Persian Rug Hamadan 185 x 112 cm Wool Hand-knotted

 568

Hand-knotted Hamadan Persian Rug | Knot density: 100.000 – 350.000 knots/m² | Material: Wool pile | Size: 185 x 112 cm | Pattern: Varied designs | Condition: Well preserved

1 available

  • Free Shipping in EU
  • 2-5 Business Days Delivery
  • 14-Day Return Policy
  • Worldwide Shipping on request
Secure Payment SECURE PAYMENT
Shipping Partners SHIPPING PARTNERS
SKU: 3E3FF528 Categories: , ,

Inventory number: 3E3FF528

Description

Hamadan Persian Rug

Material and Craftsmanship

This Hamadan Persian rug is hand-knotted. Its knots were made by hand and incorporated into the textile foundation through a sequence of individual craft processes. Hand knotting gives each rug its own character because the work is carried out piece by piece rather than as a uniform industrial production. The result is an individual rug with a clearly traditional method of manufacture.

The pile material is described as durable wool. Wool has long been valued in rug making for its resilience and suitability for regular use. Here, that material is combined with hand-knotted workmanship. The combination makes the rug suitable both as a practical floor covering and as a decorative textile within an interior.

The specified knot density ranges from 100.000 to 350.000 knots per square metre. Knot density indicates the fineness of the work and contributes to the visual character of a hand-knotted rug. Together with the wool, it supports the defined appearance of the patterns. The pile is described as pleasantly soft and cosy.

This rug is well preserved. That condition statement belongs to the description of this particular piece and complements the information about its material and manufacture. Its hand-knotted construction, durable wool and preserved condition are the central material features of the offered Hamadan rug.

Origin and Tradition

Hamadan is a historic city in north-western Iran and an important centre of rug production. The name Hamadan does not refer only to one urban workshop. Numerous villages in the surrounding region produce rugs that are known under the Hamadan name. This broad regional context explains the considerable range of patterns, colours and forms associated with Hamadan rugs.

Assadabad, Khamseh, Maslaghan, Enjelas, Nahawand, Tuyserkan and Mousel are among the villages frequently identified with the region’s production. Each place contributes its own experience and local interpretation to the wider weaving tradition. Differences in design, colour arrangement and execution are therefore part of Hamadan’s character. The regional name brings these influences together without reducing them to one fixed pattern.

The tradition of Hamadan rug making is connected with inherited forms of manual work. A hand-knotted rug is built through many separate stages, including the preparation of its textile structure, the tying of knots and the completion of the woven surface. These stages are carried out in relation to one another, allowing the maker to develop the pattern gradually. Every completed rug consequently becomes an individual expression of the region and of the people who made it.

Hamadan rugs can be understood as both useful household textiles and decorative works. Their history reflects the way weaving traditions pass from one generation to another while remaining open to different local interpretations. The variety found within the region is not a departure from its tradition; it is one of its defining features. The Hamadan designation therefore describes a living rug landscape shaped by several villages and craft communities.

As an Iranian rug, this piece belongs to the Persian rug tradition. Within that tradition, Hamadan is associated with an especially broad range of designs, patterns and colours. Origin should therefore not be confused with a single prescribed visual formula. The regional identity lies in the relationship between Iranian provenance, hand craftsmanship and the diversity developed across the Hamadan area.

Design and Pattern

The description identifies the rug as having varied designs. Hamadan rugs are known for appearing in many different decorative forms, so the regional name does not require every piece to follow the same arrangement. Patterns may include geometric structures as well as floral motifs. These elements can be used in traditional compositions or interpreted in a more modern manner.

Geometric patterning gives a rug a clearly organised visual structure. Lines, angles, fields and repeated shapes can guide the eye across the surface. In regional rug design, such forms create recognisable order and rhythm. They may stand on their own or be combined with botanical details, allowing the composition to remain structured while gaining additional ornament.

Floral motifs introduce a different vocabulary of shapes. Flowers, leaves and plant-like ornaments may appear as individual accents or as recurring elements throughout a design. Hamadan weaving does not limit these motifs to one exact representation. They can retain a traditional appearance or be arranged in a simpler and more contemporary interpretation.

Colour is another part of the stated variety. Hamadan rugs are described with deep reds, gentle blues and earthy yellows. These tones can be combined in different proportions depending on the design. Their relationship with the pattern determines whether the overall impression is more strongly structured or more softly balanced. In each case, colour and ornament work together rather than functioning as separate features.

A Hamadan rug is therefore defined by the interaction of its layout, repeated forms, floral details and colour fields, not by one isolated ornament. The range of available designs allows the tradition to suit both classically furnished and more contemporary rooms. This particular rug is described as having a varied design; the description does not assign it to one more specific individual motif.

The pattern is decorative while also giving the surface a sense of order. It makes the rug a visible part of a room rather than merely a neutral floor covering. The coexistence of geometric and floral possibilities helps explain the many appearances of Hamadan rugs. Their designs remain rooted in regional tradition while leaving room for the individual character of each hand-knotted piece.

Special Features

The distinctive features of this rug include its Hamadan origin, hand-knotted construction and use of durable wool. Its broad range of possible designs is another characteristic of the regional type. The rug is well preserved, combining the traditional qualities of a Hamadan Persian rug with a condition suitable for continued use.

Its Iranian origin identifies it as a Persian rug. At the same time, its design is not described through one exclusive pattern name. Instead, it reflects the variety associated with Hamadan. Material, workmanship, origin and pattern therefore work together to define this one-off piece.

Hamadan rugs are described as durable and decorative. The use of resilient wool supports this character. The rug may be placed in a living room, dining room or hallway, and it can also add a cosy accent in a bedroom. As a hand-knotted individual piece, it should be treated with regular and gentle care.

FAQ

How should I care for my Hamadan rug?

Regular vacuuming without a brush attachment is recommended for everyday care. The rug may also be beaten out occasionally outdoors. If a stain occurs, act promptly and dab the affected area carefully with a damp cloth. Avoid unnecessary rubbing so that the surface remains protected during cleaning.

Where is the best place to put my Hamadan rug?

A Hamadan rug can be used in living rooms, dining rooms and hallways. It can also be placed in a bedroom to create a cosy accent. Its varied designs can be coordinated with different interior concepts. Wherever it is placed, regular gentle care should be part of its use as a hand-knotted rug.

What makes a Hamadan rug unique?

Its character comes from the combination of traditional craftsmanship, durable wool and a wide range of regional designs. Its origin in Hamadan points to an area shaped by numerous villages and distinct weaving traditions. Each hand-knotted piece therefore reflects its regional background as well as the people who made it.

Additional information
Design Style

Size

Shape

Origin

Knot Density

Material

}) }) }) }) } }) } })