








Persian Rug Nain 140 x 100 cm Cork Wool Hand-knotted
€ 1884
Hand-knotted Nain Persian Rug | Knot density: approx. 850,000 – 1,000,000 knots/m² | Material: pile cork wool and natural silk | Size: 140 x 100 cm | Pattern: Oriental | Condition: New, perfect
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Description
Nain Persian Rug
Material and Craftsmanship
This Nain Persian rug is hand-knotted and combines cork wool with natural silk. The pile consists of 80% cork wool and 20% natural silk. Cork wool makes up the larger share of the material and is known for a warm, pleasant feel, durability and a refined sheen. The natural silk adds a finer texture and a soft lustre to the wool-rich pile.
The relationship between cork wool and natural silk shapes both the tactile quality and the appearance of the surface. Wool is associated with warmth and softness, while silk reflects light with a restrained brilliance. The finished pile therefore combines a textile, relatively matte character with subtle highlights. Both materials remain perceptible as part of the rug’s overall surface.
The rug is made by hand-knotting, meaning that the knots are placed individually into the foundation. The pile is built up through many separate stages of manual work. Its stated knot density is approximately 850,000 to 1,000,000 knots per square metre. Such density supports the rendering of fine details and forms part of the craft character associated with this Nain rug.
Hand-knotted rugs are not produced through one uniform machine process. Each knot is part of the making of the rug, so craftsmanship and design are closely connected. Here, the dense construction meets a pile made from cork wool and natural silk. The result is a surface with a soft handle, a textile feel and a discreet play of light.
Origin and Tradition
This rug is described as a Persian rug from Persia, or Iran, and is assigned to the Nain tradition. Nain is a city in the Iranian highlands known for finely worked rugs. Its weaving and knotting tradition developed a distinctive visual language in which precise execution, delicate ornament and carefully chosen materials play an important role.
Persian carpet culture has a long history. The Safavid dynasty is regarded as an important period in the development and refinement of Persian carpet making. During that era, rugs were considered not only useful household textiles but also composed textile works with elaborately developed designs. Knowledge was passed down through generations and shaped a number of regional centres, including Nain.
Within this tradition, Nain rugs are associated with clear, finely structured compositions. Knotters work with recurring floral and ornamental forms arranged into a balanced design. A dense construction allows small elements to be rendered distinctly and helps separate leaves, flowers and narrow lines from one another.
Nain rug making combines inherited skills with a careful approach to wool and silk. Wool is valued for warmth and resilience, while silk can be used to create fine outlines and a gentle sheen. The character of a rug depends on the interaction of material, knotting, colour and pattern structure rather than on any one element alone.
Persian rugs are closely connected with the cultural landscapes in which their traditions developed. Motifs have been transmitted over long periods, then adapted and rearranged by individual workshops and generations of makers. Natural forms, geometric organisation and ornamental details make up a visual vocabulary that is applied differently from one rug to another. A Nain rug therefore represents a regional craft tradition as well as a decorative textile.
The name Nain identifies a regional tradition within Persian rug making. It should be distinguished from an individual motif name, since similar design elements may also be used elsewhere. In this case, the designation Nain, the Persian origin and the hand-knotted construction are presented together. These details place the rug within the Iranian tradition of finely knotted carpets.
Design and Pattern
The pattern of this rug is described as Oriental. Nain rugs are typically associated with delicate floral designs, often accompanied by geometric forms and ornamental elements. These compositions depend on the interaction of lines, flowers, leaves and ordered areas. Motifs are not treated as isolated symbols; they are arranged as parts of a connected overall design.
Floral forms are among the recurring visual themes of Persian rug art. They may appear close to nature or in a highly stylised form. Leaves, flowers and scrolling elements are arranged to create rhythm across the field. Geometric outlines give the ornament structure and help fine details remain legible within the wider composition.
Ornamental designs in the Persian tradition can carry symbolic associations. Floral imagery may be connected with nature, growth and harmony, while an ordered composition can evoke ideas of balance and prosperity. These meanings belong to the broader visual language of Persian rugs and should not be read as a literal statement about every single motif on an individual piece.
Nain designs are often linked with a restrained use of colour. This rug is described as having a subtle colour selection. Such an approach allows the ornamental drawing to remain visible without the colours overpowering the fine lines. The visual effect comes from the relationship between ground, pattern and the different ways in which cork wool and natural silk reflect light.
A finely knotted pattern depends on accurate contours. Small spaces, narrow lines and repeated ornamental passages must be carefully transferred during the knotting process. The high knot density supports this level of detail, but it does not reduce the design to one particular motif. The term Super Nain 6 La is part of the product name and is not treated here as an additional pattern description.
Because of its floral and ornamental character, a Nain design can be read in both a traditional interior and a more contemporary setting. This is a general quality of the clearly organised design language, not a claim about a specific room. The defining elements remain the fine drawing, the Oriental pattern tradition and the interaction of the two pile materials.
Special Features
One notable feature of this rug is its very high stated knot density. It indicates the considerable manual work involved in creating a dense surface and rendering fine pattern details. Together with the hand-knotted construction and the presence of natural silk, it contributes to the textile character of the piece.
The rug is new and described as perfect. It is a one-off and only one is in stock. These details refer to the individual rug offered here. The combination of cork wool and natural silk gives it a soft feel, an elegant appearance and a gentle lustre.
The listed practical characteristics include easy care and the ability to retain its beauty over many years. The rug is also suitable for use with underfloor heating. For regular care, it should be vacuumed, while stains should be treated immediately with a mild cleaning agent and a damp cloth. Professional rug cleaning is recommended when a thorough cleaning is needed.
FAQ
How should I care for this Persian rug?
Vacuum the rug regularly so that loose dirt does not remain in the pile. Stains should be treated promptly. A damp cloth and a mild cleaning agent are suitable for this purpose. Professional rug cleaning is recommended for a thorough clean. This approach supports careful maintenance of the textile surface and helps preserve the appearance described for this new rug.
Where can I place the Nain Persian rug?
The rug is suitable for living spaces such as a living room or hallway and can serve as an Oriental accent there. It can also be used in a bedroom. The rug is suitable for underfloor heating. Direct sunlight should be avoided to prevent the colours from fading. The most appropriate position depends on the arrangement and use of the particular room.
How can I assess the quality of a hand-knotted rug?
Important points include knot density, the materials used and the precision of the pattern. This rug is described with a high knot density and a pile made from cork wool and natural silk. The back should also be even and well finished. Hand-knotted construction, fine Oriental drawing and material quality are considered together when the workmanship of a rug is assessed.
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