Persian Rug Kashmar 367×292 cm Wool Hand-knotted

Kashmar Persian Rug

Material and Craftsmanship

This Kashmar Persian rug is hand-knotted. Its pile is made from 100% virgin wool, while the warp is made from 100% cotton. The materials therefore have distinct roles within the construction: wool forms the visible surface underfoot, and cotton provides the warp foundation into which the knots are tied. The pile height is 12 mm. The rug is beige, combining a natural-looking colour impression with a floral all-over design in Oriental style.

Hand-knotting is a process in which each knot is tied individually around the prepared warp. The knots are built up row by row until they form the complete pile surface. The pattern is created through the placement of these knots, so the structure and the design develop together during production. The stated knot density is 350,000 knots per square metre. Knot density is one of the central technical characteristics of a hand-knotted rug because it indicates how closely the knots are arranged across the surface.

Wool has a long-established place in rug making because its fibres can be spun into yarn, dyed, and worked into a durable pile. It also gives the surface a distinct textile character. Cotton is used here for the warp, the set of foundation threads that establishes the framework of the rug. The pile yarn is secured to this framework through the knotting process. The relationship between pile, warp, and knotting determines the construction of the finished textile.

The pile height of this rug is 12 mm, and its pile material is 100% virgin wool. Its condition is described as very good and unused. It is also suitable for use with underfloor heating. These are specific properties of this piece. Together with the beige colour and the floral all-over Oriental design, they describe a rug whose traditional hand-knotted construction is clearly combined with a defined material composition.

Origin and Tradition

This rug is identified as a Kashmar Persian rug and originates from Persia. Kashmar is a city in the Khorasan province of Iran. Khorasan is one of the historic regions of the Iranian cultural area and has a long tradition of making hand-knotted Persian rugs. The weaving culture of the region is connected with the transmission of drawing methods, dyeing knowledge, yarn preparation, and knotting skills through workshops and generations of craftspeople.

Rug making in Khorasan developed as a skilled craft requiring a carefully ordered sequence of tasks. Materials are prepared, yarns are spun and coloured, the loom is set up, and the design is transferred into the structure through knotting. Each stage affects the appearance and handling of the completed rug. The work is not limited to repeating a decorative image; it also depends on practical knowledge of tension, yarn, colour placement, and the gradual formation of the pile.

The name Kashmar refers both to a place and to a regional tradition within Persian rug culture. Rugs associated with the area are known for developed compositions and detailed ornament. Regional design vocabularies are preserved through patterns that are drawn, adapted, and passed on, while individual rugs remain distinct because they are made by hand. A Kashmar rug can therefore belong to a recognizable tradition without every example having the same arrangement or identical visual details.

Persian rugs have traditionally served as floor coverings as well as textile works of craft. Their character comes from the combination of function, material knowledge, drawing, and manual production. Khorasan is known for its long history of Persian rug making, and Kashmar forms part of that regional context. The origin gives the rug a place within Iranian weaving history, while the individual hand-knotting determines the concrete piece offered here.

The history of Persian weaving includes many regional approaches to composition and construction. Differences may appear in the choice of yarn, the balance of colours, the arrangement of borders and field patterns, and the way floral or geometric elements are organized. This variety is a defining feature of the tradition rather than a contradiction within it. The present rug places its Kashmar origin alongside a floral all-over pattern in Oriental style.

Design and Pattern

The pattern of this rug is floral and all-over, with an Oriental-style composition. An all-over design carries its ornament across the field instead of concentrating the decoration in one isolated central medallion. Floral elements may be arranged in repeating sequences, linked through vines, or distributed as smaller blossoms and leaves. For this particular rug, the confirmed description is its floral all-over pattern and Oriental style; no additional individual motif is assigned to it.

Floral ornament is one of the enduring subjects of Persian rug design. Flowers, leaves, vines, and stylized botanical forms can be arranged to create movement across a textile surface. Repetition gives the composition rhythm and coherence, while variations in direction, scale, and contour keep the field visually articulated. In an all-over pattern, these relationships are especially important because the design must remain connected across the whole rug rather than ending at a single central image.

Plant forms in Persian ornament can also carry traditional symbolic associations. The tree of life, stylized flowers, and growing vines are commonly connected with ideas such as fertility, growth, and the cycle of life. Such meanings belong to the broader cultural history of the motifs and should not be read as a claim that one particular symbol is present in this rug. The specific design information for this piece is its floral, all-over Oriental-style decoration.

The colour of the rug is beige. Beige and earth-related tones are often used in rug design to give floral ornament a composed and continuous appearance. A restrained ground can make the rhythm of the pattern easier to follow and can allow the forms to remain integrated rather than appearing as isolated colour blocks. Here, the beige colour works together with the floral surface and the hand-knotted wool pile to define the rug’s visual character.

Design and technique are closely connected in a hand-knotted rug. A drawn composition has to be translated into individual knots and colour areas while the warp establishes the textile order. The pile then makes the contours and fields visible from the surface. This Kashmar rug therefore combines a regional Persian design tradition with the practical structure of hand knotting. Its all-over floral arrangement is part of the whole textile construction, not a separate printed image applied after production.

Special Features

This is a hand-knotted Kashmar Persian rug with a pile of 100% virgin wool and a warp of 100% cotton. It has a knot density of 350,000 knots per square metre and a pile height of 12 mm. Its design is floral and all-over in Oriental style, and its colour is beige. The condition is very good, and the rug is unused.

The rug is also stated to be suitable for underfloor heating. This places a traditional hand-knotted Persian rug within a contemporary residential setting where underfloor heating is installed. Its one-off character follows from the method of production: an individually hand-knotted rug is made as a distinct textile work, so this particular combination of construction, colour, material, origin, and pattern belongs to this piece.

FAQ

What is the best way to clean a hand-knotted Persian rug?

Cleaning should be gentle. Regular vacuuming without a brush attachment is recommended for removing loose dust and dirt while avoiding unnecessary stress on the pile. Small stains can be treated with a damp cloth and a mild cleaning product. Work carefully rather than rubbing aggressively. For heavier soiling, professional cleaning is advisable because a hand-knotted wool rug requires treatment appropriate to its materials and construction.

How should I care for my Kashmar Persian rug?

Regular airing is recommended, and the rug should be protected from direct sunlight. For storage, a dry environment is preferable; high humidity should be avoided. Turning the rug from time to time can help distribute use and wear more evenly across the surface. These are care recommendations for the rug, which is described as being in very good, unused condition and as suitable for underfloor heating.

How can I recognise the quality of a Persian rug?

Knot count per square metre is an important quality indicator. The wool used, the density of the construction, and the overall workmanship should also be considered. A high knot density and natural materials such as wool are signs of carefully executed rug making. The surface should be properly finished, without loose threads or incomplete knots. For this Kashmar rug, the listed characteristics are 350,000 knots per square metre, 100% virgin wool in the pile, and hand-knotted construction.