Persian Rug Tabriz 400 x 300 cm Wool Silk Hand-knotted

Tabriz Persian Rug

Material and Craftsmanship

This Tabriz Persian rug is made with hand-knotted virgin wool and silk pile. The two materials shape its surface together: wool contributes a full, warm textile character, while silk adds sheen and gives the colours a more luminous appearance. Wool and silk have long been used together in Persian rug making when a design calls for both substance and a refined surface effect.

The rug is hand-knotted rather than mechanically produced. Its construction is based on individual knots made during the weaving process, allowing the pattern to be built gradually across the field. The knot density is 400,000 knots per square metre. This fine construction supports the detailed rendering of the curved lines and floral elements associated with the Mahi pattern. It also accounts for the finely worked appearance described for this Tabriz rug.

The pile is high-pile and is given as approximately 12 millimetres. This creates a visibly raised surface and a soft tactile impression. The rug is described as multicoloured, with red named as its colour. The combination of dense hand-knotting, virgin wool and silk gives the piece a substantial textile presence, while the silk contributes a distinct surface lustre. The rug is new and comes with a tag.

Hand-knotting is part of the visual character as well as the making of the rug. Each row contributes to the precision of the drawing, and the high knot density helps preserve the definition of the ornament. In this piece, the traditional technique is used to execute a Mahi design with flowing lines and floral details. The result is a rug whose material composition and pattern are closely connected to its method of production.

Origin and Tradition

This rug comes from Tabriz, one of Iran’s best-known carpet centres. Located in the north-west of the country, Tabriz has a long-established place in Persian rug production. The city was an important trading centre and a significant cultural capital. The movement of people, goods and ideas through Tabriz contributed to the range of patterns and techniques associated with its weaving tradition.

The history of carpet making in Tabriz reaches back to the sixteenth century. Over the centuries, workshops in the city developed and used many different approaches to composition. Tabriz rugs are therefore linked with a broad vocabulary that includes floral designs, curved drawing and carefully organised ornament. Their tradition is defined by variety as much as by a recognisable concern for detailed execution.

Trade brought materials and design influences into Tabriz from other regions, while local weavers continued to shape these influences through established methods. A hand-knotted rug is made through a sequence of precise operations: the field is planned, the colours are coordinated, and each part of the design is transferred into the knot structure. Experience is important because the maker must maintain the relationship between line, colour and spacing throughout the work.

The Tabriz tradition also shows how regional identity can coexist with creative interpretation. A rug from Tabriz may use a familiar Persian motif while arranging it in its own way. The present rug combines the named Tabriz origin with hand-knotting, virgin wool and silk, a fine knot density and the Mahi pattern. These details place the individual piece within the wider history of Tabriz weaving without suggesting that it is mass-produced.

In Persian carpet culture, a rug is considered through several connected qualities: its place of production, its materials, its construction and its drawing. Tabriz became known for work in which fine patterning and technical control are important. The dense knotting of this rug is suited to that tradition because it allows the curved Mahi lines and floral elements to be represented with a high degree of definition.

The knowledge behind hand-knotting is learned through practice. Understanding how to establish a field, repeat a motif, balance a colour scheme and keep the knotting even develops over time. This practical tradition remains visible in the structure of the rug. It also explains why Tabriz is associated with detailed designs that can combine an established Persian vocabulary with individual variations in colour and arrangement.

Design and Pattern

The pattern of this rug is Mahi. Mahi is a classic element of Persian rug design and is recognised by flowing curved lines and floral forms. Rather than relying on a single isolated emblem, the pattern develops through the relationship between its lines and repeated botanical details. The curved drawing gives the composition movement, while the floral elements provide points of visual emphasis.

Mahi ornament belongs to a Persian design tradition that draws on ordered forms inspired by nature. The lines guide the eye through the field and connect the flowers into a continuous arrangement. The pattern can therefore appear both structured and animated. On a finely knotted rug, small changes in contour and individual floral details can be rendered more clearly, and the density of this Tabriz rug supports that kind of elaboration.

The colour description is multicoloured, with red specified as the principal named colour. The palette includes soft earthy tones as well as brighter shades. These variations create contrast between the floral forms and the surrounding lines. Silk adds a reflective quality to the colours, while virgin wool provides a calmer, more tactile base. Together, the materials allow the colourful Mahi design to remain visible as both a pattern and a textile surface.

The overall style is classical. Its traditional motif does not limit it to one type of interior: the flowing drawing can be placed in a classically furnished room or used as a patterned element in a more contemporary setting. The rectangular format gives the composition a clear directional presence. The result is a design that retains its Persian identity while offering a coherent decorative structure.

A Mahi pattern depends on rhythm. Curved lines create continuity, floral motifs interrupt and enrich that movement, and colour differences make the parts of the design legible. The fine construction is relevant here because a complex pattern needs sufficient definition to keep its smaller elements distinct. In this rug, the Mahi vocabulary, the Tabriz origin, the multicoloured palette and the combination of wool and silk work together to define its appearance.

Special Features

The rug is new and has a tag. It is also described as suitable for underfloor heating. This makes it appropriate for rooms equipped with that type of heating system. Its rectangular shape and classical style provide a straightforward basis for positioning it in a living room, bedroom or entrance area.

The high pile is one of the clearly stated features of the piece. It gives the rug a raised, soft-looking surface and makes the combination of virgin wool and silk perceptible in the overall feel. The multicoloured design, with red as the named colour, gives the rug a defined presence in a room while the Mahi pattern keeps the appearance connected to Persian carpet tradition.

Care should take the material combination and the high pile into account. Regular vacuuming is recommended for removing dust and dirt. If a stain occurs, prompt treatment with mild cleaning products is advised. Professional cleaning can also be considered when a more thorough treatment is needed. Careful handling helps preserve the surface and the appearance of the wool, silk and hand-knotted structure.

The particular character of this one-off rug comes from the combination of Tabriz origin, fine knotting, hand-knotted virgin wool and silk, high pile and classical Mahi pattern. Its new condition with tag and its stated suitability for underfloor heating add practical information to the description. Together these features explain both its visual appearance and its intended use.

FAQ

How should I care for my Tabriz Persian rug?

Regular vacuuming helps remove dust and dirt from the high pile. Stains should be treated as soon as possible, using only mild cleaning products. Because the pile combines virgin wool and silk and the rug is hand-knotted, cleaning should be carried out carefully. Professional cleaning may be considered when a more comprehensive treatment is required. Gentle, attentive care helps maintain the textile surface and keeps the Mahi pattern clearly visible.

Where can I use the rug?

This Tabriz Persian rug can be used in living rooms, bedrooms and entrance areas. Its classical Mahi design can work with different interior schemes, while the rectangular shape allows a clear arrangement beneath furniture or within a defined area. The rug is stated to be suitable for underfloor heating, so it can also be used in rooms equipped with that system. Its colourful appearance and red colour provide a visible decorative accent.

Why does knot density matter?

Knot density is an important quality feature in a hand-knotted rug. A higher density allows lines, floral forms and other pattern details to be worked with greater definition because more individual knots contribute to the drawing. In this Tabriz rug, the fine knotting supports the detailed appearance of the Mahi pattern. It also reflects the care involved in the hand-knotted construction and helps the design and colours retain their clarity. Together with virgin wool, silk and the traditional technique, knot density shapes the rug’s appearance and quality.