





Persian Rug Kashan 190 x 83 cm Wool Hand-knotted
€ 735
Hand-knotted Keshan Persian rug | Knot density: 150.000 – 300.000 knots/m² | Material: pile high-quality sheep wool, warp cotton | Size: 190 x 83 cm | Pattern: floral and geometric elements | Condition: Very good
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Description
Keshan Persian Rug
Material and Craftsmanship
This Keshan Persian rug is hand-knotted with a pile made from high-quality sheep wool. Sheep wool is traditionally valued for being both durable and soft. It forms the visible surface and gives the rug its characteristic textile feel. The pile of this piece is short and dense. This construction creates a compact surface that is described as easy to care for while remaining pleasant to the touch.
The warp is made of cotton. In a hand-knotted rug, the warp forms the underlying framework to which the individual knots are attached. A cotton warp provides a stable textile foundation and helps support the shape of the finished rug. The two materials therefore serve different purposes: sheep wool forms the visible and tactile pile, while cotton provides the supporting structure beneath it.
The knot density is 150.000 to 300.000 knots per square metre. A closely knotted structure makes it possible to work out fine outlines, small areas of colour and gradual transitions within a design. Hand knotting proceeds row by row, with individual knots inserted into the warp and the structure secured as the work advances. The technical process gradually creates the complete surface and links the rug’s construction to its decorative pattern.
Sheep wool is well suited to a resilient pile and retains a soft handle. Cotton in the warp gives the foundation a firm character. This combination belongs to the traditional material vocabulary of many Persian rugs. In this piece it is combined with a short, dense pile and a hand-knotted runner format. The rug is also described as durable and in very good condition.
Origin and Tradition
The rug comes from Iran. The name Keshan refers to the city of the same name in Kerman province. Keshan rugs have developed as a distinct Persian rug tradition with a recognisable approach to pattern, colour and workmanship. The name therefore identifies a regional type and its inherited craft tradition, rather than merely describing one isolated ornamental feature.
Persian rugs have long been connected with craft, trade and regional design. During the Persian Empire, rugs were important trading goods. They travelled through different territories along the Silk Road and became known beyond their places of production. These trading routes helped give Persian rugs a wider cultural presence. A Keshan belongs to this larger history, where a useful textile can also preserve regional methods, visual conventions and accumulated technical knowledge.
A hand-knotted rug is made through a sequence of precise manual operations. A framework of warp threads is prepared first. Individual knots are then placed into the warp in successive rows. Further textile work secures the structure as the rug progresses, and the pile is shaped to create an even surface. The process requires repeated attention to the intended drawing, as every section of the design is built from many separate knots.
Knot density affects the degree of detail that can be represented. With more knots available within a given area, a weaver can define smaller colour fields, sharper contours and more subtle transitions. Knot density is not the only factor involved: the quality of the wool, the dyes, the design drawing and the skill of the weaver also matter. In the Keshan tradition, these technical aspects work together with an established decorative language.
Keshan rugs are produced in different formats, including elongated runners and rugs intended for larger living areas. A runner uses a narrow, lengthwise field as a complete design surface. Motifs can be arranged in a continuing rhythm along that field, while the basic principles of regional craftsmanship remain unchanged. Hand knotting remains the defining production method regardless of the format chosen.
The wider Persian rug tradition includes several other recognised regional types. Isfahan rugs are associated with complex designs and high-quality materials. Tabriz rugs often display floral motifs and medallion-like compositions. Nain and Qum rugs are also known for refined workmanship and the use of silk and wool. These examples show the variety of Persian rug making, but they do not alter the origin of this piece, which is described as a Keshan from Iran.
The cultural importance of Persian rugs also comes from the transmission of skills and patterns across generations. Colours, borders, floral forms and geometric arrangements may be combined into regional visual languages. Keshan represents a tradition in which decorative detail and careful workmanship belong together. The finished rug remains a practical textile as well as a record of established handcraft methods.
