Persian Rug Hamadan 146 x 112 cm Wool Hand-knotted

 585

Hand-knotted Hamadan Persian Rug | Knot density: 100,000 – 350,000 knots/m² | Material: Wool pile | Size: 146 x 112 cm | Pattern: Varied designs | Condition: Good

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Description

Hamadan Persian Rug

Material and Craftsmanship

This Hamadan Persian rug is hand-knotted and made with hard-wearing wool. The wool forms the pile, giving the rug a durable surface with a soft, substantial feel. Wool has long been used in Hamadan weaving because it combines resilience with a practical suitability for everyday interiors. Its robust character is part of the material identity associated with this regional rug tradition.

The rug is built knot by knot rather than receiving a pattern printed onto a finished surface. This method places the design within the structure of the rug itself. The listed knot density ranges from 100,000 to 350,000 knots per square metre. In Hamadan weaving, this kind of construction supports the depiction of defined geometric forms, floral details and repeated ornamental elements.

Wool serves both a traditional and a functional purpose in a hand-knotted rug. The pile can feel soft while retaining a firm, durable character. The combination of wool and hand-knotting determines the way this rug is made and used. No further material details, such as information about the warp, are given for this piece.

Origin and Tradition

The rug comes from Hamadan in north-western Iran. Hamadan is the name of both the city and the surrounding carpet-producing region. The area is known for a broad range of rug patterns and weaving techniques. Its regional tradition includes practical, robust constructions as well as decorative designs, so Hamadan rugs do not form a single uniform visual category.

Rugs associated with Hamadan are woven in the city and in a number of villages around it. These include Assadabad, Khamseh, Maslaghan, Enjelas, Nahawand, Tuyserkan and Mousel. Each place can contribute its own variations in drawing, arrangement and execution, while the name Hamadan identifies the wider regional connection. The village tradition is therefore an important part of the background to Hamadan rugs.

The area has a long place in Persian carpet culture. Weaving knowledge includes the arrangement of motifs, the handling of colour and the repeated work of tying individual knots. Such knowledge is traditionally passed between generations. The result is a group of related regional rugs rather than one fixed design. Some examples are strongly geometric, while others use flowers, branches and more flowing ornament.

Hamadan represents a distinct regional tradition within Persian rug making. Rugs from the area are commonly associated with solid construction and a considerable variety of patterns. Production in both towns and villages has helped create different local expressions. A Hamadan rug therefore does not have to repeat one particular medallion, border or colour arrangement to belong to the region. The shared origin and weaving context are the defining points.

Other rug types are also connected with the wider area. Gabbeh rugs from the region are known for simple designs and strong colours. Kerman rugs, by contrast, are known for fine detail and elegant patterns. These comparisons show the diversity of Persian weaving. Hamadan rugs are associated with durable construction and varied ornament, while other named traditions have their own characteristic emphasis.

Design and Pattern

This rug is described as having varied designs. Hamadan weaving encompasses both geometric patterns and floral motifs. Geometric compositions may use clear lines, diamonds, medallion forms or repeated shapes. Floral compositions may include flowers, scrolling branches and stylised plant elements. In regional work, these two approaches can also be combined within one ornamental arrangement.

In a hand-knotted rug, the pattern develops through the sequence of individual knots. Small areas of colour build lines and contours, while larger motifs take shape through the placement of many separate elements. Knot density can support the rendering of more intricate forms. It does not, however, define one mandatory Hamadan pattern. The regional name covers a broad family of designs rather than one prescribed layout.

The range of Hamadan designs allows these rugs to work with different interior settings. Geometric and floral compositions can sit within traditionally furnished rooms, while more restrained arrangements can also relate to modern interiors. In a rustic setting, the hand-made surface and wool construction correspond with natural materials and a practical atmosphere. The resulting impression comes from the relationship between fibre, knotting, ornament and colour.

Hamadan rugs are traditionally described through their varied pattern and colour vocabulary. The individual rug is classified simply as having varied designs; no single colour scheme or specific named motif is provided. For that reason, the regional design background is more precise than assigning an additional pattern name. The tradition extends from clearly structured geometric compositions to floral arrangements containing many smaller details.

The contrast with Gabbeh and Kerman helps place the design tradition in context. Gabbeh is associated with simpler motifs and strong colours, while Kerman is known for fine detail and elegant patterning. Hamadan occupies a different position, bringing together several ornamental approaches within a durable regional weaving tradition. The Hamadan designation for this rug identifies its origin and does not turn its pattern into a Kerman or Gabbeh rug.

Pattern and construction are closely related. Wool receives the coloured areas, the knots establish the contours, and regional weaving knowledge influences the arrangement of the motifs. Depending on the design, a Hamadan rug may have a pronounced central element, a continuous border system or a more distributed composition. For this individual piece, the available pattern description remains varied designs, so no more specific motif is added.

Special Features

The defining details of this rug are its Hamadan origin in Iran, its hand-knotted construction and its pile of hard-wearing wool. The knot density is given as 100,000 to 350,000 knots per square metre. Its pattern is described as varied, and its condition is good.

Together, regional origin, hand craftsmanship and durable wool place the rug within the Persian Hamadan tradition. Its varied design differs from the fixed visual descriptions associated with other regional names. This is a one-off hand-knotted rug; no information about a signature, age, warp or restoration is provided.

FAQ

How should I care for a Hamadan Persian rug?

Regular vacuuming helps remove loose dirt from the pile. If a spill occurs, the area should be blotted immediately with a damp cloth. A mild cleaning product can then be used carefully. Vigorous rubbing should be avoided because it can put unnecessary stress on the wool and the pile structure. Professional cleaning every few years helps preserve the colours and structure. The work should be entrusted to specialists who understand hand-knotted wool rugs.

Where can I buy Hamadan Persian rugs?

Hamadan Persian rugs can be found in specialist carpet shops and on online platforms. Buyers should look for established dealers able to provide reliable information about origin and quality. A clear description should identify the regional classification, hand-knotted technique, material and condition. With a one-off rug, the individual product details are especially important, since no second piece will have exactly the same knotting and pattern.

Why are Hamadan Persian rugs considered a good investment?

Hamadan Persian rugs are considered a good investment because of their quality materials, careful handwork and timeless designs. They serve a practical purpose as interior furnishings while also representing traditional Persian craftsmanship. Hard-wearing wool and hand-knotting are among the reasons these rugs are valued. Depending on the workmanship, care and state of preservation, such rugs may increase in value over time. In this case, the good condition stated for the rug is an additional part of its described profile.

Additional information
Design Style

Size

Shape

Origin

Knot Density

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