









Persian Rug Nain 390 x 293 cm Wool Hand-knotted
€ 4425
Hand-knotted Nain Persian rug | Knot density: approx. 300,000 knots/m² | Material: pile 90% virgin wool, 10% silk, warp 100% cotton | Size: 390 x 293 cm | Pattern: traditional Oriental/Persian, floral and geometric | Condition: New, perfect
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Description
Nain Persian Rug
Material and Craftsmanship
This Super Nain is a hand-knotted Persian rug from Persia. Its pile is made from virgin wool and silk. The combination gives the rug two distinct textile qualities: wool provides a soft, resilient surface, while silk contributes a gentle sheen and a fine handle. The warp is made from cotton. These are the materials specifically described for the pile and foundation of this rug.
Hand-knotting means that the knots are inserted individually into the foundation as the rug is made. Row by row, the knots create the finished textile surface, while the design is built into the structure during the work itself. In a Nain rug, accurate knot placement is important because it allows fine outlines and small ornaments to remain legible. The listed knot density is approximately 300,000 knots per square metre. The pile is listed with a height of 8 mm.
The rug is described as new and in perfect condition. Its hand-knotted construction, wool-and-silk pile and cotton warp bring together traditional textile work and a carefully formed surface. It is also suitable for use with underfloor heating. The material description distinguishes the pile from the warp and places both within the context of the stated hand-knotting technique.
Origin and Tradition
This rug comes from Persia and is identified as a Super Nain. Nain is a Persian carpet centre associated with finely organised designs and careful execution. The name refers to a regional design tradition in which a composed overall structure is combined with detailed ornaments. In this tradition, the clear separation of lines, floral forms and geometric arrangements is an important part of the visual language.
Persian carpet making developed over many centuries into a discipline that joins design, dyeing and knotting. A carpet is not created simply by placing knots next to one another. A pattern is planned before the knotting begins, establishing the relationships between the field, the borders and the repeated ornaments. The weaver then transfers this plan into a textile surface. Proportion, rhythm and symmetry consequently become central principles in the finished composition.
Nain carpets are often associated with precise drawing and controlled detail. The regional tradition may combine floral motifs with geometric structure, creating a design that is decorative without losing its order. Floral elements relate to the long Persian tradition of garden imagery and ornamental plant forms. Geometric elements provide axes, repetition and visual organisation. Their combination helps explain the characteristic balance often associated with Nain designs.
Borders have an important role in Persian carpet design. They frame the central field, guide the eye around the outer edge and create a transition between the pattern and the surrounding room. A composition may use a principal border together with narrower secondary borders and a structured inner field. In finely drawn Nain designs, these transitions help the many small details remain connected rather than appearing scattered.
The origin statement Persia identifies the country and cultural setting given for this rug. Nain identifies the named regional design tradition. The two terms therefore serve different purposes: Persia describes origin, while Nain describes the associated style. Isfahan rugs are often discussed alongside Nain rugs as related Persian carpets known for elaborate pattern work. Tabriz rugs are likewise recognised for skilled workmanship and lively colour arrangements. Such comparisons place Nain within the broader history of Persian carpet making without changing this rug’s stated origin.
Design and Pattern
The Super Nain is described as having traditional Oriental and Persian styling, with floral and geometric elements. Floral motifs may appear as stylised flowers, leaves, scrolling vines or connected arabesques. Geometric forms introduce axes, repetition and a recognisable order. Together, these elements create the association with Nain design: a carefully arranged composition in which fine detail works within a clear framework.
A Persian carpet design often consists of a central field surrounded by one or more borders. The field may be organised around a medallion, an axial arrangement or a dense network of scrolling forms. In Nain-related designs, the effect does not depend only on one dominant ornament. The relationship between small motifs, open spaces and the surrounding frame is equally important. Repeated forms can create continuity while remaining readable as individual parts of the composition.
Botanical imagery has a long history in Persian ornament. Flowers and vines are not necessarily copied from nature; they are transformed into forms suited to a woven surface. Lines may be simplified, mirrored or repeated in measured sequences. This allows a motif to travel across a field and create a steady visual rhythm. Geometric details balance that movement through defined edges, symmetry and recurring units.
The pattern of the Super Nain is described as inspired by traditional Persian designs. It belongs to a culture in which ornament does more than fill a surface: it also reflects regional and historical influences. The combination of plant forms and geometry is one of the recurring design methods of Persian carpets. Accurate knotting makes it possible for small contours, fine vines and layered ornament sequences to be represented with clarity.
A detailed design can be read at more than one distance. From across a room, the first impression comes from the relationship between field and frame and from the overall balance of the composition. At closer range, individual flowers, lines and geometric connections become visible. This changing scale of perception is characteristic of finely patterned Oriental rugs. It allows the rug to function as an ordered surface while retaining a large number of distinct design details.
In a cultural sense, the motifs refer to Persian design tradition and to the Nain regional style. This does not mean that every individual ornament has one fixed, identifiable story. Rather, the pattern belongs to a long tradition of Persian textile drawing in which botanical and geometric forms are combined. The character of this rug is defined by its stated Nain association, its floral and geometric design language and its hand-knotted construction.
Special Features
The rug is new and described as being in perfect condition. It was carefully hand-knotted and has a pile of virgin wool and silk with a cotton warp. The wool provides the principal pile material, while the silk adds a fine sheen to the surface. The listed knot density and the handmade construction are among the specifically stated features of this individual piece.
The rug is also suitable for underfloor heating. It can therefore be used in a room where such a heating system is installed. For everyday care, the recommended method is to vacuum without a brush attachment. Any stains should be dabbed immediately with a damp cloth. Professional rug cleaning is recommended when deeper soiling needs to be removed.
FAQ
How should I care for the Super Nain?
For routine care, vacuum the rug without a brush attachment. This removes loose dirt while avoiding unnecessary mechanical action on the pile. If a spill or stain occurs, dab it promptly with a damp cloth rather than treating it with vigorous rubbing. For deeper soiling, professional rug cleaning is recommended so that the materials and hand-knotted structure can be handled appropriately.
Where do the rug’s patterns come from?
The pattern is inspired by traditional Persian designs and is associated with the Nain region. It is described as combining floral and geometric elements. Botanical forms such as flowers and vines can be understood alongside clear geometric organisation. This approach belongs to the Persian carpet tradition of structured, detailed ornament. Here, Nain refers to the named style and pattern tradition, while Persia identifies the rug’s stated origin.
Can the rug be used with underfloor heating?
Yes. The Super Nain is suitable for use with underfloor heating and may therefore be placed on a floor with such a system installed beneath it. This suitability is expressly stated for the rug. Regular care remains important during use: vacuum the pile without a brush attachment and dab stains with a damp cloth when they occur.
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