Persian Rug Hamadan 107×67 cm Wool Hand-knotted

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Hand-knotted Hamadan Persian Rug | Knot density: 100,000 – 350,000 knots/m² | Material: Wool pile | Size: 107 x 67 cm | Pattern: Varied designs | Condition: Well preserved

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SKU: 29C3E16C Categories: , ,

Inventory number: 29C3E16C

Description

Hamadan Persian Rug

Material and Craftsmanship

This Hamadan Persian rug is hand-knotted and made with hard-wearing wool. The wool forms the pile and is a traditional material for rugs of this kind. Its resilient character supports practical everyday use and helps explain the long-standing reputation of Hamadan wool rugs for durability. The rug therefore brings together a natural fibre and a method of production rooted in regional craft.

In hand-knotting, each knot is placed individually into the prepared rug structure. After each row, the construction is compacted and the pile is worked into an even surface. This process distinguishes a hand-knotted rug from a machine-made floor covering. It requires time, experience and continuous attention throughout production. For a Hamadan rug, this method is part of the local weaving tradition rather than an industrial finishing process.

The stated knot density is 100,000 to 350,000 knots per square metre. Knot density describes how many knots are placed within a defined area and gives an indication of the structure of the weave. It must always be considered together with the material, the knotting method and the design being executed. Here, hard-wearing wool and traditional hand-knotting form the material and technical basis of the rug.

Wool is valued in rug making for more than its resistance to wear. It can be spun, dyed and worked into a durable pile. With suitable care, a wool pile can retain a pleasant handle and its practical qualities over a long period. The hand-knotted construction also shows that the rug was built through individual stages of work, rather than produced as a repeated industrial item.

Origin and Tradition

Hamadan lies in north-western Iran and is one of the country’s recognised rug-producing areas. The city and its surrounding region have long been associated with Persian rug making. Different workshops and local weaving practices developed across the area. For that reason, Hamadan is not the name of one rigid pattern system, but a regional group of rugs with a broad range of designs.

Rug making in Hamadan is shaped by the passing on of practical knowledge. Skills relating to spinning wool, preparing colour, constructing a rug and following a drawn design were traditionally taught within families and workshops. Such work depends on observation and experience: weavers monitor the tension of the foundation, place knots in sequence and build the drawing row by row. The result combines inherited knowledge with the individual execution of each hand-knotted rug.

The Hamadan area is known for its variety of rug designs. This range reflects the different settlements, workshops and influences found within the wider weaving region. Some compositions are carefully organised around a central plan, while others develop from older local visual traditions. As a result, Hamadan rugs can look quite different from one another even when they share the same broad place name.

Persian rugs are often identified by the place where they were made or by the area in which a particular weaving tradition developed. The name Hamadan therefore places this rug within a regional Iranian craft context. It does not claim that every Hamadan rug uses one standard decoration. The variety itself is one of the defining features associated with rugs from this part of Iran.

Khamseh and Nahawand are counted among related rug types from the same wider region. They may show comparable motifs and colour schemes and are likewise made by hand with wool. Their relationship illustrates the connected character of the rug traditions around Hamadan. At the same time, the individual names remain useful references to particular regional or workshop-based expressions.

Hamadan consequently represents a Persian rug tradition in which material, handwork and design range come together. The region’s long history explains its established place within the wider world of Oriental rugs. This rug comes from Hamadan in Iran and belongs to that regional tradition through its hand-knotted wool construction.

Design and Pattern

The pattern of this Hamadan rug is described as a varied design. Regional Hamadan weaving encompasses several types of composition and is not limited to one ornament or layout. Geometric forms, floral motifs and traditional medallion patterns are among the design directions found in rugs from the area. They may be rendered in a classical manner or interpreted with a simpler, more contemporary visual structure.

Geometric designs rely on clear lines, organised fields and repeated shapes. Floral compositions introduce leaves, blossoms and vines, often arranged rhythmically across the field or within the border. A medallion can establish a centre and be framed by supporting motifs. These different devices may appear separately or be combined in the Hamadan tradition, with each workshop giving them its own balance and emphasis.

Colour also contributes to the reading of a Persian rug pattern. Hamadan rugs are often associated with deep reds, blues and yellows. Colour groups of this kind can separate motifs and give a composition a warm, clearly structured presence. This description refers to the regional and typological design tradition; it is not an inventory of every colour area in this individual rug.

In a hand-knotted rug, the design is not printed onto a finished surface. It is created through the placement of knots and the sequence of pile colours during the weaving process. The drawing is built progressively as the work advances. Small variations are therefore part of a handmade object and show that each rug was produced individually. Hamadan’s design vocabulary allows for both precise geometric arrangements and more flowing floral forms.

The pattern tradition can also be considered through the relationship between the central field and the border. A clearly defined field may be surrounded by one or more borders, while an all-over arrangement distributes the ornament more evenly across the surface. In either approach, repeated motifs provide visual order. Hamadan weavers adapt these systems to different designs and to the particular construction of each rug.

Related rugs from Khamseh and Nahawand may use similar motifs and colour schemes. Sarough and Tabriz are also established Persian rug names associated with a wide selection of designs and styles. These references help explain the wider pattern landscape of Persian weaving. They do not change the origin of this rug: it is from Hamadan in Iran.

The design of this one-off piece can therefore be described accurately as varied. That wording recognises the range of formal devices used in Hamadan without assigning an unsupported single motif to the rug. Its hand-knotted construction, wool pile and Hamadan origin connect the individual design with the broader craft tradition of the region.

Special Features

The listed features include hand-knotted construction, a pile of hard-wearing wool and a knot density of 100,000 to 350,000 knots per square metre. These details describe the rug’s making and material structure. Together, the wool pile and traditional knotting method indicate a robust construction intended for indoor use.

The condition is described as well preserved. For regular care, vacuum without using a brush attachment. A damp cloth and mild soap may be used for individual stains. Professional cleaning is recommended when more thorough treatment is needed, so that the colours and structure can be handled carefully. The rug should also be protected from moisture and direct sunlight.

A non-slip underlay can provide additional stability. It helps prevent movement, protects the floor and can reduce wear on the rug. Outdoor use is not intended because moisture and direct sunlight may affect the qualities of a Hamadan Persian rug. Keeping it indoors therefore supports its preservation.

FAQ

How should I clean my Hamadan Persian rug?

For regular care, vacuum the rug without a brush attachment. This removes surface dust while avoiding unnecessary stress on the wool pile from a rotating brush. If a stain occurs, use a damp cloth with mild soap and treat the area gently rather than rubbing it aggressively. Professional cleaning is recommended when a more extensive treatment is required. A specialist can adapt the process to the wool, the colours and the hand-knotted structure. This careful approach helps preserve the surface and the visual character of the rug during cleaning.

What accessories do I need for my Hamadan Persian rug?

A non-slip underlay is the recommended accessory for improved stability. It helps keep the rug from shifting on the floor and therefore supports safer everyday use. It also creates a protective layer between the rug and the floor. An underlay can reduce movement and contribute to lower wear on the rug over time. This is useful for a hand-knotted wool rug because a firm, even position limits unnecessary stress during regular use. The underlay should lie appropriately beneath the rug and should not interfere with floor care.

Can I use my Hamadan Persian rug outdoors?

No. Hamadan Persian rugs are not suitable for outdoor use. Moisture may affect the wool and the traditional rug structure, while direct sunlight can have an adverse effect on the colours. The rug should therefore be used indoors, where exposure to damp conditions and strong sun can be controlled more effectively. A dry interior setting supports the life of the hand-knotted wool rug and helps preserve its structure and colour appearance.

Additional information
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