




Persian Rug Kashan 152 x 98 cm Wool Hand-knotted
€ 675
Hand-knotted Keshan Persian Rug | Knot density: 150.000 – 300.000 knots/m² | Material: pile high-quality sheep wool, warp and weft cotton | Size: 152 x 98 cm | Pattern: floral and arabesque motifs | Condition: Very good
1 available
- ✓Free Shipping in EU
- ✓2-5 Business Days Delivery
- ✓14-Day Return Policy
- ✓Worldwide Shipping on request
SECURE PAYMENT
SHIPPING PARTNERSInventory number: A84721A8
Description
Keshan Persian Rug
Material and Craftsmanship
This Keshan Persian rug is hand-knotted. Its pile is formed knot by knot, linking the visible surface to the underlying structure through a traditional manual process. The recorded density is 150,000 to 300,000 knots per square metre. In Keshan weaving, knot density is closely connected with the ability to draw small floral details, curved lines and orderly ornamental transitions. The hand-knotted construction remains visible as part of the rug’s character rather than being hidden behind an industrially uniform finish.
The pile is made from high-quality sheep wool. Wool is a longstanding pile material in Persian rug weaving because it provides a pleasant handle and a durable surface for regular use. The warp and weft are made from cotton. This arrangement places a resilient wool pile over a cotton foundation and gives the rug a combination of tactile softness and structural stability. These are the materials specified for this individual piece: sheep wool in the pile, with cotton forming both the warp and the weft.
Hand knotting involves a sequence of careful operations. The foundation is prepared first, then the knots are inserted in rows while the weaver follows the planned design. The pile is adjusted as the work progresses, and the surface is finished so that the drawing can be read clearly. At Keshan, the skill lies in maintaining the structure, placing the colours accurately and preserving the balance of the composition. The stated density reflects the concentration of these individual knots across the woven surface.
The wool pile also contributes to the practical nature of the rug. Its surface is intended to withstand use while retaining the characteristic feel of a traditional Persian textile. Cotton in the warp and weft provides the supporting framework required for the design. Together, these materials represent a well-established construction method in which the visible wool surface and the hidden foundation perform different functions.
Origin and Tradition
Keshan rugs originate in Keshan, a city in Iran that gave this rug tradition its name. Keshan has long been associated with crafts, trade and cultural exchange. Its position on routes connected with the Silk Road brought goods, ideas and artistic influences into contact. Over time, local workshops developed a recognisable approach to rug making, combining careful knotting with ordered floral decoration.
The history of the Keshan rug reaches back into the traditions of the Persian Empire. Rugs in Persian culture served practical purposes, but they also carried patterns, techniques and visual conventions from one generation to the next. Weaving knowledge included the preparation of the foundation, the handling of pile materials, the organisation of colours and the reading of complex designs. Keshan became known for maintaining this relationship between useful textile and refined decorative art.
A traditional Keshan is made through a series of connected stages rather than a single operation. The warp is arranged to establish the lengthwise framework, while the weft secures the rows and supports the construction. Knots are then placed to create the pile. The weaver works according to a pattern arrangement, building flowers, leaves, scrolls and borders as the surface develops. Finishing gives the design a clearer appearance and prepares the pile for use.
The use of a cotton warp and weft with a sheep-wool pile is part of the broader technical vocabulary of Persian rug production. It allows the weaver to create a stable base while reserving wool for the visible, tactile surface. Keshan tradition therefore depends on both artistic planning and practical textile knowledge. The quality of a rug is related not only to its motifs, but also to the disciplined handling of tension, knots, rows and finishing.
Keshan belongs to a wider landscape of Persian rug centres. Isfahan is associated with fine detail and complex compositions, while Tabriz represents another important tradition of Persian rug making. Nain and Kashan are also linked with Persian weaving and distinctive decorative approaches. These comparisons underline the variety of Persian rugs, but they do not change the origin of a Keshan rug: its name and tradition are connected with Keshan in Iran.
The tradition has continued because its methods can support both established designs and changing decorative preferences. A Keshan may retain classical floral organisation while incorporating more contemporary choices in the arrangement of colour or space. What remains constant is the relationship between a planned pattern, manual knotting and the regional history of Persian carpet production.
Design and Pattern
Keshan rugs are often recognised by floral and arabesque designs. Floral decoration may include blossoms, leaves and stems arranged in a balanced field. Arabesque ornament uses flowing curves and interlacing lines, allowing one motif to lead naturally into the next. These forms are based on natural imagery but are stylised into a controlled decorative language. The result is not a literal landscape; it is an ordered interpretation of plant forms within a woven composition.
