Persian Rug Hamadan 130 x 63 cm Wool Hand-knotted

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Hand-knotted Hamadan Persian Rug | Knot density: 100,000 – 350,000 knots/m² | Material: pile durable wool | Size: 130 x 63 cm | Pattern: varied designs | Condition: very good

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Inventory number: BDAA2625

Description

Hamadan Persian Rug

Material and Craftsmanship

This Hamadan Persian rug is hand-knotted with durable wool forming the pile. Its making is a manual process in which individual knots build the textile surface and place the design directly into the structure of the rug. The pattern is therefore not printed onto a finished fabric. The visible texture results from the knotting work, the arrangement of the colours and the way the pile is finished.

The rug has a knot density of 100,000 to 350,000 knots per square metre. A sturdy construction and hard-wearing wool are characteristic features associated with Hamadan rugs. Wool is valued in rug making for its resistance, natural warmth and comfortable handle. It provides a pile suited to everyday use while retaining the tactile character of a hand-made textile. The condition of this rug is very good.

Origin and Tradition

This rug comes from Hamadan in north-western Persia. Hamadan names a broad rug-producing area rather than one single workshop. Many villages and small weaving centres around the region developed their own interpretations, and their rugs have commonly been grouped under the Hamadan name. Assadabad, Khamseh and Nahawand are among the recognised weaving places in this area. Each community has its own variations, while all belong to a long tradition of hand-knotted wool rugs.

North-western Persia is one of the historic landscapes of Persian rug production. Weaving in the region served local households as well as wider trade. Skills were passed through families and village communities, including the preparation of wool, the planning of a design, the balance of colours and the finishing of a completed rug. This continuity of practical knowledge helped preserve a regional craft while allowing individual centres to develop their own visual language.

Hamadan rugs are often associated with a useful, durable village and small-town weaving tradition. The workshops of the area produced rugs intended for real domestic life, while still giving attention to drawing and colour. The many centres involved explain why Hamadan does not describe a single fixed pattern. Instead, the regional name covers a wide range of designs, proportions and colour arrangements. Their shared identity lies in their Persian origin and in the hand-knotted craft behind them.

The Hamadan tradition can be considered alongside other Persian rug regions. Kerman is associated with fine drawing and lively colour, while Tabriz is often recognised for complex floral compositions and high knot density. Nain and Isfahan also represent distinct strands of Persian rug making. These comparisons refer to other regional traditions; they do not alter this rug’s stated origin in Hamadan.

Design and Pattern

Hamadan rugs are known for a broad design vocabulary. This rug is described as having varied designs, without one specific named motif being assigned to it. Geometric compositions and floral elements are both common within the regional tradition. Geometric forms can give the field a clear rhythm, while flowers, leaves and stylised vines introduce a more flowing movement. Many designs combine these two approaches within a single structured composition.

A regional rug design is shaped by the relationship between the field, the borders and the main ornament. Borders frame the inner area and establish a visual order around it. The field may be organised around a central medallion, a repeated arrangement or a less formal distribution of motifs. Hamadan village rugs may also contain simplified symbols and recurring geometric details. These forms are decorative, but they also carry patterns handed down through local weaving communities.

Floral ornament in Persian rugs is generally adapted to the woven surface rather than copied as a literal botanical image. Flowers may appear in rows, along scrolling vines or in combination with angular forms. Geometric designs use lines, diamonds, hooked shapes, stepped forms and repeated compartments. The exact character depends on the weaving centre and on the chosen design. This variety is an important part of the Hamadan identity and prevents the regional name from being reduced to one standard layout.

Colour gives the design its internal structure. It separates areas of the field, clarifies the border and creates links between ornament and ground. Hamadan rugs can show very different colour combinations because the region includes many villages and workshops. Lively colours and balanced relationships between colour areas are frequently found in descriptions of the regional tradition. For this piece, the relevant pattern information is its varied design vocabulary rather than a claim that it belongs to one particular named pattern family.

In a hand-knotted rug, the making process becomes part of the appearance. Minor variations in execution can remain visible and express the manual nature of the work. Unlike a fully standardised series product, each rug results from a particular combination of knotting, colour placement and pattern arrangement. Regional tradition provides the framework, while the individual execution gives the finished rug its own character.

Special Features

The defining features of this rug are its Hamadan origin, hand-knotted construction, durable wool pile and stated knot density. Its varied design also reflects the broad pattern range associated with Hamadan rugs. The condition is very good. Together, these details connect the rug with the weaving tradition of north-western Persia while identifying the material, technique and visual diversity of this particular piece.

Hamadan rugs can be used in different parts of a home, depending on their design and the intended setting. They may help define a living area, complement a passage or add a textile element to a more limited space. Suitability always depends on the room, the furniture and the way the area is used. The rug remains an individual example of Persian craftsmanship, defined by its stated origin, wool pile, hand-knotting and varied design.

FAQ

How should I care for my Hamadan rug?

Vacuum the rug regularly and gently to remove loose dust and everyday debris from the wool pile. If a deeper cleaning is needed, professional cleaning is recommended, ideally by a service familiar with hand-knotted wool rugs. Prolonged direct sunlight should be avoided because strong exposure can gradually fade colours. Careful handling and suitable cleaning help preserve the pile and the textile character of the rug over time.

Are Hamadan rugs suitable for underfloor heating?

Hamadan rugs are suitable for use with underfloor heating because of their robust wool structure. The temperature should not be set too high, as excessive heat can place unnecessary stress on the wool and may damage it. A suitable non-slip underlay can also be important, depending on the floor and the room. Heat should be distributed evenly rather than concentrated directly beneath the rug.

Where do Hamadan rug designs come from?

The designs draw on traditional Persian art and culture. They reflect the local styles of the different weaving villages around Hamadan as well as influences from the wider Persian region. This is why Hamadan rugs include a broad selection of geometric forms and floral motifs. The regional diversity explains why Hamadan refers to several connected pattern traditions instead of one single decorative scheme.

Additional information
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