






Persian Rug Bakhtiari 297 x 220 cm Wool Hand-knotted
€ 1353
Hand-knotted Bakhtiar Persian Rug | Knot density: 150.000 – 200.000/m² | Material: pile wool | Size: 297 x 220 cm | Pattern: garden design with plant and animal motifs
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Description
Bakhtiar Persian Rug
Material and Craftsmanship
This Bakhtiar Persian rug is hand-knotted from wool. The source describes the wool as strong while also being soft, combining a durable character with a comfortable surface. Wool is one of the traditional materials of Persian rug weaving because it can be spun, dyed and worked by hand in a way that supports both practical use and detailed ornament. Its natural structure gives a pile a tactile presence, while the softness makes the finished textile suitable for living areas and other interiors.
Hand-knotting is a deliberate process in which individual knots are placed by hand around the warp and then secured as the weaving progresses. The weaver builds the design row by row, allowing the pattern to emerge gradually across the field and border. This method requires concentration and knowledge of the pattern structure. It also means that each rug has the character of a handmade object rather than the uniform appearance of a mechanically produced floor covering.
The Bakhtiar tradition is associated with carefully worked wool rugs whose construction is intended for lasting use. The source specifically connects these rugs with durability and comfort. Their practical qualities do not replace the decorative purpose of the textile; material, knotting and pattern work together to create a rug that functions as a floor covering while also carrying a recognisable regional weaving tradition.
Origin and Tradition
Bakhtiar rugs come from the region west of Isfahan, close to the Zagros Mountains. This landscape is closely linked with the Bakhtiar people, whose nomadic heritage is reflected in the identity of the rugs. The Zagros region has long provided the cultural setting in which weaving, wool preparation and the transmission of decorative knowledge developed. In this context, a rug is not only a household textile but also a form of skilled work connected with community, landscape and inherited practice.
The Bakhtiar name identifies a Persian weaving tradition with a strong relationship to rural and nomadic life. Designs associated with the tradition often draw on the surrounding natural world and on the ordered structure of cultivated gardens. The combination of practical wool, hand knotting and clearly organised ornament gives Bakhtiar rugs a distinctive place among Persian carpets. Their appearance can be decorative and animated, while their construction remains suited to regular use.
Knowledge of this craft is passed from one generation to the next. Experienced weavers learn how motifs are arranged, how colours are balanced and how the knotting process is kept consistent while the work advances. A hand-knotted rug therefore contains both a planned design and the visible result of manual production. Small variations in the handling of wool or in the placement of individual knots belong to the nature of handmade weaving and help distinguish it from industrial manufacture.
Bakhtiar rugs are part of the broader Persian carpet tradition rather than an isolated form. Isfahan rugs from the same wider region are known for fine patterns and refined colour selections. Tabriz rugs are often decorated with botanical and geometric motifs and are also associated with carefully developed designs. These regional traditions share a long history of weaving expertise, while each retains its own visual language and constructional character. Bakhtiar weaving is recognised in this wider setting for robust wool rugs and lively garden-inspired ornament.
The garden design, also known as Kheshti, is especially important to the Bakhtiar vocabulary. It presents the idea of a garden through a structured arrangement of compartments or sections, giving the composition a sense of order. Within this tradition, plants and animals provide the visual content. The format connects the rug with Persian ideas of the garden as an organised, fertile and cultivated space, while retaining the direct, practical character associated with Bakhtiar weaving.
Design and Pattern
This rug has a garden pattern with plant and animal motifs. In Bakhtiar weaving, this design language is commonly associated with Kheshti patterns. The composition is based on the visual idea of a garden divided into ordered areas, with each section offering space for botanical and animal forms. Such an arrangement creates rhythm across the surface without depending on a single central image.
Plant motifs may represent leaves, blossoms, branches or stylised forms drawn from cultivated and natural vegetation. Animal motifs add movement and variety to the design. In a hand-knotted rug, these elements are translated into carefully placed colour areas and knot sequences. The resulting forms are decorative rather than literal illustrations, so the viewer encounters a woven interpretation of nature shaped by the conventions of the regional pattern tradition.
The colour description for this rug is red-brown-cream. These tones are characteristic of the warm, grounded palette associated with many Bakhtiar garden designs. Red brings visual depth to the composition, brown provides an earthy connection to the landscape and cream offers a lighter contrast within the pattern. Their combination allows plant and animal motifs to remain legible while maintaining a cohesive overall surface.
A Kheshti design balances repetition with variation. Repeated sections help organise the rug and guide the eye from one area to the next, while the individual motifs prevent the pattern from becoming visually flat. The garden concept is therefore both decorative and structural. It gives the weaver a framework for arranging forms and gives the finished rug a clear relationship between smaller details and the complete composition.
Bakhtiar patterns can suit both traditional and more contemporary interiors because their underlying structure is clear and their motifs remain recognisable without requiring a strictly historical setting. That observation concerns the design tradition in general. The individual rug itself is defined by its hand-knotted wool construction, its garden pattern, its plant and animal motifs and its red-brown-cream colouring.
The relationship between colour and motif is central to the design. Warm tones support the impression of a cultivated landscape, while the cream elements help separate sections and details. Rather than treating the pattern as a random collection of ornaments, the Kheshti approach organises botanical and animal imagery within a coherent field. This is why the design can appear richly detailed while still retaining a readable structure.
Special Features
The distinctive features of this rug are its Bakhtiar origin, hand-knotted wool construction, garden pattern and plant and animal motifs. The colour scheme is red-brown-cream. The source gives a knot density of 150.000 – 200.000 knots per square metre, indicating a finely worked construction in the context of this rug type. Together, these details connect the individual piece with the Bakhtiar tradition of practical wool weaving and organised natural imagery.
The garden design also gives the rug a specific cultural identity. Kheshti patterns are not merely surface decoration; they express the idea of a structured garden through repeated sections filled with forms from plant and animal life. Combined with hand craftsmanship and wool, this makes the rug a clear example of the Bakhtiar Persian carpet tradition described in the source.
FAQ
What makes a Bakhtiar Persian rug distinctive?
A Bakhtiar rug is associated with the region west of Isfahan near the Zagros Mountains and with the heritage of the Bakhtiar people. Its identity comes from the combination of hand knotting, wool, durable construction and characteristic garden patterns known as Kheshti. These designs use plant and animal motifs within an organised composition. This rug also has the red-brown-cream colour scheme and the knot density specified for the piece.
How should a Bakhtiar wool rug be cared for?
Regular vacuuming helps remove everyday dust and keeps the wool surface clean. The rug should be protected from direct sunlight in order to help preserve its colours. If a mark occurs, it should be dabbed promptly with a damp cloth rather than rubbed aggressively. The source also recommends using specialised carpet cleaners. For more demanding cleaning, a professional service familiar with hand-knotted wool rugs is a suitable choice.
In which sizes are Bakhtiar rugs available?
Bakhtiar rugs are made in different formats, ranging from small runners to large room rugs. This variety allows the tradition to be used in different areas of a home. The available format depends on the individual handmade piece. This rug is offered in the size stated in its product information, while the general Bakhtiar tradition includes both narrower pieces for passageways and larger carpets for living spaces.
Additional information
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