Design and Pattern
The pattern of this Keshan Persian rug combines floral and geometric elements. Floral forms may introduce curved lines, leaves, blossoms or scrolling shapes. Geometric components bring order through defined contours, repetitions and structured fields. Persian rug design often places these two visual approaches together, allowing organic details and more strictly organised ornaments to share one composition.
The described design includes strong red and blue tones. These colours create a clear contrast and help distinguish individual motifs from the surrounding areas. Traditional descriptions of Keshan rugs associate such colours with natural dyes. Colour is therefore part of an inherited design practice rather than an incidental surface feature. It helps organise the pattern and contributes to the visual identity of the rug type.
Floral ornament in Persian rugs is generally stylised rather than a literal botanical depiction. Leaves, flowers and vines can be simplified, repeated rhythmically and arranged within borders or fields. Geometric forms can reinforce the balance through axes, frames, intervals or repeated shapes. Depending on the design, the result can alternate between flowing lines and clearly bounded areas while retaining an overall sense of order.
The clarity of a pattern depends on several aspects of construction. Accurate knotting helps define the contours. A dense pile can make colour fields appear cohesive, while suitable wool allows the colours to be represented across the surface. The knot density recorded for this rug is one of the technical features associated with detailed Keshan workmanship. It supports the distinction between smaller motifs and larger areas without changing the traditional character of the design.
Persian motifs are often considered in relation to the cultural history of the region. Repeated flowers, vines, borders and geometric structures form a visual vocabulary passed through textile traditions. They may suggest ideas of nature, balance or order, although an individual motif does not necessarily have one fixed meaning. In this Keshan, the documented design is defined by the combination of floral and geometric elements and by the use of strong red and blue tones.
The elongated runner format gives the pattern a lengthwise direction. Motifs can be repeated along the narrow field to create a continuous rhythm from one end to the other. A border may frame the central area, while smaller ornaments can connect broader sections of the composition. The precise arrangement is not described further. What is established is the combination of floral and geometric forms within the Keshan design tradition.
Keshan is sometimes discussed alongside other Persian rug types because all belong to the wider history of Persian hand weaving. Regional traditions nevertheless differ in their pattern structures, colour practices and details of execution. A rug from Isfahan, Tabriz, Nain or Qum is not automatically a Keshan. The designation of this rug remains Keshan because its stated type and origin identify it as such.
Special Features
The rug is described as being in very good condition. It is a hand-knotted Keshan runner with a pile of high-quality sheep wool and a cotton warp. The wool is characterised as durable and soft. Its short, dense pile is considered easy to care for and provides a pleasant handle. The recorded knot density is another technical feature of its construction.
Its appearance is defined by floral and geometric elements in strong red and blue tones. These features connect the individual piece with the established Keshan tradition of detailed ornament, vivid colour and Persian cultural significance. Its special characteristics are the combination of Iranian origin, hand knotting, sheep-wool pile, cotton warp, dense short pile and the documented pattern language.
FAQ
How can the quality of a Keshan Persian rug be assessed?
Important criteria include knot density, materials and pattern clarity. For high-quality Keshan rugs, a density of 150.000 to 300.000 knots per square metre, fine wool and cotton are identified as relevant indicators. The precision of the hand knotting and the even execution of the pile also matter when examining the workmanship.
How should a Keshan Persian rug be cared for?
The rug should be vacuumed regularly and gently so that dust does not remain in the wool pile. Professional cleaning from time to time is recommended for appropriate treatment of the hand-knotted surface. Direct sunlight should be avoided because it can cause the colours to fade over time. Consistent, careful care supports the life of the rug.
Can a Keshan Persian rug be used in different rooms?
Yes. Keshan rugs can be used in different rooms, including a living room, bedroom or study. The runner format offers several placement options. Floral and geometric patterns can be incorporated into a range of interiors, while strong red and blue tones create a clearly defined decorative accent without restricting the rug to one particular room.
Additional information
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