Persian Rug Moud 300 x 205 cm Wool Silk Hand-knotted

Moud Persian Rug

Material and Craftsmanship

This Moud Persian rug is hand-knotted. Its pile is specified as 100% wool and silk, while the warp is 100% cotton. The combination brings wool and silk together in one textile surface. Wool is associated with a comfortable handle and durability, while silk contributes a fine quality to the pile. The materials are part of the rug’s stated construction and distinguish it from a piece made solely with a wool pile.

The hand-knotting method allows the design to be built through individual knots and closely worked details. The stated knot count is 300000-360000/Qm. Such density results from a large number of separate manual steps, with knots placed by hand and the pile subsequently trimmed and finished to form the pattern. The careful workmanship is therefore central to the rug’s structure and appearance.

The cotton warp provides the foundation on which the pile is built. Knots are tied onto this underlying structure, creating the surface, outlines and changes of colour. Wool and silk are used together in the pile, giving the ornament a differentiated textile character. This is a hand-knotted one-off rather than an industrially produced floor covering.

Origin and Tradition

Moud is given as the origin of this Persian rug. The product information identifies it with Persia and Mesched; the extended description also presents Moud as a traditional carpet centre in Kerman Province in Iran. These two place references are retained because both occur in the product text and form part of the stated description of Moud within Iranian carpet weaving.

Kerman has a long history of carpet production. Its weaving traditions combine inherited knotting methods with a strong interest in ornamental composition. In this context, Moud rugs are associated with vivid colours, traditional patterns and a robust construction. Knowledge of preparing the warp, setting the knots, building the pile and finishing the surface is passed through the weaving tradition from one generation to the next.

Iranian carpet centres developed distinct preferences for drawing, repeat structure and colour arrangement. Moud is described through the combination of precise detail and a clearly organised overall composition. The weaver places the knots step by step rather than using a mechanically repeated process. This allows small elements to be developed carefully and the contours of the design to be worked with precision.

The Kerman tradition is also connected with floral compositions and the combination of technical control with varied ornament. Persian carpets have long served not only as practical textiles but also as woven picture surfaces. Motifs were preserved over time, adapted and interpreted through regional working methods. Within this tradition, Moud is a place designation associated with detailed drawing, durable materials and developed ornament.

The description further refers to the use of natural dyes in the Moud tradition. Traditional dyeing involves colouring wool and other fibres before they are incorporated into the design. Variations in tone can result from the dye material selected, the length of the dyeing process and the treatment of the fibres. This helps explain the nuanced colour language often found in Persian carpets, where colour is closely connected with regional design practice.

Design and Pattern

The pattern of this rug is described as “Floral Fish with Medallion”. It combines floral elements with the fish motif and a medallion as the central design feature. A medallion organises the composition around an emphasised centre. Floral forms extend the visual structure into the surrounding field and divide the surface into related areas.

The fish motif is a recurring ornamental form in Persian carpet design. It is commonly built from curved lines, leaves and small floral details. The name refers to a characteristic vocabulary of ornament rather than to a naturalistic depiction. Used with a medallion, the fish pattern can support the central arrangement and guide the direction of the surrounding motifs.

Floral ornament is one of the established design traditions of Iranian carpets. Flowers, leaves, vines and palmettes are arranged as a connected repeat or as a balanced composition. The product description places this design within the traditional patterns associated with Moud and highlights a combination of floral and geometric motifs. In Persian ornament, such forms reflect nature and the richness of Iranian culture.

Many Persian designs also relate to older miniature painting and manuscript traditions. Their effect comes not from a single realistic scene but from the measured relationship of outlines, repetitions and colour fields. In a medallion rug, the side areas may echo the central form while continuing it through related floral elements. The arrangement keeps both the centre and the surrounding details legible.

The description emphasises clear, saturated colours together with different colour nuances. This enables flowers, vines and fish ornaments to stand apart from one another. Changes of colour help establish the hierarchy of the design: the medallion receives its own emphasis while secondary floral forms connect the surrounding field. The combination of detailed drawing and differentiated colour is part of the Moud design language described for this rug.

Every hand-knotted rug is an individual composition. Traditional motifs may provide the vocabulary, but handwork gives the specific piece its own execution. The combination of medallion, fish ornament and floral forms can be placed within classical Persian interiors and can also be paired with more contemporary settings. The defining feature remains the organised ornamental structure of the individual rug.

Special Features

The rug is described as being in TOP CONDITION. It was renovated in our workshop and professionally washed with moth protection. These details record the work carried out and the stated condition of the piece. Its high stated knot density also reflects the amount of handwork involved in creating the patterned surface.

Hand-knotted rugs can contribute to reducing sound in an interior. A textile surface absorbs part of the room noise and can therefore influence acoustics in homes, offices and public buildings. The special character of this piece lies in the combination of hand-knotted construction, a wool and silk pile, the Moud origin designation, the medallion pattern and the workshop service described for it.

FAQ

How can I assess the quality of a hand-knotted rug?

Important criteria include knot density, materials and workmanship. This Moud Persian rug is specified with 300000-360000/Qm and a pile made from 100% wool and silk. Its warp is 100% cotton. Knot density indicates the amount of manual work, while the materials and construction provide further information about how the rug is made.

What is the best way to care for a Persian rug?

Regular vacuuming without a brush attachment helps remove dust and dirt. Direct sunlight should be avoided so that the colours do not fade. Stains should be treated promptly and carefully. A professional rug cleaning is suitable when a more thorough treatment is required, especially when the structure and colour effect are to be preserved.

Where can I use the Moud Persian rug?

The hand-knotted Moud Persian rug can be used in a living room, dining area or office. Its floral fish pattern with medallion and its described clear, saturated colours can be incorporated into both traditional and modern interiors. Public buildings are also possible settings when a textile surface is desired for interior design and for helping to dampen sound.