Persian Rug Kashmar 393 x 300 cm Wool Hand-knotted

 4773

Hand-knotted Kashmar Persian Rug | Knot density: over 1 million knots per square metre | Material: pile wool, warp cotton | Size: 393 x 300 cm | Pattern: traditional Persian design with Oriental pattern | Condition: excellent

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Description

Kashmar Persian Rug

Material and Craftsmanship

This Kashmar Persian rug is hand-knotted. Its construction combines a wool pile with cotton in the warp. Wool forms the visible and tactile surface, while cotton is identified as the warp material. The product description also specifies a composition of 100 percent wool and cotton; this material statement refers to the stated combination of wool pile and cotton warp.

The knot density is given as more than 1 million knots per square metre. Such a dense structure allows lines, outlines and areas of colour to be worked with considerable differentiation. In hand-knotting, the design is not printed onto a finished surface. Knots are placed individually into the textile foundation, row by row, and the surface is compacted as the work progresses. This gives the rug its characteristic handmade texture.

High-quality wool and natural dyes are specified for this rug. Wool has been a traditional material in Persian rug making for centuries. It can be made into a durable pile and accepts colour with depth. Natural dyes are used in rug traditions for their nuanced appearance. Here, the combination of wool, cotton, dense knotting and careful workmanship defines the material basis of the piece.

The rug was made in Iran. A hand-knotted Persian rug is produced through a sequence of skilled operations rather than a single manufacturing step. The design is prepared, knots are tied by hand, and the developing surface is checked during the process. The high knot density and excellent workmanship are expressly included in the description of this rug. Professional cleaning is recommended for its care.

Origin and Tradition

This rug comes from Iran and is identified as a Kashmar Persian rug. Kashmar therefore serves as the named origin or style designation of the piece. Within Iranian rug culture, individual places and regions have developed their own approaches to design, colour arrangement and craftsmanship. This regional variety explains why Persian rugs can share common foundations while presenting very different visual languages.

The history of Persian rugs is closely connected with Iranian culture and reaches back several centuries. Nomadic communities originally made rugs, among other reasons, to provide warmth, protection and practical comfort. Over time, rug making also became an important form of artistic craftsmanship. Rugs developed from useful household objects into works in which regional design, technical knowledge and inherited visual traditions could be brought together.

The name Kashmar places this rug within that regional structure. An origin name can refer not only to a location but also to a continuing approach to composition and workmanship. Designs are prepared in workshops, transferred into a woven foundation by the knotters and refined through traditions passed between generations. Traditional principles may remain visible while individual designs receive a more contemporary interpretation.

Persian rugs became known far beyond Iran through trade and cultural exchange. Their importance comes from the meeting of practical use and decorative design. They cover a floor, help define an interior and carry a textile composition at the same time. In many families, rugs are preserved and passed on as valued possessions. They can therefore become connected with domestic life, family memory and the craft traditions of their origin.

Iranian rug making also demonstrates how knowledge of wool, dyes, knotting and pattern structure is transmitted over time. Selecting and preparing materials, setting up the warp and placing each knot all form part of a process in which experience matters. In this rug, the tradition is represented by hand-knotting, a high knot density and production in Iran. No machine-made process is claimed for the piece.

The Kashmar designation distinguishes this rug from rugs named after other Iranian places. It is useful to keep the origin statement separate from the description of the pattern. The product identifies Iran as the country of manufacture and Kashmar as the named designation, while the design is described as traditional Persian with an Oriental pattern. Together with the wool, cotton and hand-knotting, these details provide the factual basis for its classification.

Design and Pattern

The pattern is described as a traditional Persian design with an Oriental character. The design combines classical and modern elements. This places the composition between established forms of Persian rug art and a presentation that is not exclusively historical. The description identifies the overall design language without assigning an unmentioned medallion, flower, scene or named motif to this particular rug.

Persian rug designs may include floral forms, scrolling vines, geometric figures, borders and centrally organised fields. Different regions arrange and colour these elements in their own ways. The visual effect comes from the relationship between the main field, border areas, lines and repeated ornaments. In an Oriental pattern, the balance between open ground and detailed decoration is also an important part of the composition.

Traditional Persian designs are often based on a carefully planned order. A pattern may be arranged symmetrically or may create the impression of continuous repetition. Borders frame the central field, while smaller ornaments can connect transitions and hold the overall design together. The exact design of this rug is not described in greater detail, but these principles explain why Persian patterns are often understood as complex and layered.

The reference to classical and modern elements means that the design follows recognised Persian principles while allowing a contemporary reading. Tradition is not necessarily a fixed template. Designers and weavers can draw on established forms, change their emphasis and adjust the relationship between colour and line. A rug can therefore remain within the visual language of Persian weaving while fitting a range of interior settings.

Colour in Persian rug design is more than a collection of decorative areas. It separates primary and secondary motifs, gives borders their structure and affects how easily the composition can be read. Natural dyes can contribute nuanced tonal variation. Natural dyes are expressly specified for this rug. Its exact palette and individual colours are not stated, so no additional colour claims are made here.

Persian patterns often preserve cultural memories and regional design experience. In general Persian ornament, flowers, vines and geometric signs may carry different meanings depending on their context. Those meanings are not identical in every rug and cannot automatically be assigned to an individual piece. For this Kashmar rug, the established facts are its traditional Persian and Oriental design and the combination of classical and modern elements.

A high knot density generally supports the execution of fine outlines and smaller areas of ornament. It is specifically stated for this rug and helps explain how detailed textile designs can be carried out by hand. It does not, however, identify a particular motif that the source does not name. Design and craftsmanship remain closely linked: the pattern is planned, translated into knots and developed as one continuous textile surface.

Special Features

The rug is described as being in excellent condition. Its condition is also characterised as flawless. Professional cleaning is recommended as part of its care. This recommendation recognises the hand-knotted construction and wool pile without prescribing a particular cleaning chemical, method or schedule.

Environmental friendliness and child-friendliness are listed as additional properties. The rug is suitable for all rooms and is also described as suitable for use with underfloor heating. These are the stated usage characteristics of the product. They do not replace an individual assessment of a room or the observance of care instructions.

Delivery within Germany is offered within three to five working days and without shipping charges. The service information also includes a 14-day right of return and a satisfaction guarantee. These points complement the factual details about the Kashmar Persian rug’s origin, material, hand-knotting, pattern and condition.

FAQ

What defines a Kashmar Persian rug?

The name Kashmar places this rug within the Iranian and Persian rug tradition. It is hand-knotted, with wool in the pile and cotton in the warp. Its design is described as traditional Persian and Oriental, combining classical and modern elements. The origin designation therefore stands alongside the specific information about technique, materials and pattern.

How should the rug be cared for?

Professional cleaning is recommended. This is an appropriate instruction for a hand-knotted rug with a wool pile, whose textile surface should be treated carefully. The rug is described as being in excellent and flawless condition. No further claims are made about stains, cleaning intervals or particular cleaning products because those details are not provided.

Is the rug suitable for underfloor heating?

Yes. The product description says that the rug is suitable for all rooms and explicitly suitable for use with underfloor heating. This makes underfloor-heating compatibility one of its stated usage properties. The recommendation for professional cleaning remains applicable to its regular care. The rug is also described as environmentally friendly and child-friendly.

Additional information
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