Oriental Rug Bijar 90×160 cm Wool Hand-knotted

Bidjar Oriental Rug

Material and Craftsmanship

This Indo Bidjar is a hand-knotted Oriental rug with a blue pile made from 100% virgin wool. The wool is described as soft and durable. It gives the surface a natural textile character and a pleasant feel underfoot. The blue ground is accompanied by blue and earth tones within the design, creating the stated colour character of the rug.

Hand knotting builds the rug one knot at a time. Individual knots are worked into the foundation in successive rows, forming the pile and translating the drawn design into coloured areas. For this rug, a density of 165,000 to 185,000 knots per square metre is specified. That density belongs to its described construction and supports the finely organised appearance of the geometric medallion.

Virgin wool is specified for the pile. The product description highlights its softness and durability, while the hand-knotted construction explains how the surface and pattern are formed. Rather than being printed onto a finished surface, the design is created through the arrangement of yarn and knots. This method is central to the craft tradition represented by the Indo Bidjar.

Origin and Tradition

The rug was made in India. The name Indo Bidjar describes an Indian-made Oriental rug drawing on Bidjar tradition. It should therefore be presented as an Indian Oriental rug, not as a Persian rug. India is the stated country of origin, while Bidjar identifies the model and stylistic reference used for this piece.

Bidjar rugs are associated in rug history with a closely worked and hard-wearing weaving tradition. Historic Bidjar is located in western Iran and is known for rugs whose construction is linked with a compact, durable surface. Contemporary Indo rugs can adopt this visual and structural language while being produced in India. In this case, the Indo designation is important because it identifies the manufacturing country.

Indian rug production encompasses many design traditions. Workshops in India make rugs with their own local interpretations as well as rugs based on established Persian and Middle Eastern compositions. Medallions, borders, geometric arrangements and inherited colour systems can all be reinterpreted through Indian hand knotting. The Indo Bidjar belongs to this exchange between Indian manufacture and a Bidjar-inspired vocabulary.

Hand knotting requires a design to be built progressively instead of applied after production. A weaver places knots across the foundation, trims or forms the pile, and advances through the pattern row by row. Knot density affects the degree to which small changes in line, angle and colour can be reproduced. Dense knotting is particularly relevant to geometric work, where clean edges and controlled transitions help preserve the structure of the design.

The wider world of Oriental rugs contains many distinct regional languages. Kerman designs are associated with elaborate floral compositions and vivid colours. Tabriz rugs are valued for detailed layouts and careful workmanship, while Isfahan is linked with elegant, symmetrical designs and fine knotting. Gabbeh commonly uses simpler, more rustic-looking compositions. These references describe other traditions; this rug remains an Indo Bidjar made in India.

Design and Pattern

The main motif is a geometric medallion. A medallion concentrates the composition at the centre and gives the surrounding field a defined order. It differs from an entirely scattered arrangement because the eye is directed to a central form before moving outward through the accompanying shapes and colour areas.

The pattern is built from lines, angles and repeated geometric forms. Such designs create their effect through contour, spacing and rhythm rather than through a dense field of naturalistic flowers. In this Bidjar-inspired composition, the ordered structure gives the central field a clear presence. Because the rug is hand-knotted, the geometry is expressed through individually formed areas of pile rather than a printed image.

Blue provides the dominant visual impression. Several shades of blue and earth tones are specified as part of the design. Different blues can separate areas of the medallion and create visual depth, while earth tones introduce a warmer counterpoint. The palette therefore combines cool and grounded colour groups within a controlled geometric arrangement.

A medallion design can be read in both traditional and contemporary interiors because its structure is easy to recognise without depending on a single decorative style. The blue colouring and restrained geometry give this Indo Bidjar a defined appearance in a living room, dining room or study, all of which are named as suitable settings in the description. The pattern remains the principal visual feature in each of these uses.

Looking at related traditions helps explain the range of Oriental rug design. Persian compositions may include floral vines, palmettes, medallions and borders, while geometric versions place greater emphasis on straight contours, angular details and repetition. Indian workshops adapt such elements through their own hand-knotted production. Here, the defining choice is the geometric medallion rather than a floral field.

Design terminology should not be confused with place of manufacture. Bidjar is the model and stylistic reference in the name, whereas India is the stated origin of this rug. Mentions of Kerman, Tabriz, Isfahan or Gabbeh describe comparable traditions and do not change the identity of this piece. Its specified design is a blue Indo Bidjar with a geometric medallion.

Special Features

The rug is new and is described as being in perfect condition. It is suitable for use over underfloor heating, making it applicable in rooms equipped with that system. The named settings include the living room, dining room and study. Its robust structure is also described as suitable for areas with frequent foot traffic.

Regular vacuuming without a brush attachment is recommended for routine care. If a mark appears, the care instruction is to use a damp cloth without harsh cleaning products. A professional rug cleaner should be used for a thorough cleaning. These measures are intended to treat the virgin wool pile gently.

The description calls wool hypoallergenic and attributes to it natural properties that can reduce dust and allergens. For that reason, the rug is presented as a possible choice for allergy sufferers. Individual sensitivities differ, so personal requirements should be considered separately when making a health-related decision.

FAQ

How should I care for the Indo Bidjar?

Vacuum it regularly without using a brush attachment. For a small stain, use a damp cloth and avoid aggressive cleaning agents. A professional rug cleaner is recommended when a thorough cleaning is needed. This approach gives the virgin wool pile gentle routine treatment and avoids unnecessary stress on the surface.

Is the Indo Bidjar suitable for allergy sufferers?

Yes. The pile is made from 100% virgin wool, which the description identifies as hypoallergenic. Wool is also described as having natural properties that can reduce dust and allergens. The rug is therefore presented as a possible option for allergy sufferers. Anyone with specific medical requirements should also consider their own sensitivity and seek individual advice where appropriate.

Which rooms are suitable for the Indo Bidjar?

The rug is described as suitable for a living room, dining room or study. Its robust structure is also stated to work well in areas with frequent use. It can therefore be placed in a formal living space as well as in a room that is used regularly. Suitability for underfloor heating provides an additional practical option for rooms with that heating system.