Persian Rug Moud 90 x 60 cm Wool Hand-knotted

Moud Persian Rug

Material and Craftsmanship

This hand-knotted Moud Persian rug is made from 98% virgin wool and 2% silk. The combination brings together the resilient character of wool and the fine, smooth qualities associated with silk. Virgin wool has long been used for woven and knotted floor coverings because it is durable, naturally elastic and receptive to colour. Silk is valued in rug making for its fine surface, its ability to support precise detail and its subtle response to light. In this piece, both materials contribute to the character of the pile.

The rug is produced by hand knotting. Each knot is placed individually into the prepared foundation, and the design develops gradually as successive rows are completed. The knot density of this rug is 300,000 knots per square metre. A dense construction allows outlines, floral details and small changes within the pattern to be rendered with precision. Once the knotting is finished, the pile is trimmed and the surface is further prepared so that the design remains clear and even.

Hand-knotting is fundamentally different from mechanical production. The rug is built over an extended working process, with the weaver controlling the placement of knots, the tension and the relation between colour areas. Small variations in the execution of individual knots are part of manual production. They distinguish one hand-knotted rug from another, even when both follow a traditional design. In this Moud, virgin wool and silk form the pile; the listed thickness is approximately 10 mm and the listed weight is approximately 3 kg per square metre.

The rug is suitable for underfloor heating. With hand-knotted floor coverings, correct placement is important in addition to the material itself. A clean, level surface supports even contact and helps prevent unnecessary movement. Gentle, regular vacuuming removes loose particles from the pile. The material composition and the close knotting work together to determine the rug’s feel, surface and practical resilience.

Origin and Tradition

This Moud belongs to the Persian rug tradition and comes from the Moud region of Iran. Persian rugs are made in many different areas, each of which has developed preferences in colour, ornament, structure and finishing. The name Moud identifies a regional tradition within the broad field of Iranian rug making. It is therefore an origin reference as well as a description of a recognised type of Persian handwork.

Moud is a region associated with an established weaving culture. As in other Iranian weaving centres, knowledge is transmitted through practical teaching and repeated work. Weavers learn how to prepare the foundation, organise the design, select and combine fibres, place the knots and complete the pile. Finishing also matters: trimming, washing and preparing the surface help reveal the relationship between the pile and the pattern.

The history of Persian rugs is closely linked to the development of regional craft centres. Rugs served as floor coverings and practical household textiles, but they also carried decorative forms from one generation to another. Over time, workshops developed recognisable approaches to central compositions, floral scrolls, borders and colour relationships. These approaches could be adapted to changing preferences while remaining connected to local practice.

A traditional hand-knotted rug is not made in a single operation. The foundation is set up first, followed by the gradual insertion of knots and the passage of weft through the rows. The pattern may be guided by a drawn plan or by the weaver’s knowledge of established motifs. In either case, the final surface results from the coordination of material, colour, tension and hand movement. The process requires patience and sustained concentration.

Moud rugs are associated with carefully organised designs and expressive colour arrangements. In Persian rug making, colours are considered in relation to one another rather than in isolation. A dark ground can give definition to lighter ornaments, while contrasting accents can draw attention to a centre or a border. The balance between field, motifs and framing bands is part of the regional design language connected with this type of rug.

Iranian hand-knotted rugs have both a functional and a cultural role. They cover a floor, provide a textile surface and help define an interior. At the same time, their motifs, colour combinations and construction preserve aspects of Persian textile culture. The term Persian rug refers here to Iranian origin and to this wider craft tradition; it does not describe a pattern alone.

Design and Pattern

The pattern of this rug is a medallion design. In a medallion composition, a pronounced ornament establishes the visual centre of the main field. The surrounding design is arranged in relation to that central form. Vines, flowers and other decorative elements may extend from the centre or be placed around it. This creates a clear focal point and gives the field a recognisable order.

The rug has a deep blue ground. Its floral design also uses vivid blue and red tones. Blue is often used in Persian ornament as a substantial field colour, giving the composition depth and allowing other elements to stand out. Red introduces warmer accents and can reinforce selected flowers, vines or border details. The overall effect comes from the relationship between the colours, including contrast, repetition and the movement between related shades.

Floral ornament is one of the central design languages of Persian rugs. Flowers, leaves and scrolling vines may be represented in a recognisable form or translated into stylised motifs. They are often repeated, mirrored or arranged along an imagined axis. Repetition creates rhythm across the field, while changes in direction, scale and filling prevent the composition from appearing mechanically uniform.

A medallion can be strongly symmetrical, although symmetry does not require every small detail to be identical. Its essential feature is the visual priority of the centre. The border provides a frame for the main field and helps complete the composition. Narrower bands may separate the central field from the outer border. These layers create a transition between the central ornament and the edge of the rug.

Persian rug motifs are often interpreted through cultural symbolism. Flowers and plants may traditionally be associated with fertility, growth and renewal. Geometric forms can be read as expressions of order, balance and harmony. These interpretations provide context for the ornament without assigning one fixed meaning to every individual motif. On this Moud, the medallion, the floral drawing and the blue and red palette are the principal visual elements.

The close hand-knotted construction supports the clarity of the design. Lines and contours can be defined carefully, while smaller motifs can be placed within the field with considerable differentiation. The appearance of a hand-knotted rug may also respond to the direction of the pile and to the way light meets wool and silk. That changing surface effect is a general characteristic of finely worked knotted rugs and forms part of how their patterns are read.

Special Features

A key feature of this Moud is its knot density of 300,000 knots per square metre. For this particular rug, the density indicates an elaborate construction suited to detailed pattern work. A close knot structure can contribute to a soft hand and a durable surface. Combined with 98% virgin wool and 2% silk, it creates a pile that feels comfortable while remaining suitable for use as a floor covering.

The rug is described as new and perfect. Other stated features include the deep blue ground, the traditional medallion pattern and suitability for underfloor heating. As an individual hand-knotted piece, it brings together a regional Persian weaving tradition and a clearly organised floral design. The craft process remains visible in the precision of the ornament and in the character of the pile.

FAQ

How should I care for my hand-knotted Persian rug?

Regular gentle vacuuming helps remove dust and loose dirt from the pile. Use a soft brush setting and avoid aggressive pressure or rough treatment of the surface. Spills and other marks should be dealt with as soon as possible by carefully blotting with a damp cloth. Rubbing can stress the fibres, disturb the pile and affect the appearance of the pattern. For a thorough clean, take the rug to a professional service with experience in hand-knotted rugs and in the properties of wool and silk. Suitable care helps preserve the colours, pile and material structure over time.

Where is the best place to use the Moud Persian rug?

The Moud is suitable for a living room or dining room and can also be used in a foyer or bedroom. Its deep blue ground and medallion pattern can be combined with traditional, oriental and Persian interior schemes. In a living room, it can visually group a seating area. In a dining room, it can define the space around a table. In a foyer or bedroom, the floral drawing provides a clear decorative accent. Since the rug is suitable for underfloor heating, it can also be used in rooms equipped with that system.

Are Persian rugs a good investment?

Hand-knotted Persian rugs combine practical use with a visible level of manual craftsmanship. Their durability depends on material, construction, traffic, care and the conditions in which they are kept. Virgin wool is known for resilience, while dense knotting allows detailed pattern work. A well-maintained rug can be used for many years and passed from one generation to the next. Whether it gains financial value depends on several factors, including origin, workmanship, condition and market demand. The Moud is described as a new and perfectly preserved one-off hand-knotted Persian rug with a traditional medallion design, suitable for long-term use as well as for display as a textile work of craft.