Persian Rug Hamadan 198 x 127 cm Wool Hand-knotted

 600

Hand-knotted Hamadan Persian Rug | Knot density: 100,000 – 350,000 knots/m² | Material: durable wool pile | Size: 198 x 127 cm | Pattern: numerous designs and colours

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Description

Hamadan Persian Rug

Material and Craftsmanship

This Hamadan Persian rug is hand-knotted in durable virgin wool. Wool has long been used in Persian rug making because it is resilient and well suited to a hard-wearing pile. It also has a soft, pleasant feel. The combination of natural wool and manual workmanship gives a Hamadan rug its practical character and makes this type suitable for regular use in the home.

The knot density of this rug is between 100,000 and 350,000 knots per square metre. This density supports a differentiated rendering of lines, geometric forms and floral details. In hand-knotting, each knot is inserted individually into the textile foundation. The result is a compact pile in which motifs and colour areas can be defined with clarity.

Hand production involves a sequence of careful working steps. Knotters build the rug row by row, coordinating the contours and colour fields as the design develops. The result is not a mechanically repeated surface but a Persian rug made by hand. Durable wool contributes to everyday resilience, while the knot density supports the detailed execution associated with the Hamadan type.

Origin and Tradition

Hamadan is located in north-western Persia and is one of Iran’s established rug-producing regions. The name Hamadan refers not only to rugs made in the city itself. It is also used as a shared trade name for rugs woven in several villages in the surrounding area. Places associated with this group include Assadabad, Khamseh and Nahawand. The origin therefore points to a broader regional weaving tradition.

The region is regarded as one of the world’s most productive rug-weaving areas. Over many centuries, local makers developed a varied practice that combines inherited working methods, regional designs and available materials. Different villages retained their own approaches to drawing and colour, while the trade name Hamadan brings these related products together. Hamadan consequently describes a city, a wider landscape and a family of connected rug traditions.

The craft history of north-western Persia is closely linked to the production of rugs intended for practical and domestic use. Durable wool and careful knotting suit that background. Hamadan rugs are traditionally made for lasting use and are therefore considered suitable for areas where a rug is subject to everyday traffic. Their regional identity nevertheless includes a broad range of designs rather than one fixed pattern that applies to every example.

The cultural setting around Hamadan also exists alongside neighbouring Persian rug areas. Kurdistan is associated with strong colours and simple yet striking designs. Tabriz is known for complex compositions and the use of silk. Kerman is associated with fine detail and elegant designs. These regions have their own traditions; they are mentioned as neighbouring or comparable Persian weaving landscapes and are not the origin of this Hamadan rug.

Hamadan rugs are sold under one regional name even though individual examples may come from different surrounding villages. This explains why the Hamadan group includes varied drawings, colour arrangements and local forms of workmanship. Its tradition is shaped both by a shared regional identity and by the distinctive contribution of separate weaving communities.

Design and Pattern

A defining feature of the Hamadan tradition is its considerable design variety. Patterns may be geometric or may incorporate floral motifs. Geometric forms give a composition order through lines, angles and repeated fields. Floral elements introduce curved outlines and references to plants. Both approaches belong to the broad pattern vocabulary associated with Hamadan.

The colour schemes can be lively. Red, blue and gold are cited as typical examples. These tones may appear in fields, borders and individual ornaments. The visual effect depends not only on the colours themselves but also on the contrast between closely ornamented areas and quieter grounds. In a hand-knotted rug, these relationships are built knot by knot as the design is formed.

Geometric Hamadan designs often rely on an intelligible structure. Repetition, balanced arrangements and clearly framed borders organise the surface. Floral compositions may instead be shaped by scrolling forms, blossoms or stylised vegetation. These terms describe a design tradition rather than one compulsory layout. The regional variety allows different combinations of forms and colours within the Hamadan group.

The pattern language of Persian rugs is historically connected with inherited symbols and regional ideas of composition. Ornaments may frame the field, emphasise a central area or be distributed across the whole design. In Hamadan, these principles appear in different degrees of simplification and elaboration. The tradition therefore includes both relatively clear, graphic arrangements and more ornamented floral compositions.

Calling a rug a Hamadan rug thus identifies a geographical tradition while leaving room for different artistic interpretations. A rug from this group can be used in a traditional interior as well as in a modern setting. Its particular effect depends on the relationship between pattern, colour and handwork. The range of designs supports different interior settings without requiring one specific decorative style.

Within the Hamadan tradition, formats in general range from small runners to large living-room rugs. This describes the variety of sizes made in the region and does not state the dimensions of this individual piece. The rug described here remains individually made through its own drawing and distribution of colours. Its regional name therefore does not imply that it duplicates another Hamadan example.

Special Features

The special features of this rug are its hand-knotted construction, durable wool and stated knot density. The material makes Hamadan rugs hard-wearing and suitable for areas of the household with heavier traffic. The combination of a resilient pile and detailed knotting brings practical usability together with a carefully worked patterned surface.

Design variety is another characteristic of the Hamadan tradition. Numerous patterns and colours can produce very different appearances within the same regional group. At the same time, every hand-knotted rug is made as an individual piece. The inherited craft and the variety of the region explain why the exact drawing of one rug differs from that of another carrying the same origin name.

FAQ

How should I care for my Hamadan rug?

Regular vacuuming helps remove loose dirt from the wool pile. If more extensive cleaning is needed, the rug should be professionally cleaned. Direct sunlight should be avoided so that the colours are less likely to fade. Gentle, consistent care supports the long-term use of this hand-knotted rug and helps preserve its surface and pattern.

How can I assess the quality of a Hamadan rug?

Knot density, material and workmanship are the main points to consider. A high knot density allows details to be rendered more precisely. Pure virgin wool is regarded as a quality material for Hamadan rugs, while hand-knotting identifies the piece as individual manual work. The resilience of the wool is also an important practical quality when assessing this type of rug.

Are Hamadan rugs suitable for underfloor heating?

Hamadan rugs are described as suitable for underfloor heating because of the robust quality of their wool. Wool can allow heat to pass through while providing a comfortable surface underfoot. For actual installation, the instructions supplied by the heating and rug manufacturers should also be followed, particularly those concerning placement and sufficient heat transfer.

Additional information
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