









Persian Rug Nain 142 x 70 cm Wool Hand-knotted
€ 952
Hand-knotted Nain Persian rug | Knot density: approx. 300,000 knots/m² | Material: pile 90% virgin wool, 10% silk | Size: 142 x 70 cm | Pattern: Oriental | Condition: New and perfect
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Description
Nain Persian Rug
Material and Craftsmanship
This Nain Persian rug is hand-knotted with a pile made from 90% virgin wool and 10% silk. The two fibres give the surface distinct but complementary qualities. Virgin wool contributes a natural, resilient texture, while silk adds smoothness and a restrained sheen. Depending on the surrounding light, the silk content can create subtle changes in the way the pile and its colours are perceived.
Hand-knotting builds the pile knot by knot rather than producing it as a continuous machine-made surface. The process requires close attention to the placement of every part of the design, as well as consistent handling of the yarn. This rug has a knot density of approximately 300,000 knots per square metre. A dense structure allows fine outlines, small decorative details and carefully worked transitions within an Oriental design.
Wool has a long-established role in Persian rug making because it combines practical strength with a comfortable feel underfoot. Silk is used to introduce a finer surface character and additional light reflection. Together, these materials create a pile with both visible structure and a smoother accent. The hand-knotted method also means that the finished rug is an individual textile piece, shaped by the work of the knotter and by the precision of the chosen design.
Origin and Tradition
The rug comes from Nain in Iran. Nain is recognised for finely made Persian rugs and for a weaving tradition associated with careful drawing, balanced compositions and detailed ornament. The craft developed through generations of local knowledge. Preparing the fibres, planning the design, maintaining the knot sequence and finishing the surface all form part of the expertise behind a Nain rug.
The rug-making tradition in Nain reaches back several centuries. As in other Persian weaving centres, technical knowledge has been transmitted through practice and through the continuation of established workshop methods. A woven carpet is not defined only by its visible motif. Its character also comes from the relationship between the foundation, the pile, the knotting process and the way the pattern is organised across the field.
Nain designs often draw on Persian art and architecture. Stylised botanical forms are arranged within ordered compositions, while geometric lines establish proportion and direction. A design may use a strong central balance or may distribute its ornaments across the field in a more open arrangement. Both approaches belong to the broader visual language of Persian carpets, in which decoration is carefully structured rather than placed at random.
The tradition also illustrates how a regional style can remain recognisable while allowing individual interpretation. Knotters work from an established design vocabulary, yet the hand-made process preserves small variations in the execution. The result is a textile that connects a particular rug with Nain while still presenting its own combination of line, ornament, material and surface.
Persian rugs have historically served as practical floor coverings as well as decorative and cultural objects. Their patterns preserve elements of regional artistic language, and their construction records the skills used to make them. A Nain rug therefore represents both a usable textile and an example of Persian knotting tradition. Its identity is linked to the city of Nain, to the long history of Persian weaving and to the detailed technique used to turn a design into a pile surface.
Design and Pattern
The pattern of this rug is Oriental. The design language associated with Nain commonly combines floral and geometric elements. Leaves, stems and flowers may be reduced to clear, stylised forms, then arranged within a measured ornament system. Geometric lines provide framework and definition, while the botanical details create movement and variation across the field.
A traditional Nain composition often uses a central field supported by one or more borders. The border frames the main design and gives the eye a clear transition from the inner area to the outer edge. Repeated motifs can create rhythm, but they do not need to appear completely mechanical. The hand-knotted execution allows the pattern to retain a textile quality while preserving its overall order.
Symmetry and asymmetry may appear together in Nain-inspired designs. A symmetrical arrangement establishes stability and makes the composition easy to read. Small differences in the placement or execution of details can add liveliness without disturbing the balance. This controlled contrast is one reason classical Oriental patterns can look both calm and animated.
Nain rugs are often associated with soft, harmonious colour relationships. Restrained colour coordination allows fine outlines and small ornaments to remain visible. The combination of wool and silk can further influence the appearance of the palette: wool absorbs light more softly, while silk reflects it more directly. As the viewing angle changes, selected areas may therefore show a different degree of brightness.
The classical Oriental vocabulary works in more than one interior setting. Traditional furniture can reinforce the Persian character of the floral and geometric ornament. In a contemporary room, the same orderly design can provide contrast against plain surfaces and straight architectural lines. A quieter interior allows the composition to remain the main visual pattern without requiring additional decoration.
Special Features
The rug is new and perfect. It is suitable for use with underfloor heating and is described as pet-friendly and child-friendly. Its pile combines virgin wool with silk, giving the surface both a woollen body and a smoother, light-catching component. The silk contributes to the fine tactile impression and to the way the colours respond to illumination.
Care should be carried out regularly and gently. Vacuum the rug on a low setting without using a beater or brush attachment. If a spill or stain occurs, a professional cleaner should be consulted rather than applying unsuitable products at home. Appropriate cleaning helps preserve the pile and the appearance of the wool and silk fibres.
Nain rugs are valued for their regional tradition, detailed knotting and use of refined materials. Depending on rarity and condition, Nain rugs can retain their value and may also increase in value. Any such assessment depends on characteristics including the materials, the quality of the knotting, the design and the state of preservation.
FAQ
How should I care for this Nain Persian rug?
Vacuum it regularly on a low setting and do not use a brush attachment. Stains should be handled by a professional cleaner, since unsuitable cleaning agents or excessive moisture can affect wool and silk fibres. Gentle routine care and material-appropriate professional cleaning help maintain the pile and the appearance of the rug.
Where should I place the rug?
A location with lighter foot traffic is suitable because it reduces everyday wear. Keep the rug away from direct sunlight to help prevent the colours from fading. It can be used on a floor with underfloor heating and is described as suitable for households with pets and children.
Why can Persian rugs such as this one be valuable?
Their value is connected with labour-intensive hand-knotting, a fine knot structure, the use of virgin wool and silk, and the long Persian weaving tradition. Nain is known for detailed rugs and a distinctive regional craft history. Depending on rarity and condition, Nain rugs may retain or increase their value. Materials, workmanship, design and preservation are important factors in that assessment.
Additional information
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