The structure of a floral design depends on relationships between the field, the border and the repeated details. Some arrangements establish a clear central order, while others allow vines and ornaments to circulate across the surface. Borders contain the composition and create a transition between the main field and the edge. Arabesque lines link separate floral elements, giving the overall pattern continuity and keeping the design visually connected.
Knot density supports the drawing of such patterns. A closely worked surface offers room for smaller leaves, narrower outlines and more carefully separated colour areas. The density given for this rug belongs to a construction suited to differentiated ornament. It describes the number of hand-tied knots, not a machine-made imitation of Persian design. The pattern is therefore understood through both its visual language and the technical method used to create it.
Colour is another important part of the Keshan design tradition. Living, clearly differentiated colours can separate blossoms from foliage, define arabesque curves and establish depth between the central field and its border. Colour relationships also guide the eye through a repeated pattern. Viewed closely, the surface reveals individual decorative details; viewed as a whole, the arrangement creates an ordered rhythm typical of classical Persian rug design.
Each hand-knotted Keshan is unique. Traditional motifs may be recognisable from one rug to another, yet manual work creates individual variations in the placement of knots, the distribution of colour and the drawing of small details. This individuality does not remove the rug from its regional tradition. Instead, it is part of how a known design vocabulary becomes a one-off woven object.
Keshan designs can also be compared with those of other Persian centres. Tabriz rugs have their own pattern language, and Isfahan is associated with fine detail and complex ornament. Such comparisons help place Keshan within Persian carpet art without treating every floral or arabesque rug as a Keshan. Origin, construction and the regional organisation of motifs remain important distinctions.
Special Features
This rug is in very good condition. Its stated features are a hand-knotted construction, a pile of high-quality sheep wool, cotton in the warp and weft, and a knot density of 150,000 to 300,000 knots per square metre. The Keshan origin and the floral and arabesque design tradition further identify its place within Persian rug making. Its wool pile is described as hard-wearing, while the cotton foundation supports the woven structure.
Care should be handled with the materials and construction in mind. Regular vacuuming helps remove loose dust from the pile. Prolonged direct sunlight should be avoided to protect the colours. A stain can be treated carefully with a damp cloth and a mild cleaning product. Professional cleaning is recommended for preserving the colours and structure of the rug. These measures are especially appropriate for a hand-knotted textile whose appearance depends on both its wool surface and its woven foundation.
FAQ
How should I care for my Keshan rug?
Vacuum the rug regularly to remove loose dust from the wool pile. Keep it away from direct sunlight where possible, as continuous exposure can affect the colours. If a spill or stain occurs, work carefully with a damp cloth and a mild cleaning product rather than using harsh chemicals or vigorous rubbing. Professional cleaning is recommended when a more extensive treatment is needed. A specialist can take the hand-knotted construction, sheep-wool pile and cotton foundation into account while working to preserve the colours and the structure. Gentle, consistent care is preferable to aggressive cleaning and helps maintain the rug’s condition over time.
Where can I find authentic Keshan rugs?
Authentic Keshan rugs can be found at specialist rug dealers or at art exhibitions. When assessing a rug, look for certificates that confirm authenticity and origin. A careful description should also identify the hand-knotted technique, the materials and the Keshan tradition rather than relying only on a floral appearance. Keshan refers to the rug tradition associated with Keshan in Iran. Documentation from a specialist can help distinguish a rug with that origin from another Persian rug that uses similar arabesque or floral motifs.
How do Keshan rugs differ from other Persian rugs?
Keshan rugs are known for specialised floral designs and a high knot density. They are often more colourful and lively in appearance than some other Persian rugs, such as Tabriz. Their pattern language commonly brings together flowers, foliage, scrolling lines and arabesque ornament. Isfahan rugs are associated with fine details and complex patterns, while Nain and Kashan represent other established directions within Persian rug weaving. The distinction comes from the combination of regional origin, pattern organisation and knotting tradition. Keshan shares high-quality materials and skilled craftsmanship with other Persian rugs, but its floral emphasis and connection with Keshan give it its own identity.
Additional information
| Design Style | |
|---|---|
| Color | |
| Size | |
| Shape | |
| Origin | |
| Knot Density | |
| Material |











