






Persian Rug Bakhtiari 303 x 200 cm Wool Hand-knotted
€ 1624
Hand-knotted Bakhtiar Persian rug | Knot density: 150,000 – 200,000 knots/m² | Material: Pile high-quality, soft wool | Size: 303 x 200 cm | Pattern: Kheshti garden design with plant and animal motifs | Condition: Very good, hard-wearing and durable
1 available
- ✓Free Shipping in EU
- ✓2-5 Business Days Delivery
- ✓14-Day Return Policy
- ✓Worldwide Shipping on request
SECURE PAYMENT
SHIPPING PARTNERSInventory number: 780D0342
Description
Bakhtiar Persian Rug
Material and Craftsmanship
This Bakhtiar Persian rug is hand-knotted and has a pile made from high-quality, soft wool. Its construction belongs to the traditional Iranian rug-making practice in which the design is built knot by knot. The wool offers a pleasant hand while also providing the resilience associated with Bakhtiar rugs. The result is a material combination that feels soft underfoot yet is suited to a hard-wearing construction.
The stated knot density is between 150,000 and 200,000 knots per square metre. This density allows the garden design and its plant and animal motifs to be worked out with a clear, carefully structured appearance. In a hand-knotted rug, the pattern is created through the placement of coloured knots rather than by printing a design onto the surface. The visual character of the rug is therefore closely connected to its woven and knotted structure.
Wool has long been valued in traditional rug making for its practical qualities. It can be formed into a resilient pile while retaining a soft feel. In this rug, that material is combined with a sturdy construction. The rug is described as hard-wearing and durable, making it suitable for everyday use. Hand production also means that each rug is an individual piece with its own crafted execution.
Origin and Tradition
The Bakhtiar Persian rug comes from the region west of Isfahan in Iran. This is the area associated with the nomadic Bakhtiar people, whose cultural tradition is closely linked to the making of these rugs. The name Bakhtiar therefore identifies both a regional context and the community whose craft has shaped this rug type. Rugs from this tradition bring together practical use, inherited technique and a distinctive visual language.
Nomadic weaving traditions develop in conditions different from those of large urban workshops. A rug serves as a useful household object, but it also carries colours, motifs and knowledge passed from one generation to the next. Designs may remain recognisable across time while each hand-knotted piece receives its own interpretation. The strong construction reflects the practical side of this tradition and its connection with everyday life.
The area west of Isfahan forms part of Iran’s wider rug-making landscape and is known for a particular link between nomadic culture and skilled weaving. Bakhtiar rugs are commonly associated with emphatic, structured designs and a durable build. These characteristics explain their place as both decorative textiles and usable floor coverings. In this example, the regional tradition is expressed through the hand-knotted technique, the wool material and the garden pattern.
Iranian rugs vary from one region to another in their knotting methods, materials, colours and repertory of motifs. Bakhtiar work retains a pronounced connection with nature and with practical, clearly organised compositions. The combination of soft wool, hand craftsmanship and a durable construction belongs to a tradition in which usefulness and design are considered together. Its origin among the Bakhtiar people west of Isfahan is therefore an essential part of how this rug is understood.
Design and Pattern
The design of this rug is a garden pattern known as Kheshti. The term describes a composition in which the surface is divided into individual fields. These sections can be understood as garden plots, giving the overall design a regular framework. Plant and animal motifs are placed within the fields. The pattern consequently balances a geometric arrangement with individual images drawn from the natural world.
Garden designs are an established theme in Persian rug art. They translate the idea of a cultivated garden into a textile composition. Paths, plots, plants and animals are not usually rendered as a literal drawing; instead, they are stylised to suit the vocabulary of rug making. The repeated field structure makes it possible to arrange numerous smaller motifs while keeping the entire surface visually coherent.
On this Bakhtiar rug, the Kheshti layout is enriched by representations of plants and animals. These motifs give the separate fields their character and make the design varied across the surface. At the same time, the repeated division into fields unifies the composition. The result is a pattern that combines a clear order with a lively, nature-based group of motifs.
The colour scheme uses natural colours in red, brown and cream. Red provides warm accents, brown gives the fields visual weight, and cream introduces lighter areas. Together, these tones create a warm and balanced palette. They reinforce the structured arrangement of the Kheshti design without separating the plant and animal motifs from the composition as a whole. Colour is therefore an integral part of the pattern rather than a separate decorative addition.
The character of a garden pattern comes from the relationship between repetition, individual forms and colour. The Kheshti fields can be viewed one after another, while their regular arrangement gives the full rug a consistent appearance. In a hand-knotted version, the design also has a textile depth because it is formed through the construction of the pile. The Bakhtiar identity is visible in the combination of strong organisation, natural motifs and a warm colour palette.
Special Features
The rug is described as being in very good condition, hard-wearing and durable. Its high-quality, soft wool combines a comfortable feel with the resilience required for everyday use. The hand-knotted construction, the Kheshti garden pattern and the natural colours of red, brown and cream define its principal features.
The inclusion of plant and animal motifs also distinguishes the design from a purely geometric composition. The fields provide a readable structure, while the natural imagery introduces variation from one section to the next. As a Bakhtiar Persian rug, this one-off piece also represents the weaving tradition of the nomadic Bakhtiar people from the region west of Isfahan in Iran.
FAQ
How should I care for a Bakhtiar Persian rug?
Regular vacuuming helps remove dust and loose dirt from the pile. If more extensive cleaning is needed, the rug should be professionally cleaned. Direct sunlight should be avoided to help prevent the colours from fading. The rug should also be protected from moisture. These measures help preserve the soft wool surface and its natural colours.
Where does the Bakhtiar Persian rug come from?
The Bakhtiar Persian rug comes from the region west of the city of Isfahan in Iran. This area is home to the nomadic Bakhtiar people, whose traditional craftsmanship is closely associated with this type of rug. Bakhtiar rugs are known for their sturdy construction, durability and use of high-quality materials.
Which patterns are typical of Bakhtiar rugs?
Garden patterns, also called Kheshti, are typical of Bakhtiar rugs. They divide the surface into fields and often contain plant and animal motifs. On this rug, those motifs are rendered in natural colours such as red, brown and cream. The combination of a clear field structure and nature-based imagery gives the design its characteristic sense of order.
Additional information
| Design Style | |
|---|---|
| Color | |
| Size | |
| Shape | |
| Origin | |
| Knot Density | |
| Material |







