Persian Rug Sarouk 148 x 78 cm Wool Hand-knotted

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Hand-knotted Sarough Persian Rug | Knot density: 200.000 – 400.000 knots/m² | Material: Wool pile | Size: 148 x 78 cm | Pattern: Floral design | Condition: Very good

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Inventory number: C378597F

Description

Sarough Persian Rug

Material and Craftsmanship

This Sarough Persian rug is hand-knotted and has a pile made of high-quality wool. Hand-knotting is a method in which individual knots are placed by hand into the foundation of the rug. The surface is therefore not printed or produced as a machine-made pattern; its appearance is created by the relationship between knots, pile and finishing. The recorded knot density for this rug is 200,000 to 400,000 knots per square metre.

Wool is a traditional material in Persian rug making. It can be spun into a resilient pile and takes colour in a way that supports clearly defined ornament. In a hand-knotted rug, the yarn is worked knot by knot. The pile is then trimmed so that the surface becomes more even and the design can be read clearly. The specific material recorded for this piece is high-quality wool in the pile.

Knot density indicates how many knots are contained within a square metre and serves as a technical indication of the fineness of the construction. A high knot count can allow lines, leaves and floral details to be drawn on a smaller scale. It does not, however, define a pattern by itself. The design results from the arrangement of knots and colours. In this rug, the stated knot density is combined with hand-knotting and a floral design.

Origin and Tradition

Sarough is a Persian rug region in northern Persia. The name refers to a regional tradition within Persian rug making. Sarough rugs are associated with carefully developed patterns and a relatively fine knotting style. They belong to a culture in which rugs have been made as useful household textiles as well as decorative works of textile craftsmanship.

Persian rug production developed distinct forms in different towns and regions. Local workshops preserved established ornaments, colour arrangements and working methods over long periods, while also adapting details to changing preferences. Sarough belongs to this northern Persian context. For this rug, Sarough is the stated origin; it is not merely the name of a floral motif.

Hand-knotting involves a succession of precise operations. The foundation is prepared first, and knots are then inserted row by row. Weft threads are added and compacted between working stages. Once the knotting is complete, the surface is sheared, washed and prepared for use. The result depends not only on the number of knots, but also on the regularity of the work, the tension of the foundation, the clarity of the outlines and the care taken during finishing.

The Sarough tradition is often connected with floral compositions and an organised drawing. In Persian rugs, such designs are generally arranged according to a plan that may include a field, framing borders and smaller ornaments. Workshops can use inherited patterns while altering individual details. This creates a balance between regional recognition and the particular character of a hand-knotted piece.

Persian rugs from different centres vary in drawing, colour balance, proportions and construction. Täbriz, Isfahan and Kashan are also known for elaborate patterns. Nain represents another recognised tradition, while Berber rugs from the Atlas Mountains belong to a different regional and visual background. These names are not origins for this rug. They illustrate the breadth of handmade rug traditions alongside Sarough.

The history of Sarough rugs is also connected with the American market. Some rugs were made for that market or later returned as reimports. The term American Sarough is used in that commercial and historical context. It does not replace the origin designation Sarough. For this piece, the stated origin is Sarough in northern Persia.

Design and Pattern

The pattern of this rug is described as floral. Floral ornament is one of the defining forms of Persian rug design. Flowers, leaves, vines and curving stems can be combined into a continuous ornamental language. In a hand-knotted rug, these motifs are not printed onto the surface; they are built from coloured knots within the textile structure. The pattern therefore belongs to the construction of the rug itself.

Sarough compositions are often associated with an orderly presentation of floral motifs. A central field may be enclosed by one or more borders, while smaller leaves and blossoms fill transitions between larger elements. This is background on the regional design tradition, not a claim about every detail of this individual rug. Beyond the recorded floral design, no specific medallion, boteh arrangement or border type is stated here.

Floral rug patterns may appear balanced and symmetrical or may move more freely across the field. Repetition gives the design rhythm, while changes in the scale of flowers and leaves introduce variety. Fine knotting can support a detailed rendering of these forms. Where many small motifs are placed close together, the direction and spacing of the knots influence the definition of the contours and colour areas.

Traditional Persian colour schemes often use warm grounds with contrasting ornament. Sarough designs are frequently shown with floral motifs against red or brown backgrounds. That is a general description of a regional tendency and does not identify the colours of this particular rug. The recorded pattern information for this piece is limited to a floral design.

The character of a floral rug comes from the interaction of drawing, density and surface. A full pile can join outlines softly, while a finely structured construction allows small differences between motifs to remain visible. The hand-knotted surface gives the design a textile depth. It does not, however, justify assigning an unrecorded colour combination or a specific compositional form to this individual item.

As a design tradition, floral Sarough ornament can be used in varied interiors. Such patterns can sit naturally with classical furnishings or provide a patterned counterpoint to simpler modern pieces. This describes the general versatility of floral rugs rather than the rug’s previous use. The individual piece remains defined by its Sarough origin, wool pile, hand-knotted construction and recorded floral pattern.

Special Features

The documented characteristics of this rug are its Sarough origin in northern Persia, its hand-knotted construction, its high-quality wool pile and its knot density of 200,000 to 400,000 knots per square metre. The pattern is floral. Its condition is recorded as very good. These points summarise the stated properties of this individual rug.

The combination of a high recorded knot density and a floral design makes both construction and ornament relevant when viewing the rug. Wool forms the pile surface, while the hand-knotted method gives the rug its fundamental textile structure. Since every knot is placed by hand, the method of manufacture is an essential part of this Sarough rug’s identity.

FAQ

What distinguishes a Sarough rug?

Sarough rugs belong to the Persian rug tradition of northern Persia. The regional design is often associated with developed floral patterns. In this rug, that background is combined with hand-knotting, a high-quality wool pile and a recorded knot density of 200,000 to 400,000 knots per square metre. The condition of this individual piece is described as very good.

Which patterns are associated with Sarough?

The Sarough tradition is often linked to floral compositions. Flowers, leaves and vines may be arranged within fields and borders to create an ordered ornamental surface. This individual rug is recorded as having a floral design. No further claim about specific colours, a medallion or a particular border structure is made from that description.

How should a hand-knotted Sarough rug be cared for?

Regular, gentle cleaning helps preserve the pile surface. Loose dust can be removed carefully with a suitable vacuum cleaner, avoiding unnecessary strain on the pile. For a deeper clean, professional rug cleaning is appropriate because the material, construction and condition should all be considered. This rug is recorded as being in very good condition; no specific previous cleaning or maintenance history is provided.

Additional information
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