






Persian Rug Hamadan 190 x 127 cm Wool Hand-knotted
€ 746
Hand-knotted Hamadan Persian Rug | Knot density: approx. 100,000 – 350,000 knots/m² | Material: pile durable wool | Size: 190 x 127 cm | Pattern: varied designs | Condition: well preserved
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Description
Hamadan Persian Rug
Material and Craftsmanship
This Persian rug from Hamadan is hand-knotted and made from durable wool. The combination of a wool pile and traditional knotting gives the surface the structured character associated with a knotted rug. Each knot forms part of the pile, while the completed surface is finished so that the textile can be used as a practical floor covering. Wool is a traditional choice for Hamadan rugs because it provides resilience together with a natural, comfortable handle.
The product information places the knot density in the range of approximately 100,000 to 350,000 knots per square metre. Knot density is one of the technical features that influences how finely a design can be rendered. The wool gives the pile substance and durability, while hand knotting allows the pattern to be built through a detailed manual process rather than through industrial repetition. Durable wool is specified for this rug; no additional pile fibre or separate warp material is stated.
Origin and Tradition
This rug comes from Hamadan in north-western Iran. Hamadan refers not only to the city but also to the wider weaving area surrounding it. Rugs associated with the region are produced in many villages and towns, including Assadabad, Khamseh and Nahawand. These local centres have their own working habits and design preferences. As a result, Hamadan rugs form a varied regional group rather than a single pattern category with one fixed appearance.
The weaving tradition of Hamadan belongs to the long history of Persian carpet making. In village workshops, knowledge of spinning, dyeing, knotting and finishing was passed from one generation to the next. The carpet had a practical role as a durable household textile, but its construction also provided a surface for regional ornament. This balance between everyday use and decoration remains an important part of the way Hamadan rugs are understood.
The names Assadabad, Khamseh and Nahawand illustrate the breadth of the Hamadan area. Local production could adapt designs to the resources, customs and preferences of a particular community. Some workshops developed strongly geometric compositions, while others used more floral or symbolic vocabulary. This explains why the origin Hamadan identifies a weaving tradition and geographical context without prescribing one uniform design for every rug.
Hamadan is part of a wider Persian carpet culture that also includes established centres such as Tabriz, Kashan, Kerman and Qom. Each of these places is associated with its own history and visual language. Tabriz is often discussed in connection with detailed drawing, while Kashan, Kerman and Qom represent other important regional approaches to Persian design. Hamadan contributes a distinct combination of village and town production, wool craftsmanship and considerable pattern variety.
Hand knotting connects the finished rug with this regional tradition in a direct way. The maker builds the textile row by row and knot by knot, adjusting the drawing as the work progresses. This process allows local motifs to be interpreted rather than mechanically copied. It also means that regional traditions can remain recognizable while individual rugs retain their own arrangement of colour and ornament.
Design and Pattern
Varied designs are specified for this Hamadan rug. The regional vocabulary includes geometric layouts, floral motifs and traditional symbols. Geometric compositions may use diamonds, stepped forms, medallions or repeated angular units. Floral designs can include stylised leaves, flowers and branching forms. These elements may appear separately or be combined within a field and border structure, depending on the local design tradition.
The diversity of Hamadan patterns reflects the number of weaving communities in the region. A design may be simplified in one village, drawn with finer detail in another or adapted from a neighbouring tradition. Some rugs are organised around a central medallion, while others distribute motifs across the field. Repeated patterns can create rhythm, and a border can frame the central area. The information for this rug records varied designs rather than assigning it an unsupported individual pattern name.
Traditional symbols in Persian carpets have both decorative and structural roles. They divide the field into readable areas, establish balance and guide the eye from the centre toward the border. A floral element may soften a geometric arrangement, while angular forms can give a drawing a clear framework. The meaning of an individual motif can depend on context and local usage, so the regional pattern language is best understood as a collection of inherited forms rather than a fixed dictionary.
Colour is another important part of the Hamadan design tradition. Strong reds, soft blues and greens, and earthy shades are associated with the range of colours found in regional rugs. These tones may be used for the ground, the border, the ornaments or small accents within a larger composition. The relationship between warm and cool colours helps separate motifs and gives the drawing visual order. The full range of Hamadan design therefore includes both pronounced contrasts and more restrained combinations.
Persian carpet designs are often transmitted through practice. A weaver learns established arrangements and then works within a local tradition, where small changes in proportion, spacing or colour are possible. This process accounts for the mixture of continuity and variation visible across Hamadan rugs. The present rug is described by its broad variety of design, so its pattern belongs to that regional spectrum without requiring a more specific motif label.
Special Features
The stated features of this rug are its Hamadan origin, hand-knotted construction and pile of durable wool. Its condition is described as well preserved. These details place the rug within the practical tradition of Hamadan weaving, where a resilient material and manual construction are combined with a broad choice of designs. The description does not add a separate signature, age or provenance beyond its origin in Hamadan.
Hamadan rugs are commonly used in living rooms, bedrooms and hallways, and they can also serve as accent pieces in other interiors. Their varied designs allow different decorative roles, while the wool construction gives the rug a substantial textile presence. The best placement depends on the room, the surrounding furnishings and the degree of daily use. For this piece, the well-preserved condition and durable wool are the relevant stated features for everyday consideration.
FAQ
What distinguishes a Hamadan rug?
A Hamadan rug is identified by its Persian origin in the Hamadan region and by a weaving tradition shared across many towns and villages. It is not restricted to one pattern. Geometric forms, floral motifs and traditional symbols all belong to the region’s design vocabulary. This rug additionally has a hand-knotted construction, a pile of durable wool and the specified knot-density range. Together, these features describe a practical Persian rug with varied regional design possibilities.
How should I care for my Hamadan Persian rug?
Regular vacuuming helps remove dust and loose dirt from the wool pile. The surface should be treated gently so that routine cleaning does not place unnecessary stress on the fibres. If a spill occurs, blot it promptly with a damp cloth rather than rubbing the area. More persistent or deeper stains should be handled by a professional rug cleaner. A suitable underlay can also help keep the rug stable and reduce movement during ordinary use.
Where is a Hamadan rug best used?
Hamadan rugs can be used in living rooms, bedrooms and hallways. They may also work as accent pieces in other rooms when their design is intended to support the surrounding furniture. The warm colours and varied patterns can be combined with different interior styles. The appropriate position depends on the room, the furniture arrangement and the amount of foot traffic. The durable wool construction makes the rug suitable for areas in which it is regularly viewed and walked on.
Additional information
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