




Persian Rug Moud 298 x 190 cm Wool Hand-knotted
€ 1976
Hand-knotted Moud Persian Rug | Knot density: 300,000 – 360,000 knots/m² | Material: Pile sheep wool, warp cotton | Size: 298 x 190 cm | Pattern: Moud medallion, Moud field pattern | Condition: Excellent quality from Moud, Iran
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Description
Moud Persian Rug
Material and Craftsmanship
This Moud Persian rug is hand-knotted, with a pile made from high-quality sheep wool. Its warp is cotton. The weft combines cotton with first-class sheep wool, and the fringes are made from high-quality cotton yarn. These materials create a wool pile supported by a defined textile foundation and reflect the traditional construction described for the rug.
Moud rugs are made with a knot density of approximately 300,000 to 360,000 knots per square metre. This density allows fine lines and numerous small details to be worked into the design. In a hand-knotted rug, the pattern is built knot by knot. The pile, warp and weft function as connected parts of the woven structure. The sheep wool used in the weft, together with the wool pile, contributes to the softness described for the surface underfoot.
Moud rugs are produced in different qualities. Some examples are made of fine silk, but that does not describe this rug, whose pile is sheep wool. Its specified construction uses wool for the pile, cotton for the warp, and cotton together with sheep wool for the weft. The cotton fringes are part of the stated finish. The condition of this piece is described as excellent quality.
Origin and Tradition
Moud rugs come from Moud in eastern Iran. Moud lies south of Mashhad and is known for high-quality rug production. As an Iranian weaving tradition, Moud belongs to the field of Persian rugs. The regional name identifies the place and the design language associated with it, rather than merely naming a broad decorative style. The work at the loom combines a regional pattern vocabulary with the manual process of knotting.
In rug terminology, Moud refers to a recognisable family of designs and constructions. Floral compositions, Herati elements and structured fields are arranged in different combinations within the region’s tradition. A high knot density makes it possible to define these arrangements with considerable precision. Small flowers, scrolling forms, palmettes and animal motifs can therefore be placed within a closely ordered overall composition.
Persian rug tradition brings together practical textile construction and pictorial design. A hand-knotted rug is not made in one single operation. The warp establishes the framework, pile knots are then tied row by row, and wefts help secure the structure. The finishing of the edges and the fringes is also part of the textile process. In a Moud rug, this method preserves the region’s characteristic patterns within a durable woven object.
Moud is often considered alongside other established Iranian rug regions. Rugs from Kerman, Isfahan and Tabriz may also feature floral designs and complex compositions, yet they differ in the techniques used and in their particular colour arrangements. Nain and Tabriz are likewise known for skilled craftsmanship and a broad range of designs. Such comparisons place Moud within the wider Persian tradition while keeping its regional identity distinct.
The origin in Moud, its position in eastern Iran and its location south of Mashhad provide the geographical setting for this tradition. Its identity is also shaped by the combination of inherited knotting practice, a dense construction and a pattern system that appears in several principal forms. The name Moud consequently functions both as an origin reference and as an indication of a particular Persian design tradition.
Design and Pattern
The rug is described with a Moud medallion pattern and a Moud field pattern. In the medallion form, a central star medallion provides the focus of the composition. It organises the inner field and establishes the visual centre. The design is connected with the Herati pattern. The regular medallion gives the field a clear centre, while the surrounding floral details extend the composition around it.
The Moud field pattern is also known as a garden pattern. In this version, the surface is divided into rectangular panels. The individual panels contain floral motifs, including trees of life and flowers. A border with animal and plant motifs surrounds the inner panels. The result is an arrangement of framed pictorial areas and a continuous edge design. Its structure comes from the relationship between many repeated motifs rather than from one isolated figure.
Herati is a traditional Persian pattern family commonly built from leaves, flowers and curling forms. In a Moud composition, it may accompany a central medallion or dominate the inner field throughout. The fine knotting supports a precise rendering of repeated shapes. Closely placed lines, small floral details and an ordered rhythm give the pattern its recognisable textile character.
The colours specified for this rug are strong red, reddish brown and blue on a beige ground. Strong reds can draw attention to a centre or to selected floral details in Persian rug compositions. Reddish brown connects the warm areas with an earthy tone, while blue introduces a clear contrast. The beige ground sets off the coloured pattern areas and gives the composition a balanced background.
Alongside medallion and field designs, Moud rugs are also known in all-over forms. In an all-over version, the inner field is dominated by the Herati pattern instead of being organised around one central emblem. These variations belong to the documented Moud design vocabulary. They show how one regional tradition can use different systems to structure the inner field.
Animal, floral and palmette motifs are also associated with Moud designs. Depending on the arrangement, they may appear in a border, inside rectangular panels or around a medallion. The motifs are set out in recurring paths and framed areas rather than scattered at random. This creates the characteristic Persian relationship between individual ornament, symmetry and an ordered field.
Special Features
The special features of this piece are its origin in Moud, Iran, its hand-knotted construction and its specified combination of sheep wool and cotton. The pile is high-quality sheep wool, the warp is cotton, and the weft uses cotton together with first-class sheep wool. The cotton fringes are also part of the stated construction.
Its design combines the descriptions Moud medallion and Moud field pattern. The listed colours are strong red, reddish brown and blue on a beige ground. A knot density of 300,000 to 360,000 knots per square metre supports the detailed rendering of the pattern. The rug is described as being in excellent quality from Moud, Iran.
FAQ
How should I care for my Moud Persian rug?
For routine care, vacuuming without a brush attachment is recommended. This helps protect the fibres while removing dust and loose particles from the surface. If a spill occurs, treat it immediately with a damp cloth and a mild cleaning product. Vigorous rubbing should be avoided so that the pile and pattern are not unnecessarily stressed. Professional rug cleaning is also advisable for thorough, long-term care. It complements careful everyday cleaning and helps preserve the textile surface over time.
Is a Moud rug suitable for underfloor heating?
Yes. Because of their high-quality materials and specialised knotting technique, Moud rugs are suitable for rooms with underfloor heating. The sheep wool and hand-knotted construction provide a textile surface that feels pleasantly warm underfoot. The rug can therefore contribute to the comfort of the room. The heating should be operated evenly. As with any hand-knotted rug, proper cleaning is recommended so that the materials, pile and pattern remain well maintained during continued use.
Where can I buy an authentic Moud Persian rug?
Authentic Moud rugs can be found at specialised rug dealers, at art and craft fairs, and online from trusted sellers. When buying, check the stated origin and any available certificates. This matters because Moud identifies both a region and the design tradition connected with it. A clear description should therefore identify the origin in Moud, Iran, the hand-knotted construction, the materials used and the particular pattern form. These details make it easier to understand and verify the rug’s classification as a Moud piece.
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