Its knot density is given as 150.000 to 300.000 knots per square metre, indicating a dense construction suited to detailed pattern work. The rug is also described as hard-wearing and in very good condition.
The combination of a dense knot structure, wool pile and cotton foundation reflects the practical and decorative requirements traditionally associated with Persian rugs. Keshan rugs are known for detailed floral and geometric compositions. Care should be gentle and regular. Dust can be removed with careful vacuuming, while prolonged direct sunlight should be avoided to reduce unnecessary fading. When deeper cleaning is required, professional treatment is appropriate for a hand-knotted textile.
FAQ
How should I care for my Keshan Persian rug?
Vacuum the rug regularly and carefully to remove dust and loose dirt from the pile. Use a gentle setting and avoid unnecessary aggressive brushing or rubbing across the surface. Prolonged direct sunlight should be avoided because it can gradually affect the colours. If the rug needs more than routine maintenance, professional cleaning is recommended. Specialist treatment can address the wool pile and cotton foundation appropriately while reducing the risk of stressing the hand-knotted structure.
What makes a Keshan Persian rug distinctive?
Its distinctive character comes from the combination of hand-knotting, high-quality sheep’s wool, cotton and a high knot density. Dense knotting supports the clear rendering of detailed patterns. Keshan rugs also belong to a long Persian tradition in which floral and geometric motifs are arranged into carefully balanced compositions. In this particular case, the stated hard-wearing quality and very good condition are additional features of the rug being offered.
Can a Keshan Persian rug be bought as an investment?
Keshan rugs are considered by collectors and enthusiasts of Persian carpets and can represent valuable collectible objects. No general promise can be made that an individual rug will increase in value. Age, condition, material, knot density, craftsmanship and design quality all influence how a rug is assessed. Older, well-preserved examples may attract particular interest in the collecting market. An investment decision should therefore take the characteristics of the specific rug and the market context into account.
Additional information
| Design Style | |
|---|---|
| Color | |
| Size | |
| Shape | |
| Origin | |
| Knot Density | |
| Material |











