Persian Rug Tabriz 241 x 176 cm Wool Hand-knotted

Täbriz Persian Rug

Material and Craftsmanship

This Täbriz Persian rug is hand-knotted. Unlike a machine-made floor covering, it is made knot by knot, with the pile connected to the foundation as the work progresses. The product details specify 100% wool for the pile and 100% cotton for the warp. These are two distinct parts of the construction: wool forms the visible pile, while cotton forms the warp that belongs to the supporting foundation.

Wool has long been a common pile material in Persian rug making. It can be shaped through knotting into a tactile textile surface and is suited to the traditional craft process. Cotton is also frequently used as a warp material because it can be stretched into a firm underlying framework. Those are general characteristics of the named materials; no additional fibre is attributed to this rug. The specific material information is limited to wool in the pile and cotton in the warp.

The rug is listed as new merchandise and its condition is stated as new without a label. Its manufacturing period is given as 1990-1999. It therefore combines a traditional hand-knotting method with production from that period. The term hand-knotted describes the rug’s actual construction rather than merely referring to an ornamental style.

Origin and Tradition

This rug comes from Iran and is assigned to Täbriz. Täbriz is one of the recognised carpet centres of north-western Iran. Over many generations, the city and its surrounding region developed a distinctive urban weaving tradition. In the wider history of Persian carpets, Täbriz rugs are often associated with carefully planned compositions, precise drawing and varied ornament. That regional background explains the origin designation, while the specific rug is described as solid red.

Iranian rug culture includes numerous regional languages of design and construction. Different cities and provinces developed their own approaches to drawing, colour, materials and knotting. Täbriz belongs to an urban tradition in which designs are often organised before they are translated into a hand-made textile. Floral forms, scrolling vines, medallions and geometric details appear frequently in the historical repertoire of Iranian rugs. They are part of the broader context, not claims about this particular rug, whose listed pattern is explicitly solid red.

A hand-knotted rug is traditionally made on a loom. Warp threads are placed under tension, individual knots are inserted, and weft threads are used during the process to secure the rows. The pile is then worked into a continuous surface. Knotting methods, density and drawing can vary according to region, design and workshop practice. No knot density is given for this rug, so no specific fineness or knot count is assigned to it.

The history of Iranian carpets encompasses courtly workshops, urban production and smaller craft settings. Rugs have been made for formal interiors, everyday use and the continuation of regional textile knowledge. Täbriz became an important centre partly because of its location and commercial connections, which helped Persian carpets circulate beyond their place of manufacture. For this piece, Persian identifies its Iranian origin and Täbriz identifies the named regional attribution.

Other Iranian rug forms are often discussed alongside Persian carpets. Gabbeh rugs are commonly associated with simpler designs and strong colours. Kelim rugs are flat-woven rather than pile-knotted. Nomadic rugs, including those associated with the Qashqai, can show independent designs and a sturdy structure. These examples illustrate the variety of Iran’s weaving culture, but they are not alternate descriptions of this rug: this item is specified as a hand-knotted Persian rug from Täbriz.

Nain and Ghom are also known as Iranian carpet centres, each with its own traditions of materials and design. Comparing such regions shows why a place name in a rug description is significant: it can refer to a particular history of weaving rather than simply to the country. The origin named for this rug remains Täbriz. Other Iranian place names belong only to the general background and are not origins attributed to this piece.

The product information also places the rug within the period 1990-1999. This does not turn it into an antique or establish a further historical provenance. It simply records the manufacturing period supplied for the item. The relevant tradition remains the Iranian, hand-knotted craft associated with Täbriz.

Design and Pattern

The pattern is described as solid red. Instead of a multi-part ornamental arrangement, the design is defined by one continuous colour field. A solid-colour rug can create visual calm and allow furniture, architecture or other textiles to provide the more detailed elements of a room. Red gives that restrained design a clear and deliberate colour presence.

Red has a long history in Persian carpet design and can range from deep, muted tones to brighter and more active shades. The precise shade of this rug is not specified; the stated colour is red. No particular dye, pigment or colour recipe is therefore assigned to the individual piece. This keeps the description with the information provided while recognising the wider role of red in Iranian textile traditions.

The product text identifies the style as Art déco. Art déco is generally associated with clear outlines, ordered surfaces, geometric simplification and a balanced relationship between function and decoration. In a solid-red rug, that style can be expressed through the reduced visual field and the confident use of colour rather than through a named floral or medallion motif. The specific pattern statement remains decisive: this rug is listed as solid red.

The product title also uses the terms vintage and patchwork. Those words form part of the item’s title. The detailed pattern field, however, states solid red. For that reason, the description does not add separate patchwork panels, contrasting sections or individual ornamental motifs. It presents the title wording together with the more specific pattern information, without inventing visual details that are not supplied.

Täbriz has a broad design history. Rugs from the region may include floral compositions, medallions, elaborate borders, scrolling foliage and geometric structures. Some designs are highly detailed, while others are more restrained. Such forms belong to the background of Täbriz weaving and should not automatically be attributed to every rug from the region. For this item, the concrete design information is the solid red ground and the stated Art déco style.

The restrained pattern can also be considered in relation to contemporary interiors. A continuous red field may work as a contrast in minimalist, Scandinavian or otherwise clearly organised rooms. It can also relate to warmer palettes in more traditional settings. These are possible furnishing contexts for a solid-red textile; they do not introduce further colours or decoration into the rug itself.

Hand-knotting gives the design a textile character distinct from that of a flat-woven Kelim. The wool pile, the red surface and the named style are the visible aspects specified for this rug. It is therefore best described as an Iranian hand-knotted Persian rug from Täbriz with a solid-red pattern and Art déco styling, rather than being assigned a particular floral, medallion or boteh design.

Special Features

The listed special features are an anti-slip property, suitability for underfloor heating and easy cleaning. The anti-slip description relates to the rug’s use as a floor covering and is intended to support its position in a room. Suitability for underfloor heating makes it relevant to interiors using that heating system. Both points are product-specific features stated in the description.

The rug is also described as easy to clean. The care information recommends regular professional cleaning for a hand-knotted Persian rug. Direct sunlight should be avoided to help prevent the colours from fading. These instructions concern the preservation of the rug’s appearance and longevity.

The condition is new without a label, and the item is listed as new merchandise. Its manufacturing period is 1990-1999. Together with the hand-knotted construction, the 100% wool pile, the 100% cotton warp and the solid-red design, these details define the supplied features without adding unstated qualities.

FAQ

How should I care for this hand-knotted Persian rug?

Regular professional cleaning is recommended. Direct sunlight should be avoided so that the red colour does not fade. The rug is also described as easy to clean. Professional care helps maintain the hand-knotted surface and the colour appearance specified for the item.

What makes this Persian rug distinctive?

Its hand-knotted construction, 100% wool pile, 100% cotton warp and Iranian origin with a Täbriz attribution are key characteristics. It also has a solid-red Art déco design and the stated features of being anti-slip, suitable for underfloor heating and easy to clean. The rug is listed as new without a label.

Can this rug be used with modern interior styles?

Yes. A hand-knotted Persian rug can be integrated into modern interiors. The solid-red field can serve as a contrast in minimalist or Scandinavian rooms and add warmth and character to the setting. The Art déco style can likewise be combined with clearly structured furnishings. The final effect depends on the surrounding interior.